A Midsummer Night's Dream
Autor William Shakespeare Editat de John R. Ford, James H. Lakeen Limba Engleză Paperback – oct 2009
George Lyman Kittredge’s insightful editions of Shakespeare have endured in part because of his eclecticism, his diversity of interests, and his wide-ranging accomplishments, all of which are reflected in the valuable notes in each volume.
These new editions have specific emphasis on the performance histories of the plays (on stage and screen).
Features of each edition include:
- The original introduction to the Kittredge Edition
- Editor’s Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the play’s performance history on stage and screen.
- Explanatory Notes. The explanatory notes either expand on Kittredge’s superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeare’s sometimes demanding language.
- Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices.
- How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeare’s words allow the reader to envision the work "off the page."
- Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeare’s life. Some of the Chronologies include time chronologies within the plays.
- Topics for Discussion and Further Study Section. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editions’ Introduction.
- Select Bibliography & Filmography
Each New Kittredge edition also includes screen grabs from major productions, for comparison and scene study.
Features of each edition include:
- The original introduction to the Kittredge Edition
- Editor’s Introduction to the Focus Edition. An overview on major themes of the plays, and sections on the play’s performance history on stage and screen.
- Explanatory Notes. The explanatory notes either expand on Kittredge’s superb glosses, or, in the case of plays for which he did not write notes, give the needed explanations for Shakespeare’s sometimes demanding language.
- Performance notes. These appear separately and immediately below the textual footnotes and include discussions of noteworthy stagings of the plays, issues of interpretation, and film and stage choices.
- How to read the play as Performance Section. A discussion of the written play vs. the play as performed and the various ways in which Shakespeare’s words allow the reader to envision the work "off the page."
- Comprehensive Timeline. Covering major historical events (with brief annotations) as well as relevant details from Shakespeare’s life. Some of the Chronologies include time chronologies within the plays.
- Topics for Discussion and Further Study Section. Critical Issues: Dealing with the text in a larger context and considerations of character, genre, language, and interpretative problems. Performance Issues: Problems and intricacies of staging the play connected to chief issues discussed in the Focus Editions’ Introduction.
- Select Bibliography & Filmography
Each New Kittredge edition also includes screen grabs from major productions, for comparison and scene study.
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Specificații
ISBN-13: 9781585101658
ISBN-10: 1585101656
Pagini: 126
Ilustrații: Photos from major productions
Dimensiuni: 140 x 216 x 10 mm
Greutate: 0.2 kg
Ediția:First Edition
Editura: Hackett Publishing Company,Inc
Colecția Focus
Locul publicării:United States
ISBN-10: 1585101656
Pagini: 126
Ilustrații: Photos from major productions
Dimensiuni: 140 x 216 x 10 mm
Greutate: 0.2 kg
Ediția:First Edition
Editura: Hackett Publishing Company,Inc
Colecția Focus
Locul publicării:United States
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Recenzii
This edition of A Midsummer Night’s Dream is wonderfully lucid and thoughtful, offering supporting material that will appeal to readers from high school students to scholars. The introduction is especially thoughtful, offering, in addition to expected discussions of love, magic and imagination, an exploration of the theatrical history. The bibliography and filmography are both detailed and helpful, and the questions guide students to consider the play from many viewpoints without ever forcing an interpretation onto them.
- Annalisa Castaldo, Widener University
- Annalisa Castaldo, Widener University
Even as the New Kittredge Shakespeare series glances back to George Lyman Kittredge's student editions of the plays, it is very much of our current moment: the slim editions are targeted largely at high school and first-year college students who are more versed in visual than in print culture. Not only are the texts of the plays accompanied by photographs or stills from various stage and cinema performances: the editorial contributions are performance-oriented, offering surveys of contemporary film interpretations, essays on the plays as performance pieces, and an annotated filmography. Traditional editorial issues (competing versions of the text, cruxes, editorial emendation history) are for the most part excluded; the editions focus instead on clarifying the text with an eye to performing it. There is no disputing the pedagogic usefulness of the New Kittredge Shakespeare's performance-oriented approach. At times, however, it can run the risk of treating textual issues as impediments, rather than partners, to issues of performance. This is particularly the case with a textually vexed play such as Pericles: Prince of Tyre. In the introduction to the latter, Jeffrey Kahan notes the frequent unintelligibility of the play as originally published: "the chances of a reconstructed text matching what Shakespeare actually wrote are about 'nil'" (p. xiii) But his solution — to use a "traditional text" rather than one corrected as are the Oxford and Norton Pericles — obscures how this "traditional text," including its act and scene division, is itself a palimpsest produced through three centuries of editorial intervention. Nevertheless, the series does a service to its target audience with its emphasis on performance and dramaturgy. Kahan's own essay about his experiences as dramaturge for a college production of Pericles is very good indeed, particularly on the play's inability to purge the trace of incestuous desire that Pericles first encounters in Antioch. Other plays' cinematic histories: Annalisa Castaldo's edition of Henry V contrasts Laurence Oliver's and Branagh's film productions; Samuel Crowl's and James Wells's edition of (respectively) I and 2 Henry IV concentrate on Welle's Chimes at Midnight and Gus Van Sant's My Own Private Idaho; Patricia Lennox's edition of As You Like It offers an overview of four Hollywood and British film adaptations; and John R. Ford's edition of A Midsummer Night's Dream provides a spirited survey of the play's rich film history.
