Moby-Dick: Everyman's Library Classics & Contemporary Classics, cartea
Autor Herman Melvilleen Limba Engleză Hardback – 31 oct 1991 – vârsta de la 12 până la 18 ani
"As a revelation of human destiny it is too deep even for sorrow", was how D.H. Lawrence characterized MOBY-DICK. Published in the same five-year span as The Scarlet Letter, Walden, and Leaves of Grass, this great adventure of the sea and the life of the soul is the ultimate achievement of that stunning period in American letters.
(Book Jacket Status: Jacketed)
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Specificații
ISBN-10: 0679405593
Pagini: 632
Dimensiuni: 134 x 211 x 35 mm
Greutate: 0.64 kg
Editura: Everyman's Library
Seria Everyman's Library Classics & Contemporary Classics
Notă biografică
From the Trade Paperback edition.
Extras
Melville's father cast something of a blight on the family escutcheon by his tendency to bankruptcy which passed down to his son. Dollars damn me, the son was to say over and over. When he sat down in the green landscape of Pittsfield, Massachusetts, to compose Moby-Dick he was in debt, the father of one son, and another to be born a few days after the publication of the novel in England.
Melville had published five novels previous to Moby-Dick; the first two did well, and then with the capriciousness of the public the subsequent novels failed to please. He was a known literary figure with a fading reputation. How he came upon the courage to undertake the challenging creation of the epical battle between a sea creature, a white whale called Moby Dick, and an old captain from Nantucket by the name of Ahab is one of literature's triumphant mysteries. Add to that, as one reads, that he was only thirty-two years old.
Ten years before, in 1841, he had signed up as a common seaman on the whaling vessel Acushnet bound for the South Seas. Young Ishmael was drawn by the lure of the sea and by the wonder of the whale itself, the Leviathan, the monarch of the deep, "one grand hooded phantom, like a snow hill in the air." Until the discovery of petroleum oil in 1859 and Thomas Edison's invention of the incandescent lamp in 1879, whaling was a major commercial occupation in New England. Fortunes were made, grand houses were built, often with a "widow's walk" on the roof that testified to the great dangers of the enterprise. For the crew, service on a whaler was a drastic life of unremitting labor; foul, crowded quarters; bad food in scanty servings; contractual terms for years at miserable wages; brutalized companions picked up from all the ports of the world; tyrannical captains practicing a "sultanism" which Melville abhorred. A ship afloat is after all a prison. Melville was on three whalers in his four years at sea and from each, as we read in Typee and Omoo, the struggle is to escape, as he did when the boats anchored near exotic islands. He wrote about the misery of the whaling life, but not about whaling itself until he came to Moby-Dick. His imaginary whaler, the Pequod, death bound as it is, would be called, for an ordinary seaman, an agreeable berth. Ahab has no interest left beyond his internal struggle with one whale.
Still, there is whaling, the presumption of it. When a whale is sighted small boats are detached from the main vessel and the men engage in a deadly battle to try to match, with flying harpoons, the whale's immense strength and desperation. If the great thing is captured, the deck of the main ship becomes an abattoir of blood and guts. The thick blubber is to be stripped, the huge head to be drained of its oils for soothing ambergris, for candles; the bones of the carcass make their way into corsets and umbrellas and scrimshaw trinkets. Moby-Dick is a history of cetology, an encylopedic telling of the qualities of the fin-back, the right whale, the hyena whale, the sperm whale, the killer whale, classified by size in mock academic form as folio, octavo, and so on.
Information about a vanished world is one thing, but, above all else, this astonishing book is a human tragedy of almost supernatural suspensiveness, written in a rushing flow of imaginative language, poetical intensity, metaphor and adjective of consuming beauty. It begins on the cobbled streets of New Bedford, where Ishmael is to spend a few days before boarding the Pequod in Nantucket. The opening pages have a boyish charm as he is brought to share a bed with a fellow sailor, the harpooner Queequeg, an outrageously tattoed "primitive" who will be his companion throughout the narrative. Great ships under sail gave the old ports a rich heritage of myth, gossip, exaggeration, and rhetorical flights. Ishmael, on a Sunday, visits a whaleman's chapel to hear the incomparable sermon by Father Mapple on Jonah and the whale, a majestic interlude, one of many in this torrential outburst of fictional genius.
As Ishmael and Queequeg proceed to Nantucket, the shadows of the plot begin to fall upon the pages. The recruits are interviewed by two retired sailors who will struggle to express the complicated nature of Captain Ahab. We learn that he has lost a leg, chewed off by a whale, and thus the fated voyage of the Pequod begins. Ahab has lost his leg to a white whale Moby Dick and is consumed with a passion for retribution. He will hunt the singular whale as a private destiny in the manner of ancient kings in a legendary world. However, Ahab is real and in command. The chief mate, Starbuck, understands the folly of the quest, the danger of it, and, as a thoughtful man longing to return to his wife and children, he will speak again and again the language of reason. "Vengeance on a dumb beast that simply smote thee from the blindest instinct! Madness! To be enraged with a dumb thing, Captain Ahab, seems blasphemous."
