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Jude the Obscure de Thomas Hardy

Jude the Obscure

Autor Thomas Hardy Editat de Ralph Pite
en Limba Engleză Paperback – 15 apr 2016
The Norton Critical Edition also includes:
- Expanded footnotes by Ralph Pite, further drawing out Hardy's web of allusions and comprehensively indicating the material culture in which he embeds this narrative.
- A selection of Hardy's poems--four of them new to the Third Edition--that emphasizes the biographical contexts from which parts of Jude the Obscure arose.
- Eighteen critical responses, including eleven modern essays--eight of them new to the Third Edition. Simon Gatrell, Michael Hollington, Elaine Showalter, Victor Luftig, and Mary Jacobus are among the new voices.
- A Chronology and revised and expanded Selected Bibliography.
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Specificații

ISBN-13: 9780393937527
ISBN-10: 0393937526
Pagini: 464
Dimensiuni: 128 x 213 x 33 mm
Greutate: 0.39 kg
Ediția:Critică
Editura: W. W. Norton & Company

Descriere

This third Norton Critical Edition of Hardy's last novel has been revised to reflect the breadth of responses it has received over the last fifteen years.

Notă biografică

Thomas Hardy (1840 - 1928) was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, especially William Wordsworth. He was highly critical of much in Victorian society, though Hardy focused more on a declining rural society. While Hardy wrote poetry throughout his life and regarded himself primarily as a poet, his first collection was not published until 1898. Initially, therefore, he gained fame as the author of such novels as Far from the Madding Crowd (1874), The Mayor of Casterbridge (1886), Tess of the d'Urbervilles (1891), and Jude the Obscure (1895). During his lifetime, Hardy's poetry was acclaimed by younger poets (particularly the Georgians) who viewed him as a mentor. After his death his poems were lauded by Ezra Pound, W. H. Auden and Philip Larkin. Many of his novels concern tragic characters struggling against their passions and social circumstances and they are often set in the semi-fictional region of Wessex; initially based on the medieval Anglo-Saxon kingdom, Hardy's Wessex eventually came to include the counties of Dorset, Wiltshire, Somerset, Devon, Hampshire and much of Berkshire, in southwest and south central England. He destroyed the manuscript of his first, unplaced novel, but -- encouraged by mentor and friend George Meredith -- tried again. His important work took place in an area of southern England he called Wessex, named after the English kingdom that existed before the Norman Conquest.

Cuprins

Acknowledgements and Editorial Note
Introduction
A Note on the Text
Thomas Hardy: A Brief Chronology
Hardy’s Preface (1895), Revised Preface and Postscript (1912)
JUDE THE OBSCURE
Part First, At Marygreen, I-XI
Part Second, At Christminster, I-VII
Part Third, At Melchester, I-X
Part Fourth, At Shaston, I-VI
Part Fifth, At Aldbrickham and Elsewhere, I-VIII
Part Sixth, At Christminster again, I-XI
Appendix A: Major Textual Changes
Appendix B: Comments by Hardy
Appendix C: Contemporaneous Reviews and a Parody
Appendix D: Hardy’s Outlook
Appendix E: Influences and Contexts: Cultural Extracts
Appendix F: Oxford, Jowett, and Educational Opportunity
Appendix G: Divorce in Jude the Obscure
Appendix H: Map of Wessex Appended to the 1895 Edition of Jude the Obscure
Select Bibliography

Recenzii

When Thomas Hardy’s Jude the Obscure appeared in 1895, it immediately caused scandal and controversy. Its frank treatment of Jude’s sexual relationships with Arabella and Sue, its scathing criticisms of late-Victorian hypocrisy, its depiction of the “New Woman,” and its attacks on “holy wedlock” and religious bigotry outraged numerous reviewers; one called the book “Jude the Obscene.” Others saw it as brilliantly progressive in its ideas and techniques. Vivid and complex, satiric and harrowing, this novel marked the culmination of Hardy’s development as a leading novelist of the cultural transition from the Victorian to the Modernist era. The Broadview edition restores the original, controversial 1895 text.

“Cedric Watts’s edition of Jude the Obscure is one of an extremely interesting set of literary works from Broadview Press, distinguished by wise editorial choices and inclusion of a variety of documents contemporary with the works. Watts is one of our era’s most resourceful and level-headed analysts of literature, and his introduction richly sketches the angles of several controversies current in Hardy’s time. There are numerous selections from writings which influenced Hardy (science, philosophy, poems, the Bible) excerpts from essays and poems from the late nineteenth century, and materials in categories such as divorce, and university education, all of which amplify and add to Watts’ comments, and stimulate thinking about Hardy and nineteenth-century subjects, as well as about our own time.” — Dale Kramer, University of Oregon
“This is an informative and scholarly edition of the novel which brings out its explosive nature, why it so scandalised Hardy’s contemporaries. Professor Watts provides a clear, lively introduction, helpful notes and a wealth of material on the textual history of Jude the Obscure, its contemporary reception and its intellectual and social context. Readers of Hardy will find it immensely useful.” — T.R. Wright, University of Newcastle
“Broadview Press and editor Cedric Watts have done a splendid job.” — English Literature in Transition