The differences between, and comparative merits of, various editorial series are suggested by the three editions of The Taming of the Shrew published this year. Laury Magnus's New Kittredge Shakespeare edition is, like the other New Kittredge volumes, a workable text for high school and first year college students interested in film and theater. The introduction elaborates on one theme — Elizabethan constructions of gender — and offers a very broad performance history, focusing on Sam Taylor's and Zeffirelli's film versions as well as adaptations such as Kiss Me Kate and Ten Things I Hate About You (accompanied by a still of ten hearthtrobs Heath Ledger and Julia Stiles). The volume is determined to eradicate any confusion that a first time reader of the play might experience: the dramatis personae page explains that "Bianca Minola" is "younger daughter to Baptista, wooed by Lucentio-in-disguise (as Cambio) and then wife to him, also wooed by the elderly Gremio and Hortensio-in-disguise (as Licio)" (p.1). Other editorial notes, based on Kittredge's own, are confined mostly to explaining individual words and phrases: additional footnotes discuss interpretive choices made by film and stage productions. Throughout, the editorial emphasis is on the play less as text than as performance piece, culminating in fifteen largely performance-oriented "study questions" on topics such as disguise, misogyny, and violence.
Studies in English Literature, Tudor and Stuart Drama, Volume 51, Spring 2011, Number 2, pages 497-499.
The differences between, and comparative merits of, various editorial series are suggested by the three editions of The Taming of the Shrew published this year. Laury Magnus's New Kittredge Shakespeare edition is, like the other New Kittredge volumes, a workable text for high school and first year college students interested in film and theater. The introduction elaborates on one theme — Elizabethan constructions of gender — and offers a very broad performance history, focusing on Sam Taylor's and Zeffirelli's film versions as well as adaptations such as Kiss Me Kate and Ten Things I Hate About You (accompanied by a still of ten hearthtrobs Heath Ledger and Julia Stiles). The volume is determined to eradicate any confusion that a first time reader of the play might experience: the dramatis personae page explains that "Bianca Minola" is "younger daughter to Baptista, wooed by Lucentio-in-disguise (as Cambio) and then wife to him, also wooed by the elderly Gremio and Hortensio-in-disguise (as Licio)" (p.1). Other editorial notes, based on Kittredge's own, are confined mostly to explaining individual words and phrases: additional footnotes discuss interpretive choices made by film and stage productions. Throughout, the editorial emphasis is on the play less as text than as performance piece, culminating in fifteen largely performance-oriented "study questions" on topics such as disguise, misogyny, and violence.
Studies in English Literature, Tudor and Stuart Drama, Volume 51, Spring 2011, Number 2, pages 497-499.
Appropriate for all level of Shakespeare courses, including courses on Shakespeare, or drama, or Renaissance drama as taught in departments of English, courses in Shakespeare or drama taught in departments of theater, Great Books programs where individual volumes might be used, or high school level courses.
Notă biografică
William Shakespeare 26 April 1564 ¿ 23 April 1616was an English poet, playwright and actor, widely regarded as the greatest writer in the English language and the world's greatest dramatist.He is often called England's national poet and the "Bard of Avon".His extant works, including collaborations, consist of approximately 39 plays,154 sonnets, two long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright.[
Shakespeare was born and raised in Stratford-upon-Avon, Warwickshire. . Sometime between 1585 and 1592, he began a successful career in London as an actor, writer, and part-owner of a playing company called the Lord Chamberlain's Men, later known as the King's Men. His early plays were primarily comedies and histories and are regarded as some of the best work produced in these genres. Until about 1608, he wrote mainly tragedies, among them Hamlet, Othello, King Lear, and Macbeth, all considered to be among the finest works in the English language. In the last phase of his life, he wrote tragicomedies (also known as romances) and collaborated with other playwrights.
Throughout the 20th and 21st centuries, Shakespeare's works have been continually adapted and rediscovered by new movements in scholarship and performance. His plays remain popular and are studied, performed, and reinterpreted through various cultural and political contexts around the world.
