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War of the Worlds (Collins Classics)

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en Limba Engleză Carte Paperback – 12 Jan 2017

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Specificații

ISBN-13: 9780008190019
ISBN-10: 0008190011
Pagini: 304
Dimensiuni: 111 x 178 x 23 mm
Greutate: 0.13 kg
Editura: Harper Collins Publishers
Seria Collins Classics


Notă biografică

Herbert George Wells, better known as H. G. Wells, was a novelist, journalist, sociologist, and historian who wrote over 100 books. His novels are among the classic works of science fiction. His works, which go beyond ordinary adventure stories, are thought-provoking, forcing the reader to examine the future of mankind. Wells was born in Bromley, Kent, in 1866. His father was a shopkeeper and a professional cricketer until he broke his leg. Wells studied biology at the Normal School of Science in London and later taught in several private schools. In 1893, he became a full-time writer. He married one of his brightest students, Amy Catherine, in 1895. Wells earned his reputation with a string of science fiction novels, including The Time Machine, The Island of Dr. Moreau, and The Invisible Man. In 1938, his realistic portrayal of a martian invasion in The War of the Worlds caused a panic across the United States when it was performed as a radio broadcast by actor Orson Wells. His science fiction stories have since become some of the most filmed works of all time. Between the two world wars, Wells lived mainly in France. Beyond his literary career, he was the president of an international peace organization (PEN) from 1934 to 1946. In this capacity, he had discussions with both Stalin and Roosevelt, trying to recruit them to his world-saving schemes. However, he later became disillusioned with the cause of peace when global war broke out for the second time in a generation. Throughout the Second World War, Wells lived in his house on Regent's Park, refusing to let the blitz drive him out of London. He died there on August 13, 1946. Simon Vance, a former BBC Radio presenter and newsreader, is a full-time actor who has appeared on both stage and television. He has recorded over four hundred audiobooks and has earned over twenty Earphones Awards from AudioFile magazine, including one for his narration of Scaramouche by Rafael Sabatini. A twelve-time Audie finalist, Simon has won Audie Awards for The King's Speech by Mark Logue and Peter Conradi, The Life and Adventures of Nicholas Nickleby by Charles Dickens, Great Expectations by Charles Dickens, Market Forces by Richard K. Morgan, and The Tao of Pooh by Benjamin Hoff. Winner of the 2008 Booklist Voice of Choice Award, Simon has also been named an AudioFile Golden Voice as well as an AudioFile Best Voice of 2009.

Extras

Book One:
The Coming of the Martians

Chapter 1
The Eve of the War No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man’s and yet as mortal as his own; that as men busied themselves about their various concerns they were scrutinized and studied, perhaps almost as narrowly as a man with a microscope might scrutinize the transient creatures that swarm and multiply in a drop of water. With infinite complacency men went to and fro over this globe about their little affairs, serene in their assurance of their empire over matter. It is possible that the infusoria under the microscope do the same. No one gave a thought to the older worlds of space as sources of human danger, or thought of them only to dismiss the idea of life upon them as impossible or improbable. It is curious to recall some of the mental habits of those departed days. At most terrestrial men fancied there might be other men upon Mars, perhaps inferior to themselves and ready to welcome a missionary enterprise. Yet across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes, and slowly and surely drew their plans against us. And early in the twentieth century came the great disillusionment.

The planet Mars, I scarcely need remind the reader, revolves about the sun at a mean distance of 140,000,000 miles, and the light and heat it receives from the sun is barely half of that received by this world. It must be, if the nebular hypothesis has any truth, older than our world; and long before this earth ceased to be molten, life upon its surface must have begun its course. The fact that it is scarcely one seventh of the volume of the earth must have accelerated its cooling to the temperature at which life could begin. It has air and water and all that is necessary for the support of animated existence.

Yet so vain is man and so blinded by his vanity, that no writer up to the very end of the nineteenth century expressed any idea that intelligent life might have developed there far, or indeed at all, beyond its earthly level. Nor was it generally understood that since Mars is older than our earth, with scarcely a quarter of the superficial area and remoter from the sun, it necessarily follows that Mars is not only more distant from life’s beginning but also nearer its end.

The secular cooling that must someday overtake our planet has already gone far indeed with our neighbor. Its physical condition is still largely a mystery, but we know now that even in its equatorial region the midday temperature barely approaches that of our coldest winter. Its air is much more attenuated than ours, its oceans have shrunk until they cover but a third of its surface, and as its slow seasons change huge snowcaps gather and melt about either pole and periodically inundate its temperate zones. That last stage of exhaustion, which to us is still incredibly remote, has become a present-day problem for the inhabitants of Mars. The immediate pressure of necessity has brightened their intellects, enlarged their powers, and hardened their hearts. And looking across space with instruments, and with intelligences such as we have scarcely dreamed of they see, at its nearest distance only 35,000,000 of miles sunward of them, a morning star of hope—our own warmer planet, green with vegetation and gray with water, with a cloudy atmosphere eloquent of fertility, with glimpses through drifting cloud-wisps of broad stretches of populous country and narrow navy-crowded seas.

