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Death in Venice

Autor Thomas Mann
en Limba Engleză Hardback – 15 noi 2021
Featuring his world-famous masterpiece, "Death in Venice," this new collection of Nobel laureate Thomas Mann's stories and novellas reveals his artistic evolution. In this new, widely acclaimed translation that restores the controversial passages that were cut out of the original English version, "Death in Venice" tells about a ruinous quest for love and beauty amid degenerating splendor. Gustav von Aschenbach, a successful but lonely author, travels to the Queen of the Adriatic in search of an elusive spiritual fulfillment that turns into his erotic doom. Spellbound by a beautiful Polish boy, he finds himself fettered to this hypnotic city of sun-drenched sensuality and eerie physical decay.

Also included in this volume are eleven other stories by Mann: "Tonio Kroger," "Gladius Dei," "The Blood of the Walsungs," "The Will for Happiness," "Little Herr Friedmann," "Tobias Mindernickel," "Little Lizzy," "Tristan," "The Starvelings," "The Wunderkind," and "Harsh Hour." All of the stories collected here display Mann's inimitable use of irony, his subtle characterizations, and superb, complex plots.

@GustavaelJackson While walking in the hotel lobby, saw a little kid dressed in a sailor’s uniform. Went from six to midnight. No Viagra needed.

I worry that his parents have noticed me. They might issue an amber alert if the child goes missing. Look out for gondola and child.

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Specificații

ISBN-13: 9781950330850
ISBN-10: 1950330850
Pagini: 134
Dimensiuni: 157 x 235 x 12 mm
Greutate: 0.36 kg
Editura: Ancient Wisdom Publications

Descriere

Descriere de la o altă ediție sau format:
As the ageing Gustav von Aschenbach, a famous author who has recently been ennobled in recognition of his literary achievements, arrives in Venice for a holiday and checks into his Lido hotel, he is struck by the arresting good looks of Tadzio, an aristocratic Polish youth of around fourteen who is sojourning there with his family. Gradually, what starts as a feeling of intense curiosity develops into a profound passion, until Aschenbach begins to follow the adolescent secretly through the streets of the Serenissima and becomes utterly infatuated with his beauty.

Considered by many to be Mann's masterpiece, Death in Venice, first published in 1912 and based on the author's own stay in Venice the previous year, is presented here in a sparkling new translation by Sander Berg.

ABOUT THE SERIES: Alma Classics Evergreens is a series of popular classics. All the titles in the series are provided with an extensive critical apparatus and extra reading material, including a section of photographs and notes. The texts are based on the most authoritative edition (or collated from the most authoritative editions or manuscripts) and edited using a fresh, intelligent editorial approach. With an emphasis on the production, editorial and typographical values of a book, Alma Classics aspires to revitalize the whole experience of reading the classics.

Notă biografică

Thomas Mann (1875?1955) was one of the finest and most prolific German novelists of our century. His most famous works include Buddenbrooks, The Magic Mountain, Doctor Faustus, and the Joseph tetralogy.
Joachim Neugroschel has won three PEN translation awards and the French-American translation prize. He has also translated Thomas Mann's Death in Venice and Sacher-Masoch's Venus in Furs, both for Penguin Classics. He lives in Brooklyn, New York.

Textul de pe ultima copertă

The world-famous masterpiece by Nobel laureate Thomas Mann -- here in a new translation by Michael Henry Heim
Published on the eve of World War I, a decade after Buddenbrooks had established Thomas Mann as a literary celebrity, Death in Venice tells the story of Gustav von Aschenbach, a successful but aging writer who follows his wanderlust to Venice in search of spiritual fulfillment that instead leads to his erotic doom.
In the decaying city, besieged by an unnamed epidemic, he becomes obsessed with an exquisite Polish boy, Tadzio. "It is a story of the voluptuousness of doom," Mann wrote. "But the problem I had especially in mind was that of the artist's dignity."