Textul de pe ultima copertă
Perhaps the most popular of all of Shakespeare's comedies, "A Midsummer Night's Dream" humorously celebrates the vagaries of love. The approaching wedding festivities of Theseus, Duke of Athens, and his bride-to-be, Hippolyta, Queen of the Amazons, are delightfully crisscrossed with in-again, off-again romances of two young pairs of Athenian lovers; a fateful rivalry between the King and Queen of the Fairies; and the theatrical aspirations of a bumbling troupe of Athenian laborers. It all ends happily in wedding-night revelry complete with a play-within-a-play presented by the laborers to the ecstatic amusement of all. This edition, complete with explanatory footnotes, is reprinted from a standard British edition.
Cuprins
About The Series
About This Volume
List of Illustrations
Introduction
PART I: WILLIAM SHAKESPEARE, A MIDSUMMER NIGHT'S DREAM (EDITED BY DAVID BEVINGTON)
PART II. CONTEXTUAL READINGS
1. Popular Festivals and Court Celebrations
The Rites of May
John Stow,From A Survey of London
Henry Machyn,From Diary of a Resident in London
Philip Stubbes,From The Anatomy of Abuses
The Ballad
The Fetching Home of May
Court Entertainments
Kenilworth and Coventry
Robert Laneham, From A Letter Descibing the Entertainment of the Queen at Kenilworth
Coventry Records of the Hock Tuesday Play
The Fairy Queen
From Entertainment at Elvetham
Edmund Spencer, From The Shepheardes Calendar
2. The Making of Men
The Ranks of Men: William Harrison's Of Degrees of People
William Harrison, From The Description of England
The Formation of the Ruler: Plutarch's Life of Theseus
Plutarch, From The Lives of Nobles Grecians and Romans
The Formation of the Gentleman: Sir Thomas Elyot and Rodger Ascham
Sir Thomas Elyot, From The Book Named the Governor
Rodger Ascham, From The Schoolmaster
Working Men
The Statute of Artificers
From The Statute of Artificers
Royal Proclaimation Regulating Chester Wages
The New Man: Simon Forman's Dreams
Simon Forman, From The Autobiography of Simon Forman
3.Female Attachments and Family Ties
Amazons
Christine de Pizan, From The Book of the City of Ladies
Sir Walter Raleigh, From The History of the World
John Knox, From The First Blast of the Trumpet against the Monstrous Regiments of Women
Queen Elizabeth I, Address to the Troops at Tilbury
Gossips
Edward Gosynhyll, From The Schoolhouse of Women
Nuns
Richard Layton, A Letter, Certifying the Incontinency of the Nuns of Syon
Desiderius Erasmus, From A Maid Hating Marriage
The Virgin Queen
Queen Elizabeth I, From Speech to Parliment on Marriage and Succession
William Camden, From The Annals of Queen Elizabeth
A Poet and Her Patron
Amelia Lanyer, From The Description of Cooke-ham
Family Ties
Thomas Becon, From A New Catechism
Henry Bullinger, From The Christian Statue of Matrimony
William Gouge, From Of Domestical Duties
Philip Stubbes, From A Crystal Glass for Christian Women
4. Natural and Supernatural
Bad Weather and Dearth
John Stow, From The Annals of England
Metamorphosis and Monstrosity
Ovid and Reginald Scot
Ovid, From Metamorphoses, Book 14
Bestiality and Monstrosity
Prosecuting Buggery
From Calendar of Assize Records
Monsters and Prodigies
Ambroise Paré, From Of Monsters and Prodigies
Fairy Belief
John Aubrey,Collecting Fairy Lore
Richard Corbett, The Fairies' Farewell
The Mad Merry Pranks of Robin Good-fellow
ICorinthians 2:1--16
Bibliography
Index
ILLUSTRATIONS
1. Title Page of the Quarto A Midsummer Night's Dream
2. Woodcuts fo City and Woods from the Roxburghe Ballasd
3. Morris Dancers from the WIndow of a Gentleman'a House
4. Maypole DAnce from Michael Drayton;s Poly-Olbion
5. Woodcut Illustrating the Ballas "The Crost Couple"
6. Queen Elizabeth I on a Hunt
7. The Entertainment at Elvetham
8. The Queen and Her Court, from Edmund Spencer's The Shepheaardes Calandar
9. Page from Plutarch's The Lives of the Noble Grecians and Romans
10. Title Page from A Catechism
11. Title Page from George Tuberville's The Noble Art of Venery
12. Manuscript Page from The Autobiography of SImon Forman
13. Lascivious and Threatening Amazons from Sir Walter Raleigh's The Discovery of Guiana
14. Amazons, Each with a Breast Removed, from John Bulwer's Anthropometamorphosis
