Cantitate/Preț
Produs
Total produse
Vezi coșul
Poetics de Aristotle

Poetics

Autor Aristotle
en Limba Engleză Paperback – 3 iul 2008
The Poetics of Aristotle is the first book written on the laws of literature. Aristotle was a student of Plato and a teacher of Alexander the Great. His writings include philosophy, logic, rhetoric, government, biology and zoology.
Citește tot Restrânge

Toate formatele și edițiile

Toate formatele și edițiile Preț Express
Paperback (16) 1869 lei  3-4 săpt. +743 lei  6-12 zile
  Dover Publications – 12 mar 1997 1869 lei  3-4 săpt. +743 lei  6-12 zile
  – 3344 lei  3-5 săpt.
  CREATESPACE – 3693 lei  3-5 săpt.
  OUP OXFORD – 10 ian 2013 5269 lei  22-27 zile +1978 lei  6-12 zile
  Penguin Publishing Group – mar 1997 5287 lei  22-33 zile +2010 lei  6-12 zile
  CREATESPACE – 6004 lei  3-5 săpt.
  Focus Publishing/R Pullins & Co – aug 2006 9386 lei  3-5 săpt. +1906 lei  6-12 zile
  W. W. Norton & Company – 9 ian 2018 10050 lei  3-5 săpt. +972 lei  6-12 zile
  Hackett Publishing Company – 15 dec 1987 12525 lei  3-5 săpt. +3278 lei  6-12 zile
  CREATESPACE – 5536 lei  6-8 săpt.
  CreateSpace Independent Publishing Platform – 8 dec 2015 5581 lei  6-8 săpt.
  Binker North – iun 1902 6059 lei  6-8 săpt.
  COSIMO CLASSICS – 30 oct 2008 7134 lei  6-8 săpt.
  Book Jungle – 3 iul 2008 7222 lei  6-8 săpt.
  Prometheus Books – 31 oct 1992 8557 lei  6-8 săpt.
  Clarendon Press – 5 mar 1980 38517 lei  43-48 zile
Hardback (1) 33863 lei  3-5 săpt.
  Hackett Publishing Company – 15 dec 1987 33863 lei  3-5 săpt.

Preț: 7222 lei

Nou

Puncte Express: 108
Preț estimativ în valută:
1278€ • 1499$ • 1122£

Carte tipărită la comandă

Livrare economică 05-19 februarie 26

 Adaugă în coș

Wish list
Gift list
Am citit!
Adaugă în listă
Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9781605978260
ISBN-10: 1605978264
Pagini: 52
Dimensiuni: 191 x 235 x 3 mm
Greutate: 0.11 kg
Editura: Book Jungle
Locul publicării:United States

Descriere

Descriere de la o altă ediție sau format:
'What is poetry, how many kinds of it are there, and what are their specific effects?'Aristotle's Poetics is the most influential book on poetry ever written. A founding text of European aesthetics and literary criticism, from it stems much of our modern understanding of the creation and impact of imaginative writing, including poetry, drama, and fiction. For Aristotle, the art of representation conveys universal truths which we can appreciate more easily than the lessons of history or philosophy. In his short treatise Aristotle discusses the origins of poetry and its early development, the nature of tragedy and plot, and offers practical advice to playwrights. This new translation by Anthony Kenny is accompanied by associated material from Plato and a range of responses from more modern literary practitioners: Sir Philip Sidney, P. B. Shelley, and Dorothy L. Sayers. The book includes a wide-ranging introduction and notes, making this the most accessible and attractive modern edition. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Notă biografică

