Cantitate/Preț
Produs

Treasure Island (Collins Classics)

De (autor)
Notă Books Express:  5.00 · o notă  
Notă GoodReads:
en Limba Engleză Carte Paperback – 31 Mar 2010

Vezi toate premiile Carte premiată

HarperCollins is proud to present its new range of best-loved, essential classics.
Citește tot Restrânge
Toate formatele și edițiile
Toate formatele și edițiile Preț Express
Carte Paperback (81) 1728 lei  Economic 20-32 zile +794 lei  6-10 zile
  HarperCollins Publishers – 31 Mar 2010 1728 lei  Economic 20-32 zile +794 lei  6-10 zile
  Wordsworth Editions – 31 Dec 1992 1802 lei  Economic 13-24 zile +409 lei  6-10 zile
  Sterling Publishing – 28 Aug 2013 2212 lei  Economic 2-4 săpt. +937 lei  6-10 zile
  Dover Publications – 31 Mar 1993 2225 lei  Economic 2-4 săpt. +434 lei  11-17 zile
  Penguin Random House Group – 05 May 2016 2499 lei  Economic 19-25 zile +702 lei  6-10 zile
  Bantam Books – 30 Apr 1982 2519 lei  Economic 2-4 săpt. +458 lei  11-17 zile
  Simon&Schuster – 31 May 2005 2616 lei  Economic 2-4 săpt. +465 lei  11-17 zile
  Dover Publications – 25 May 2017 2867 lei  Economic 2-4 săpt. +787 lei  6-10 zile
  Vintage Books USA – 05 Nov 2008 2900 lei  Economic 2-4 săpt. +1093 lei  6-10 zile
  Oxford University Press – 13 Jan 2011 2930 lei  Economic 13-24 zile +1115 lei  6-10 zile
  SCHOLASTIC – 07 Nov 2013 3064 lei  Economic 13-24 zile +522 lei  6-10 zile
  Penguin Books – 05 Mar 2008 3145 lei  Economic 2-4 săpt. +1413 lei  6-10 zile
  Penguin Books – 24 May 2000 3216 lei  Economic 19-25 zile +1209 lei  6-10 zile
  ARCTURUS PUBLISHING – 14 Jan 2017 3325 lei  Economic 13-24 zile +573 lei  6-10 zile
  ALMA BOOKS – 14 Nov 2015 3683 lei  Economic 13-24 zile +576 lei  6-10 zile
  Aladdin – 31 Jan 2000 3696 lei  Economic 2-4 săpt. +552 lei  11-17 zile
  3704 lei  Economic 2-4 săpt. +582 lei  11-17 zile
  Serenity Publishers, LLC – 28 Feb 2009 3709 lei  Economic 2-4 săpt. +666 lei  11-17 zile
  CLASSIC COMIC STORE LTD – 31 May 2010 3904 lei  Economic 13-24 zile +595 lei  6-10 zile
  Barnes & Noble – 28 Feb 2005 4053 lei  Economic 2-4 săpt. +583 lei  11-17 zile
  4274 lei  Economic 2-4 săpt. +628 lei  11-17 zile
  Sterling Publishing – 02 Sep 2013 4358 lei  Economic 2-4 săpt. +1404 lei  11-17 zile
  ImTheStory – 18 Oct 2015 4380 lei  Economic 2-4 săpt. +743 lei  11-17 zile
  Diesterweg Moritz – 2006 4482 lei  Economic 2-4 săpt. +701 lei  7-11 zile
  Penguin Random House Group – 27 Jul 2010 4495 lei  Economic 19-25 zile +1441 lei  7-11 zile
  NICK HERN BOOKS – 31 Mar 2008 4553 lei  Economic 13-24 zile +653 lei  6-10 zile
  4636 lei  Economic 2-4 săpt. +657 lei  11-17 zile
  Norilana Books – 30 Oct 2006 4640 lei  Economic 2-4 săpt. +716 lei  11-17 zile
  Faber & Faber – 11 Apr 2017 4644 lei  Economic 13-24 zile +689 lei  6-10 zile
  MACMILLAN EDUCATION – 20 Apr 2005 4671 lei  Economic 13-24 zile +691 lei  6-10 zile
  Simon & Brown – 31 May 2011 4685 lei  Economic 2-4 săpt. +780 lei  11-17 zile
  SKYE RYAN – 31 Mar 2011 4879 lei  Economic 2-4 săpt. +801 lei  11-17 zile
  5035 lei  Economic 2-4 săpt. +690 lei  11-17 zile
  Puffin Books – 31 Aug 2017 5073 lei  Economic 13-24 zile +726 lei  6-10 zile
  Bloomsbury Publishing – 12 Aug 2015 5086 lei  Economic 13-24 zile +701 lei  6-10 zile
  Klett Ernst /Schulbuch – 1992 5196 lei  Economic 2-4 săpt. +773 lei  7-11 zile
  5235 lei  Economic 2-4 săpt. +707 lei  11-17 zile
  5243 lei  Economic 2-4 săpt. +706 lei  11-17 zile
  5298 lei  Economic 2-4 săpt. +711 lei  11-17 zile
  5351 lei  Economic 2-4 săpt. +715 lei  11-17 zile
  5351 lei  Economic 2-4 săpt. +715 lei  11-17 zile
  Roads Publishing – 27 Sep 2016 5416 lei  Economic 2-4 săpt. +974 lei  11-17 zile
