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Hysteria de Terry Johnson

Hysteria: Modern Plays

Autor Terry Johnson
en Limba Engleză Paperback – 26 noi 1995
"Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety" (Guardian)In Hysteria one of Freud's earliest "cases" returns to haunt the psychoanalyst but finds Salvador Dali hiding in the cupboard. It is "one of the most brilliantly original and entertaining new plays I have seen in years: wild, weird and funny, serious, compassionate and shocking, blasphemous and reverential, intellectual and frivolous, a factual fantasy, a demented farce, a black nightmare." (Sunday Times)
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Specificații

ISBN-13: 9780413703606
ISBN-10: 0413703606
Pagini: 108
Dimensiuni: 127 x 203 x 6 mm
Greutate: 0.13 kg
Ediția:Revizuită
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays

Locul publicării:London, United Kingdom

Descriere

"Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety" (Guardian)

Caracteristici

Published to coincide with a London revival in which double Olivier award-winner Antony Sher makes a highly-anticipated return to Hampstead Theatre.

Notă biografică

Terry Johnson's work as a playwright includes a version of Edward Ravenscroft's The London Cuckolds, Dead Funny, and Hysteria. He is the recipient of major British theatre awards including Playwright of the Year 1995; Critics' Circle Best New Play 1995; Writers' Guild Best West End Play 1995; Olivier Award Best Comedy 1994; the Meyer-Whitworth Award 1993; and the John Whiting Award 1991. He also won the 2010 Tony Award for Best Director of a Musical for his production of La Cage aux Folles. His play Piano/Forte premiered at the Royal Court Jerwood Theatre Downstairs in 2006.

Recenzii

Terry Johnson is a writer of cracking acting parts, and one of the critically cherished few who can build characters and action from a thematic starting point
Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety
One of the most brilliantly original and entertaining new plays I have seen in years: wild, weird and funny, serious, compassionate and shocking, blasphemous and reverential, intellectual and frivolous, a factual fantasy, a demented farce, a black nightmare.
Uniting flurries of brilliantly developed farce with fizzing intellectual slapstick