The necessity of Starbuck's human distance from the implacable imperative of Ahab's quest illustrates the brilliant formation of this harrowing tale. But it is Ahab's story, his destiny, and, if on the one hand, he is a shabby, sea-worn sailor long mesmerized by mercurial oceans, he too has a wife at home and a child of his old age. We learn, as the story proceeds, that on a time ashore after his terrible wounding, he had fallen and by way of his whalebone leg been unmanned. He has suffered an incapacity not to be peacefully borne by one who in forty years had spent only three on land. Ahab knows the wild unsuitability of his nature, his remove from the common life.
From the Trade Paperback edition.
Descriere
Recenzii
Cuprins
Loomings The Carpet Bag The Spouter-Inn The Counterpane Breakfast The Street The Chapel The Pulpit The Sermon A Bosom Friend Nightgown Biographical Wheelbarrow Nantucket Chowder The Ship The Ramadan His Mark The Prophet All Astir Going Aboard Merry Christmas The Lee Shore The Advocate Postscript Knights and Squires Knights and Squires Ahab Enter Ahab; to him, Stubb The Pipe Queen Mab Cetology The Specksynder The Cabin Table The Mast-Head The Quarter-Deck • Ahab and all Sunset Dusk First Night-Watch Forecastle---Midnight Moby Dick The Whiteness of the Whale Hark! The Chart The Affidavit Surmises The Mat-Maker The First Lowering The Hyena Ahab's Boat and Crew---Fedallah The Spirit-Spout The Pequod meets the Albatross The Gam The Town Ho's Story Monstrous Pictures of Whales Less Erroneous Pictures of Whales Of Whales in Paint, in Teeth, &c. Brit Squid The Line Stubb kills a Whale The Dart The Crotch Stubb's Supper The Whale as a Dish The Shark Massacre Cutting In The Blanket The Funeral The Sphynx The Pequod meets the Jeroboam • Her Story The Monkey-rope Stubb & Flask kill a Right Whale The Sperm Whale's Head The Right Whale's Head The Battering-Ram The Great Heidelburgh Tun Cistern and Buckets The Prairie The Nut The Pequod meets the Virgin The Honor and Glory of Whaling Jonah Historically Regarded Pitchpoling The Fountain The Tail The Grand Armada Schools & Schoolmasters Fast Fish and Loose Fish Heads or Tails The Pequod meets the Rose Bud Ambergris The Castaway A Squeeze of the Hand The Cassock The Try-Works The Lamp Stowing Down & Clearing Up The Doubloon The Pequod meets the Samuel Enderby of London The Decanter A Bower in the Arsacides Measurement of the Whale's Skeleton The Fossil Whale Does the Whale Diminish? Ahab's Leg The Carpenter The Deck • Ahab and the Carpenter The Cabin • Ahab and Starbuck Queequeg in his Coffin The Pacific The Blacksmith The Forge The Gilder The Pequod meets the Bachelor The Dying Whale The Whale-Watch The Quadrant The Candles The Deck Midnight, on the Forecastle Midnight, Aloft The Musket The Needle The Log and Line The Life-Buoy Ahab and the Carpenter The Pequod meets the Rachel The Cabin •Ahab and Pip The Hat The Pequod meets the Delight The Symphony The Chase • First Day The Chase • Second Day The Chase • Third Day Epilogue
List of Textual Emendations Explanatory Notes Glossary of Nautical Terms Maps and Illustrations
Textul de pe ultima copertă
A masterpiece of storytelling, this epic saga pits Ahab, a brooding and fantastical sea captain, against the great white whale that crippled him. In telling the tale of Ahab's passion for revenge and the fateful voyage that ensued, Melville produced far more than the narrative of a hair-raising journey; Moby-Dick is a tale for the ages that sounds the deepest depths of the human soul.
Interspersed with graphic sketches of life aboard a whaling vessel, and a wealth of information on whales and 19th-century whaling, Melville's greatest work presents an imaginative and thrilling picture of life at sea, as well as a portrait of heroic determination. The author's keen powers of observation and firsthand knowledge of shipboard life (he served aboard a whaler himself) were key ingredients in crafting a maritime story that dramatically examines the conflict between man and nature.
"A valuable addition to the literature of the day," said American journalist Horace Greeley on the publication of Moby-Dick in 1851 a classic piece of understatement about a literary classic now considered by many as "the great American novel." Read and pondered by generations, the novel remains an unsurpassed account of the ultimate human struggle against the indifference of nature and the awful power of fate."