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Poetics de Aristotle

Poetics

Autor Aristotle
en Limba Engleză Paperback – 30 oct 2008
The writings of Greek philosopher ARISTOTLE (384BC 322BC) student of Plato, teacher of Alexander the Great are among the most influential on Western thought, and indeed upon Western civilization itself. From theology and logic to politics and even biology, there is no area of human knowledge that has not been touched by his thinking. Poetics one of Aristotle s greatest works is the philosopher s grand and insightful essay on art and its purposes. Why must a story have a beginning, a middle, and an end? How can we define tragedy, and what is the artistic purpose of it? Is there one ideal kind of drama? What is the nature of poetry? How consciously should poets and playwrights construct their work? All these questions, and others, are discussed and debated in this, perhaps the single most significant text in Western critical tradition. Writers, actors, students of literature, and armchair philosophers will find it a challenging and rewarding read."
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Specificații

ISBN-13: 9781605203553
ISBN-10: 1605203556
Pagini: 68
Dimensiuni: 127 x 203 x 4 mm
Greutate: 0.08 kg
Editura: COSIMO CLASSICS
Locul publicării:United States

Notă biografică

Aristotle was a Greek philosopher and polymath during the Classical period in Ancient Greece. For twenty years he studied at Athens at the Academy of Plato, on whose death in 347 he left, and some time later became tutor to Alexander the Great. On Alexander's succession to the throne of Macedonia in 336, Aristotle returned to Athens and established his school and research institute, the Lyceum. After Alexander's death he was driven out of Athens and fled to Chalcis in Euboea where he died in 322. His writings profoundly affected the whole course of ancient and medieval philosophy. From his lessons, the West acquired its scholarly vocabulary, just as issues and strategies for request. Accordingly, his way of thinking has applied an exceptional effect on pretty much every type of information in the West and it keeps on being a subject of contemporary philosophical conversation.

Descriere

Descriere de la o altă ediție sau format:
'What is poetry, how many kinds of it are there, and what are their specific effects?'Aristotle's Poetics is the most influential book on poetry ever written. A founding text of European aesthetics and literary criticism, from it stems much of our modern understanding of the creation and impact of imaginative writing, including poetry, drama, and fiction. For Aristotle, the art of representation conveys universal truths which we can appreciate more easily than the lessons of history or philosophy. In his short treatise Aristotle discusses the origins of poetry and its early development, the nature of tragedy and plot, and offers practical advice to playwrights. This new translation by Anthony Kenny is accompanied by associated material from Plato and a range of responses from more modern literary practitioners: Sir Philip Sidney, P. B. Shelley, and Dorothy L. Sayers. The book includes a wide-ranging introduction and notes, making this the most accessible and attractive modern edition. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Cuprins

Translated with an Introduction and Notes by Malcolm HeathIntroduction
1. Human culture, poetry and the Poetics
2. Imitation
3. Aristotle's history of poetry
4. The analysis of tragedy
5. Plot: the basics
6. Reversal and recognition
7. The best kinds of tragic plot
8. The pleasures of tragedy
9. The other parts of tragedy
10. Tragedy: miscellaneous aspects
11. Epic
12. Comedy
13. Further reading
14. Reference conventions
Notes to the Introduction
Synopsis of the Poetics

POETICS
Notes to the translation

Recenzii

"I find the Introduction extremely convincing, lucid, learned, fair to past scholarship, and truly illuminating about the meaning of tragedy in general and about the very specific acceptions of hamartia, katharsis, ekplxis, and thauma, in the context of an appropriate understanding of the Poetics. Another remarkable feature is the dexterity and ease with which it draws on all the relevant parts of the Aristotelian corpus to shed light on troublesome textual passages in the Poetics. Finally, the style of the Introduction is straightforward, free of unnecessary jargon, direct, and economical, the best interpretation of the Poetics I ever read." -- Sabetai Unguru, Tel Aviv University
"The translations of Joe Sachs are a great gift to Greekless amateurs like me. He uses simple, unambiguous words joined into sentences that are often complex, as they must be to be accurate, but always clear (after sufficient attention has been paid). A stylist may find some awkwardness in the hyphenated compound words and the noun clauses he prefers to the polysyllabic Latinate words often found in English versions of Aristotle. But these blunt locutions along with Sachs' excellent notes manage to convey both the richness of meaning and the clarity of thought of their Greek antecedents. The resulting translation may strike some as awkward in style, but it will strike the careful reader who cares about what is translated as elegant (in the way mathematicians use that word)." -- Jerry L Thompson, Author, "Truth & Photography"

Textul de pe ultima copertă

Aristotle's Poetics is one of the most powerful, perceptive and influential works of criticism in Western literary history. A penetrating, near-contemporary account of Greek tragedy, it demonstrates how the elements of plot, character and spectacle combine to produce 'pity and fear' - and why we derive pleasure from this apparently painful process. It introduces the crucial concepts of mimesis ('imitation'), hamartia ('error') and katharsis, which have informed serious thinking about drama ever since. It examines the mythological heroes, idealized yet true to life, whom Aeschylus, Sophocles and Euripides brought on to the stage. And it explains how the most effective plays rely on complication and resolution, recognitions and reversals. Essential reading for all students of Greek literature and of the many Renaissance and post-Renaissance writers who consciously adopted Aristotle as a model, the Poetics is equally stimulating for anyone interested in theatre today.