15. Queen Elizabeth I as an Amazon
16. Frontispiece from Samuel Rowland's 'Tis Merry When Gossip Meet
17. Woodcut from Christine de Pizan's The Book of the City of Ladies
18. Circe Transforming Ulysses' Sailor into Animals
19. Monster, Half-Man, Half-Pig, from Ambroise Pare's Of Monsters and Prodigies
20. Title Page from Robin Good-fellow, His Mad Pranks
About This Volume
List of Illustrations
Introduction
PART I: WILLIAM SHAKESPEARE, A MIDSUMMER NIGHT'S DREAM (EDITED BY DAVID BEVINGTON)
PART II. CONTEXTUAL READINGS
1. Popular Festivals and Court Celebrations
The Rites of May
John Stow,From A Survey of London
Henry Machyn,From Diary of a Resident in London
Philip Stubbes,From The Anatomy of Abuses
The Ballad
The Fetching Home of May
Court Entertainments
Kenilworth and Coventry
Robert Laneham, From A Letter Descibing the Entertainment of the Queen at Kenilworth
Coventry Records of the Hock Tuesday Play
The Fairy Queen
From Entertainment at Elvetham
Edmund Spencer, From The Shepheardes Calendar
2. The Making of Men
The Ranks of Men: William Harrison's Of Degrees of People
William Harrison, From The Description of England
The Formation of the Ruler: Plutarch's Life of Theseus
Plutarch, From The Lives of Nobles Grecians and Romans
The Formation of the Gentleman: Sir Thomas Elyot and Rodger Ascham
Sir Thomas Elyot, From The Book Named the Governor
Rodger Ascham, From The Schoolmaster
Working Men
The Statute of Artificers
From The Statute of Artificers
Royal Proclaimation Regulating Chester Wages
The New Man: Simon Forman's Dreams
Simon Forman, From The Autobiography of Simon Forman
3.Female Attachments and Family Ties
Amazons
Christine de Pizan, From The Book of the City of Ladies
Sir Walter Raleigh, From The History of the World
John Knox, From The First Blast of the Trumpet against the Monstrous Regiments of Women
Queen Elizabeth I, Address to the Troops at Tilbury
Gossips
Edward Gosynhyll, From The Schoolhouse of Women
Nuns
Richard Layton, A Letter, Certifying the Incontinency of the Nuns of Syon
Desiderius Erasmus, From A Maid Hating Marriage
The Virgin Queen
Queen Elizabeth I, From Speech to Parliment on Marriage and Succession
William Camden, From The Annals of Queen Elizabeth
A Poet and Her Patron
Amelia Lanyer, From The Description of Cooke-ham
Family Ties
Thomas Becon, From A New Catechism
Henry Bullinger, From The Christian Statue of Matrimony
William Gouge, From Of Domestical Duties
Philip Stubbes, From A Crystal Glass for Christian Women
4. Natural and Supernatural
Bad Weather and Dearth
John Stow, From The Annals of England
Metamorphosis and Monstrosity
Ovid and Reginald Scot
Ovid, From Metamorphoses, Book 14
Bestiality and Monstrosity
Prosecuting Buggery
From Calendar of Assize Records
Monsters and Prodigies
Ambroise Paré, From Of Monsters and Prodigies
Fairy Belief
John Aubrey,Collecting Fairy Lore
Richard Corbett, The Fairies' Farewell
The Mad Merry Pranks of Robin Good-fellow
ICorinthians 2:1--16
Bibliography
Index
ILLUSTRATIONS
1. Title Page of the Quarto A Midsummer Night's Dream
2. Woodcuts fo City and Woods from the Roxburghe Ballasd
3. Morris Dancers from the WIndow of a Gentleman'a House
4. Maypole DAnce from Michael Drayton;s Poly-Olbion
5. Woodcut Illustrating the Ballas "The Crost Couple"
6. Queen Elizabeth I on a Hunt
7. The Entertainment at Elvetham
8. The Queen and Her Court, from Edmund Spencer's The Shepheaardes Calandar
9. Page from Plutarch's The Lives of the Noble Grecians and Romans
10. Title Page from A Catechism
11. Title Page from George Tuberville's The Noble Art of Venery
12. Manuscript Page from The Autobiography of SImon Forman
13. Lascivious and Threatening Amazons from Sir Walter Raleigh's The Discovery of Guiana
14. Amazons, Each with a Breast Removed, from John Bulwer's Anthropometamorphosis
15. Queen Elizabeth I as an Amazon
16. Frontispiece from Samuel Rowland's 'Tis Merry When Gossip Meet
17. Woodcut from Christine de Pizan's The Book of the City of Ladies
18. Circe Transforming Ulysses' Sailor into Animals
19. Monster, Half-Man, Half-Pig, from Ambroise Pare's Of Monsters and Prodigies
20. Title Page from Robin Good-fellow, His Mad Pranks