And we men, the creatures who inhabit this earth, must be to them at least as alien and lowly as are the monkeys and lemurs to us. The intellectual side of man already admits that life is an incessant struggle for existence, and it would seem that this too is the belief of the minds upon Mars. Their world is far gone in its cooling and this world is still crowded with life, but crowded only with what they regard as inferior animals. To carry warfare sunward is indeed their only escape from the destruction that generation after generation creeps upon them.

And before we judge of them too harshly we must remember what ruthless and utter destruction our own species has wrought, not only upon animals such as the vanished bison and the dodo, but upon its own inferior races. The Tasmanians, in spite of their human likeness, were entirely swept out of existence in a war of extermination waged by European immigrants in the space of fifty years. Are we such apostles of mercy as to complain if the Martians warred in the same spirit?

The Martians seem to have calculated their descent with amazing subtlety—their mathematical learning is evidently far in excess of ours—and to have carried out their preparations with a well-nigh perfect unanimity. Had our instruments permitted it, we might have seen the gathering trouble far back in the nineteenth century. Men like Schiaparelli watched the red planet—it is odd, by the way, that for countless centuries Mars has been the star of war—but failed to interpret the fluctuating appearances of the markings they mapped so well. All that time the Martians must have been getting ready.

During the opposition of 1894 a great light was seen on the illuminated part of the disk, first at the Lick Observatory, then by Perrotin of Nice, and then by other observers. English readers heard of it first in the issue of Nature dated August 2nd. I am inclined to think that this blaze may have been the casting of the huge gun, in the vast pit sunk into their planet, from which their shots were fired at us. Peculiar markings as yet unexplained were seen near the site of that outbreak during the next two oppositions.

The storm burst upon us six years ago now. As Mars approached opposition Lavelle of Java set the wires of the astronomical exchange palpitating with the amazing intelligence of a huge outbreak of incandescent gas upon the planet. It had occurred toward midnight of the 12th; and the spectroscope to which he had at once resorted indicated a mass of flaming gas, chiefly hydrogen, moving with an enormous velocity toward this earth. This jet of fire had become invisible about a quarter past twelve. He compared it to a colossal puff of flame suddenly and violently squirted out of the planet, “as flaming gases rushed out of a gun.”

A singularly appropriate phrase it proved. Yet the next day there was nothing of this in the papers except a little note in the Daily Telegraph, and the world went in ignorance of one of the gravest dangers that ever threatened the human race. I might not have heard of the eruption at all had I not met Ogilvy, the well-known astronomer, at Ottershaw. He was immensely excited at the news, and in the excess of his feelings invited me up to take a turn with him that night in a scrutiny of the red planet.

In spite of all that has happened since I still remember that vigil very distinctly: the black and silent observatory, the shadowed lantern throwing a feeble glow upon the floor in the corner, the steady ticking of the clockwork of the telescope, the little slit in the roof—an oblong profundity with the star dust streaked across it. Ogilvy moved about, invisible but audible. Looking through the telescope one saw a circle of deep blue and the little round planet swimming in the field. It seemed such a little thing, so bright and small and still, faintly marked with transverse stripes and slightly flattened from the perfect round. But so little it was, so silvery warm—a pin’s head of light! It was as if it quivered, but really this was the telescope vibrating with the activity of the clockwork that kept the planet in view.

As I watched, the planet seemed to grow larger and smaller and to advance and recede, but that was simply that my eye was tired. Forty millions of miles it was from us—more than forty million miles of void. Few people realize the immensity of vacancy in which the dust of the material universe swims.

Near it in the field, I remember, were three faint points of light, three telescopic stars infinitely remote, and all around it was the unfathomable darkness of empty space. You know how that blackness looks on a frosty starlight night. In a telescope it seems far profounder. And invisible to me because it was so remote and small, flying swiftly and steadily toward me across that incredible distance, drawing nearer every minute by so many thousands of miles, came the Thing they were sending us, the Thing that was to bring so much struggle and calamity and death to the earth. I never dreamed of it then as I watched; no one on earth dreamed of that unerring missile.

That night, too, there was another jetting out of gas from the distant planet. I saw it. A reddish flash at the edge, the slightest projection of the outline just as the chronometer struck midnight; and at that I told Ogilvy and he took my place. The night was warm and I was thirsty, and I went, stretching my legs clumsily and feeling my way in the darkness, to the little table where the siphon stood, while Ogilvy exclaimed at the streamer of gas that came out toward us.

