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Euripides: Hecuba: Introduction, Text, and Commentary: Society for Classical Studies Textbooks

Autor Euripides Editat de Justina Gregory
en Limba Engleză Hardback – mai 1999
Medea, written by Euripedes, is one of the most powerful and enduring of Greek tragedies, masterfully portraying the fierce motives driving Medea's pursuit of vengeance for her husband's insult and betrayal. This classic play tells the tragic story of Medea, who had helped Jason in his quest, became his wife, gave him two sons, and feels betrayed since he is marrying the daughter of the ruler of Corinth (Jason has come to the conclusion that this is necessary to protect Medea and his sons since she is a barbarian). With horrible vengeance, Medea kills the bride and the king and then kills her two sons. Euripedes depicts how much passion and vengeance can overcome not only individuals, but those who strive to be rational. Men (and governments) can't ignore the influence of emotion, and even irrationality, on their decisions and actions, even when those actions may seem rational and just. Man has to remain flexible. Medea also shows how emotions, anger, and unbridled fury can cause a person to do stupid and irrational acts. Euripedes is undoubtedly warning Athens with respect to the war that is going on with Sparta. Medea is an absolutely riveting character, whose tragic problems are those of all women who have left their homes and families to follow men to foreign lands, only to be scorned by them in the end. The speeches of Jason and Medea are remarkable point-counterpoint presentations which reflect the deep influence of the sophists of Euripides' day. Medea sounds, at times, like a proto-feminist. She is one of the most enduring dramatic creations of all times, revealing with each line the remarkable genius of Euripides, the most modern of the three great Greek tragedians.
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Specificații

ISBN-13: 9780788506123
ISBN-10: 0788506129
Pagini: 256
Ilustrații: illus, map
Dimensiuni: 231 x 162 x 20 mm
Greutate: 0.53 kg
Editura: Oxford University Press
Colecția OUP USA
Seria Society for Classical Studies Textbooks

Locul publicării:New York, United States

Recenzii

Justina Gregory's splendidly helpful and up-to-date commentary is crisp, judicious and seriously thought-provoking. It will be very widely and gratefully used.

Cuprins

PrefaceIntroductionContentsFIRST PRODUCTION OF THE PLAY - THE TRILOGY- THE TROADESTHE TEXT - The Manuscript V - The Manuscript P - Harleianus 5743 (Q) - Hazmiensis 417-Neapolitanus II F 9- Papyri-Indirect Sources - NOTES TOINTRODUCTIONTEXTApparatus CriticusList Of AbbreviationsCOMMENTARYNotes On Metrical AnalysesAddendaBibliographyBibliographical PostscriptIndexes

Descriere

Descriere de la o altă ediție sau format:
Euripides' Bakkhai is the staple of the canon of Greek tragedy and is required or strongly recommended reading for most undergraduate Classics majors. It also surfaces quite often in non-classics courses focusing on tragedy because its structure and thematics offer exemplary models of the classic tragic elements. The plot of Bakkhai centers around the actions of Pentheus, King of Thebes, who refused to recognise the god Dionysus or permit Thebans to worship him. In revenge, Dionysus drove Pentheus mad, made him cross-dress as a maenad, sent him to worship the god he had spurned, and made his mother, Agave, mistake him for a wild beast and rip him to shreds. Gibbons, a prize-winning poet, and Segal, a renowned classicist, are both leaders in their professions and are well-suited to take on this central text of Greek tragedy. This edition includes an introduction, a new translation, notes on the text, and a glossary.

Notă biografică

R.A.S. Seaford is Professor of Classics and Ancient History at the University of Exeter, UK. His publications include Cosmology and The Polis: the Social Construction of Space and Time in the Tragedies of Aeschylus (2012), Dionysos (2006), and Money and the Early Greek Mind (2004).

Caracteristici

The introduction covers the development of tragedy, the ancient Greek theatre, play production, the differences between ancient and modern tragedy, Euripides' life, works and reputation, and finally the Hecuba itself