Death in Venice
Autor Thomas Mannen Limba Engleză Hardback – 17 mar 2026
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Specificații
ISBN-13: 9781035065196
ISBN-10: 1035065193
Pagini: 120
Dimensiuni: 94 x 150 x 25 mm
Greutate: 0.45 kg
Editura: MacMillan Collector's Library
ISBN-10: 1035065193
Pagini: 120
Dimensiuni: 94 x 150 x 25 mm
Greutate: 0.45 kg
Editura: MacMillan Collector's Library
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Notă biografică
Thomas Mann (1875?1955) was one of the finest and most prolific German novelists of our century. His most famous works include Buddenbrooks, The Magic Mountain, Doctor Faustus, and the Joseph tetralogy.
Joachim Neugroschel has won three PEN translation awards and the French-American translation prize. He has also translated Thomas Mann's Death in Venice and Sacher-Masoch's Venus in Furs, both for Penguin Classics. He lives in Brooklyn, New York.
Joachim Neugroschel has won three PEN translation awards and the French-American translation prize. He has also translated Thomas Mann's Death in Venice and Sacher-Masoch's Venus in Furs, both for Penguin Classics. He lives in Brooklyn, New York.
Textul de pe ultima copertă
The world-famous masterpiece by Nobel laureate Thomas Mann -- here in a new translation by Michael Henry Heim
Published on the eve of World War I, a decade after Buddenbrooks had established Thomas Mann as a literary celebrity, Death in Venice tells the story of Gustav von Aschenbach, a successful but aging writer who follows his wanderlust to Venice in search of spiritual fulfillment that instead leads to his erotic doom.
In the decaying city, besieged by an unnamed epidemic, he becomes obsessed with an exquisite Polish boy, Tadzio. "It is a story of the voluptuousness of doom," Mann wrote. "But the problem I had especially in mind was that of the artist's dignity."
Published on the eve of World War I, a decade after Buddenbrooks had established Thomas Mann as a literary celebrity, Death in Venice tells the story of Gustav von Aschenbach, a successful but aging writer who follows his wanderlust to Venice in search of spiritual fulfillment that instead leads to his erotic doom.
In the decaying city, besieged by an unnamed epidemic, he becomes obsessed with an exquisite Polish boy, Tadzio. "It is a story of the voluptuousness of doom," Mann wrote. "But the problem I had especially in mind was that of the artist's dignity."