That night another invisible missile started on its way to the earth from Mars just a second or so under twenty-four hours after the first one. I remember how I sat on the table there in the blackness with patches of green and crimson swimming before my eyes. I wished I had a light to smoke by, little suspecting the meaning of the minute gleam I had seen and all that it would presently bring me. Ogilvy watched till one, and then gave it up, and we lit the lantern and walked over to his house. Down below in the darkness were Ottershaw and Chertsey and all their hundreds of people, sleeping in peace.

He was full of speculation that night about the condition of Mars, and scoffed at the vulgar idea of its having inhabitants who were signaling us. His idea was that meteorites might be falling in a heavy shower upon the planet, or that a huge volcanic explosion was in progress. He pointed out to me how unlikely it was that organic evolution had taken the same direction in the two adjacent planets.

“The chances against anything manlike on Mars are a million to one,” he said.

Hundreds of observers saw the flame that night and the night after about midnight, and again the night after; and so for ten nights, a flame each night. Why the shots ceased after the tenth no one on earth has attempted to explain. It may be the gases of the firing caused the Martians inconvenience. Dense clouds of smoke or dust, visible through a powerful telescope on earth as little gray fluctuating patches, spread through the clearness of the planet’s atmosphere and obscured its more familiar features.

Even the daily papers woke up to the disturbances at last, and popular notes appeared here, there and everywhere concerning the volcanoes upon Mars. The seriocomic periodical Punch, I remember, made a happy use of it in the political cartoon. And all unsuspected, those missiles the Martians had fired at us drew earthward, rushing now at a pace of many miles a second through the empty gulf of space, hour by hour and day by day, nearer and nearer. It seems to me now almost incredibly wonderful that, with that swift fate hanging over us, men could go about their petty concerns as they did. I remember how jubilant Markham was at securing a new photograph of the planet for the illustrated paper he edited in those days. People in these latter times scarcely realize the abundance and enterprise of our nineteenth-century papers. For my own part, I was much occupied in learning to ride a bicycle, and busy upon a series of papers discussing the probable developments of moral ideas as civilization progressed.

One night (the first missile then could scarcely have been 10,000,000 miles away) I went for a walk with my wife. It was starlight, and I explained the signs of the zodiac to her and pointed out Mars, a bright dot of light creeping zenithward, toward which so many telescopes were pointed. It was a warm night. Coming home, a party of excursionists from Chertsey or Isleworth passed us singing and playing music. There were lights in the upper windows of the houses as the people went to bed. From the railway station in the distance came the sound of shunting trains, ringing and rumbling, softened almost into melody by the distance. My wife pointed out to me the brightness of the red, green, and yellow signal lights hanging in a framework against the sky. It seemed so safe and tranquil.


From the Trade Paperback edition.

Recenzii

"Since H. G. Wells published War of the Worlds in 1898, artists have struggled to depict his alien invaders. Perhaps none succeeded so well as the illustrator Edward Gorey…His wonderfully creepy 1960 edition eschews the Robby the Robot designs of pulp fiction, and the slickness of the bad 1953 film, instead delivering an insectlike infestation of pen-and-ink tendrils."
New York Magazine

"The most delightful of the many editions of The War of the Worlds includes illustrations by Edward Gorey (originally published in 1960 and long out of print until now), in which those creatures look like giant mushrooms on spindly legs, primitive ancestors of the Spielberg tripods."
— Caryn James, The New York Times

"These illustrations perfectly depict not only Wells’s half-sinister, half-ridiculous Martians, but also the destruction they leave in their wake: 'a patch of silent common, smouldering in places, and with a few dark, dimly seen objects lying in contorted attitudes here and there', for example. How Gorey-esque."
—Joshua Glenn, The Boston Globe

"This novel was tailor-made for Gorey. His black-and-white etching-like drawing style makes the aliens (dainty but oppressive-looking hydras), landscapes and figures suitably spooky and Victorian. Which, of course, they were."
— Karen Krangle, The Vancouver Sun

"It was creepy when he wrote it back in 1898, and it’s creepy now. Re-released in a handsome new edition, The War of the Worlds, illustrated by the remarkable Edward Gorey, preys on our fears."
— Marc Horton, Edmonton Journal

"[War of the Worlds is] a perfect showcase for Gorey’s stark, unsettling work with its ominous shadings and eerie peculiarities…[and] Gorey’s work is true to the essence of Wells’ novel."
The Chicago Tribune

"Edward Gorey’s wonderful 1960 pen-and-ink illustrations can be seen again in the elegant…hardcover edition from New York Review Books."
The Los Angeles Times