Aristotle (Greek: ¿¿¿¿¿¿¿¿¿¿¿ Aristotél¿s, pronounced [aristotél¿¿s]; 384-322 BC)[A] was a Greek philosopher and polymath during the Classical period in Ancient Greece. Taught by Plato, he was the founder of the Lyceum, the Peripatetic school of philosophy, and the Aristotelian tradition. His writings cover many subjects. including physics, biology, zoology, metaphysics, logic, ethics, estheticspoetry, theatre, music, rhetoric, psychology, linguistics, economics, politics, and government. Aristotle provided a complex synthesis of the various philosophies existing prior to him. It was above all from his teachings that the West inherited its intellectual lexicon, as well as problems and methods of inquiry. As a result, his philosophy has exerted a unique influence on almost every form of knowledge in the West and it continues to be a subject of contemporary philosophical discussion. Little is known about his life. Aristotle was born in the city of Stagira in Northern Greece. His father, Nicomachus, died when Aristotle was a child, and he was brought up by a guardian. At seventeen or eighteen years of age he joined Plato's Academy in Athens and remained there until the age of thirty-seven (c. 347 BC).[4] Shortly after Plato died, Aristotle left Athens and, at the request of Philip II of Macedon, tutored Alexander the Great beginning in 343 BC.[5] He established a library in the Lyceum which helped him to produce many of his hundreds of books on papyrus scrolls. Though Aristotle wrote many elegant treatises and dialogues for publication, only around a third of his original output has survived, none of it intended for publication.[6] Aristotle's views on physical science profoundly shaped medieval scholarship. Their influence extended from Late Antiquity and the Early Middle Ages into the Renaissance, and were not replaced systematically until the Enlightenment and theories such as classical mechanics. Some of Aristotle's zoological observations found in his biology, such as on the hectocotyl (reproductive) arm of the octopus, were disbelieved until the 19th century. His works contain the earliest known formal study of logic, studied by medieval scholars such as Peter Abelard and John Buridan. Aristotle's influence on logic also continued well into the 19th century.

Cuprins

Translated with an Introduction and Notes by Malcolm HeathIntroduction
1. Human culture, poetry and the Poetics
2. Imitation
3. Aristotle's history of poetry
4. The analysis of tragedy
5. Plot: the basics
6. Reversal and recognition
7. The best kinds of tragic plot
8. The pleasures of tragedy
9. The other parts of tragedy
10. Tragedy: miscellaneous aspects
11. Epic
12. Comedy
13. Further reading
14. Reference conventions
Notes to the Introduction
Synopsis of the Poetics

POETICS
Notes to the translation

Recenzii

"I find the Introduction extremely convincing, lucid, learned, fair to past scholarship, and truly illuminating about the meaning of tragedy in general and about the very specific acceptions of hamartia, katharsis, ekplxis, and thauma, in the context of an appropriate understanding of the Poetics. Another remarkable feature is the dexterity and ease with which it draws on all the relevant parts of the Aristotelian corpus to shed light on troublesome textual passages in the Poetics. Finally, the style of the Introduction is straightforward, free of unnecessary jargon, direct, and economical, the best interpretation of the Poetics I ever read." -- Sabetai Unguru, Tel Aviv University
"The translations of Joe Sachs are a great gift to Greekless amateurs like me. He uses simple, unambiguous words joined into sentences that are often complex, as they must be to be accurate, but always clear (after sufficient attention has been paid). A stylist may find some awkwardness in the hyphenated compound words and the noun clauses he prefers to the polysyllabic Latinate words often found in English versions of Aristotle. But these blunt locutions along with Sachs' excellent notes manage to convey both the richness of meaning and the clarity of thought of their Greek antecedents. The resulting translation may strike some as awkward in style, but it will strike the careful reader who cares about what is translated as elegant (in the way mathematicians use that word)." -- Jerry L Thompson, Author, "Truth & Photography"

Textul de pe ultima copertă

Aristotle's Poetics is one of the most powerful, perceptive and influential works of criticism in Western literary history. A penetrating, near-contemporary account of Greek tragedy, it demonstrates how the elements of plot, character and spectacle combine to produce 'pity and fear' - and why we derive pleasure from this apparently painful process. It introduces the crucial concepts of mimesis ('imitation'), hamartia ('error') and katharsis, which have informed serious thinking about drama ever since. It examines the mythological heroes, idealized yet true to life, whom Aeschylus, Sophocles and Euripides brought on to the stage. And it explains how the most effective plays rely on complication and resolution, recognitions and reversals. Essential reading for all students of Greek literature and of the many Renaissance and post-Renaissance writers who consciously adopted Aristotle as a model, the Poetics is equally stimulating for anyone interested in theatre today.