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Anne of Green Gables de Lucy Maud Montgomery

Anne of Green Gables: Vintage Children's Classics

Autor Lucy Maud Montgomery
Notă:  5.00 · 2 note 
en Limba Engleză Paperback – 5 iun 2013 – vârsta de la 9 până la 12 ani

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Audies (2005)
It's a million times nicer to be Anne of Green Gables than Anne of nowhere in particular, isn't it?'

     My dislikes: Being an orphan, having red hair, people twitting about my red hair, being called 'carrots' by Gilbert Blythe.

     My likes: Living at the Green Gables with Marilla and Matthew Cuthbert, my bosom-friend Diana, dresses with puff sleeves, renaming Barry's pond the Lake of Shining Waters, coming top of the class.

     My regrets: Dying my hair green. Smashing a slate over Gilbert Blythe's head.

     My dream: To tame my temper. To be good (this is an uphill struggle ). To grow up to have auburn hair!
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Specificații

ISBN-13: 9780099582649
ISBN-10: 0099582643
Pagini: 496
Dimensiuni: 130 x 188 x 33 mm
Greutate: 0.34 kg
Editura: Vintage Publishing
Colecția Vintage Children's Classics
Seria Vintage Children's Classics

Recenzii

"Aficionados of the auburn-tressed waif will find Anne of Green Gables lavishly illustrated."
–Smithsonian Magazine

Notă biografică

L. M. MONTGOMERY, known as Maud, was born on Prince Edward Island, off the coast of Canada, in 1874. Maud's mother died when she was just a baby and so she had a rather unhappy childhood growing up in the care of her strict grandparents. She was just sixteen when she had her first poem published. As a young woman she worked as a teacher and although she didn't enjoy it much it gave her lots of time to write. Maud wrote hundred of short stories, poems and novels throughout her life but it was the hugely popular Anne of Green Gables and its sequels that made her famous. She died in 1942.

Extras

Daring was the fashionable amusement among the Avonlea small fry just then. It had begun among the boys, but soon spread to the girls, and all the silly things that were done in Avonlea that summer because the doers thereof were “dared” to do them would fill a book by themselves. . . .

Now, to “walk” board fences requires more skill and steadiness of head and heel than one might suppose who has never tried it. But Josie Pye, if deficient in some qualities that make for popularity, had at least a natural and inborn gift, duly cultivated, for walking board fences. Josie walked the Barry fence with an airy unconcern which seemed to imply that a little thing like that wasn’t worth a “dare.” Reluctant admiration greeted her exploit, for most of the other girls could appreciate it, having suffered many things themselves in their efforts to walk fences. Josie descended from her perch, flushed with victory, and darted a defiant glance at Anne.

Anne tossed her red braids.

“I don’t think it’s such a very wonderful thing to walk a little, low, board fence,” she said. “I knew a girl in Marysville who could walk the ridge-pole of a roof.”

“I don’t believe it,” said Josie flatly. “I don’t believe anybody could walk a ridge-pole. You couldn’t, anyhow.”

“Couldn’t I?” cried Anne rashly.

“Then I dare you to do it,” said Josie defiantly. “I dare you to climb up there and walk the ridge-pole of Mr. Barry’s kitchen roof.”

Anne turned pale, but there was clearly only one thing to be done. She walked towards the house, where a ladder was leaning against the kitchen roof. All the fifth-class girls said, “Oh!” partly in excitement, partly in dismay.

“Don’t you do it, Anne,” entreated Diana. “You’ll fall off and be killed. Never mind Josie Pye. It isn’t fair to dare anybody to do anything so dangerous.”

“I must do it. My honour is at stake,” said Anne solemnly. “I shall walk that ridge-pole, Diana, or perish in the attempt. If I am killed you are to have my pearl bead ring.”

Anne climbed the ladder amid breathless silence, gained the ridge-pole, balanced herself uprightly on that precarious footing, and started to walk along it, dizzily conscious that she was uncomfortably high up in the world and that walking ridge-poles was not a thing in which your imagination helped you out much. Nevertheless, she managed to take several steps before the catastrophe came. Then she swayed, lost her balance, stumbled, staggered and fell, sliding down over the sun-baked roof and crashing off it through the tangle of Virginia creeper beneath — all before the dismayed circle below could give a simultaneous, terrified shriek.

If Anne had tumbled off the roof on the side up which she ascended Diana would probably have fallen heir to the pearl bead ring then and there. Fortunately she fell on the other side, where the roof extended down over the porch so nearly to the ground that a fall therefrom was a much less serious thing.

Nevertheless, when Diana and the other girls had rushed frantically around the house — except Ruby Gillis, who remained as if rooted to the ground and went into hysterics — they found Anne lying all white and limp among the wreck and ruin of the Virginia creeper.

“Anne, are you killed?” shrieked Diana, throwing herself on her knees beside her friend. “Oh, Anne, dear Anne, speak just one word to me and tell me if you’re killed.”

To the immense relief of all the girls, and especially of Josie Pye, who, in spite of lack of imagination, had been seized with horrible visions of a future branded as the girl who was the cause of Anne Shirley’s early and tragic death, Anne sat dizzily up and answered uncertainly:

“No, Diana, I am not killed, but I think I am rendered unconscious.”

Descriere

Descriere de la o altă ediție sau format:

One of the most charming and enduring coming-of-age tales!

Best-selling Canadian author Lucy Maud Montgomery published the first book in her charming series in 1908, making it a literary favorite for more than a hundred years. Published as a children's novel, the story of Anne Shirley, an orphan, was inspired by the author's childhood adventures on rural Prince Edward Island. It follows Anne's journey as she moves to a farm on Prince Edward Island to live with a middle-aged brother and sister who had intended to adopt a boy to help them with farming chores. The story follows Anne as she makes a home and comes of age on the island.

 

* This chic and inexpensive edition comes with a heat-burnished cover, foil stamping, luxurious endpapers, and a smaller trim size that's easy to hold.
* The widely popular novel has sold more than 50 million copies and has been translated into more than twenty languages since its first publication.

 

Anne of Green Gables has been one of the world's most charming coming-of-age stories for more than a century.

 

About the Word Cloud Classics series:

Classic works of literature with a clean, modern aesthetic! Perfect for both old and new literature fans, the Word Cloud Classics series from Canterbury Classics provides a chic and inexpensive introduction to timeless tales. With a higher production value, including heat burnished covers and foil stamping, these eye-catching, easy-to-hold editions are the perfect gift for students and fans of literature everywhere.

Textul de pe ultima copertă

L.M. Montgomery's Anne of Green Gables is one of the best-known and most enduringly popular novels of the twentieth century. First published in 1908, it has never been out of print, and it continues, nearly a century after its first appearance, to appeal to new readers in many locations around the world. Anne of Green Gables is the story of how a little girl, adopted from an orphan asylum by a brother and sister seeking a boy to help them on their Prince Edward Island farm, grows to responsible young adulthood and, as she grows, brings light and life to her adoptive home. Although it is, as Montgomery described it in her journal, a "simple little tale," it has nonetheless generated not only an international readership but, more recently, an increasing critical interest that focuses on the text's engagement with social and political issues, its relation to Montgomery's life and her other writing, and its circulation as a popular cultural commodity in Canada and elsewhere.

This Broadview edition is based on the first edition of Anne of Green Gables. It includes a critical introduction and a fascinating selection of contemporary documents, including contemporary reviews of the novel, other writings by L.M. Montgomery (stories, writings on gender and on writing), and excerpts from the "Pansy" books by Isabella Macdonald Alden.

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