  Klett Ernst /Schulbuch – May 2012 5430 lei  Economic 2-4 săpt. +794 lei  7-11 zile
  5613 lei  Economic 2-4 săpt. +737 lei  11-17 zile
  5648 lei  Economic 2-4 săpt. +740 lei  11-17 zile
  5708 lei  Economic 2-4 săpt. +745 lei  11-17 zile
  5797 lei  Economic 2-4 săpt. +752 lei  11-17 zile
  5874 lei  Economic 2-4 săpt. +758 lei  11-17 zile
  5897 lei  Economic 2-4 săpt. +760 lei  11-17 zile
  5900 lei  Economic 2-4 săpt. +760 lei  11-17 zile
  6082 lei  Economic 2-4 săpt. +776 lei  11-17 zile
  6166 lei  Economic 2-4 săpt. +782 lei  11-17 zile
  6356 lei  Economic 2-4 săpt. +797 lei  11-17 zile
  6376 lei  Economic 2-4 săpt. +799 lei  11-17 zile
  6386 lei  Economic 2-4 săpt. +800 lei  11-17 zile
  6386 lei  Economic 2-4 săpt. +800 lei  11-17 zile
  6389 lei  Economic 2-4 săpt. +800 lei  11-17 zile
  6391 lei  Economic 2-4 săpt. +800 lei  11-17 zile
  6391 lei  Economic 2-4 săpt. +800 lei  11-17 zile
  6391 lei  Economic 2-4 săpt. +800 lei  11-17 zile
  Canterbury Classics – 10 Nov 2014 6418 lei  Economic 2-4 săpt. +813 lei  7-11 zile
  6443 lei  Economic 2-4 săpt. +804 lei  11-17 zile
  Denton & White – 6502 lei  Economic 2-4 săpt. +809 lei  11-17 zile
  6806 lei  Economic 2-4 săpt. +834 lei  11-17 zile
  6879 lei  Economic 2-4 săpt. +840 lei  11-17 zile
  6879 lei  Economic 2-4 săpt. +840 lei  11-17 zile
  Broadview Press – 31 Oct 2011 7103 lei  Economic 13-24 zile +1322 lei  11-17 zile
  Waking Lion Press – 30 Jun 2008 7130 lei  Economic 2-4 săpt. +1059 lei  11-17 zile
  Classic Books Library – 30 Jun 2008 7130 lei  Economic 2-4 săpt. +1059 lei  11-17 zile
  7304 lei  Economic 2-4 săpt. +874 lei  11-17 zile
  7940 lei  Economic 2-4 săpt. +925 lei  11-17 zile
  7940 lei  Economic 2-4 săpt. +925 lei  11-17 zile
  8522 lei  Economic 2-4 săpt. +972 lei  11-17 zile
  9070 lei  Economic 2-4 săpt. +1017 lei  11-17 zile
  9496 lei  Economic 2-4 săpt. +1052 lei  11-17 zile
  Pulpville Press – 9559 lei  Economic 2-4 săpt. +1059 lei  11-17 zile
  10624 lei  Economic 2-4 săpt. +1144 lei  11-17 zile
  Study Pubs LLC – 28 Feb 2011 12519 lei  Economic 2-4 săpt. +1567 lei  11-17 zile
  13359 lei  Economic 2-4 săpt. +1366 lei  11-17 zile
  23829 lei  Economic 2-4 săpt. +2142 lei  11-17 zile
  Cambridge University Press – 02 Jan 2013 13605 lei  Economic 34-46 zile +4595 lei  11-17 zile
Carte Hardback (24) 2871 lei  Economic 13-24 zile +499 lei  6-10 zile
  Usborne Publishing – August 2014 6928 lei  4 zile
  MACMILLAN COLLECTOR S LIBRARY – 25 Jul 2017 2871 lei  Economic 13-24 zile +499 lei  6-10 zile
  Usborne Publishing – December 2006 3764 lei  Economic 20-32 zile +1421 lei  6-10 zile
  Collectors Library – 31 Jan 2004 4047 lei  Economic 13-24 zile +1931 lei  6-10 zile
  Sterling Publishing – 06 Jul 2005 4554 lei  Economic 2-4 săpt. +1793 lei  6-10 zile
  Penguin Books – June 2016 4635 lei  Economic 19-25 zile +1672 lei  6-10 zile
  Race Point Publishing – 11 Mar 2015 4803 lei  Economic 2-4 săpt. +1797 lei  6-10 zile
  Classics Illustrated Comics – 29 Feb 2016 5560 lei  Economic 13-24 zile +740 lei  6-10 zile
  Penguin Books – 30 Sep 2009 7313 lei  Economic 19-25 zile +2475 lei  6-10 zile
  EVERYMAN – 28 Oct 1992 7452 lei  Economic 13-24 zile +908 lei  6-10 zile
  Sterling Publishing – 28 Sep 2016 9004 lei  Economic 2-4 săpt. +3141 lei  6-10 zile
  9206 lei  Economic 2-4 săpt. +1325 lei  11-17 zile
  9206 lei  Economic 2-4 săpt. +1325 lei  11-17 zile
  Usborne Publishing – 31 Oct 2015 9293 lei  Economic 20-32 zile +3724 lei  6-10 zile
  Norilana Books – 30 Oct 2006 9327 lei  Economic 2-4 săpt. +1193 lei  11-17 zile
  ImTheStory – 28 Oct 2015 9694 lei  Economic 2-4 săpt. +1355 lei  11-17 zile
  Sterling Publishing – 28 Feb 2011 10294 lei  Economic 2-4 săpt. +1089 lei  11-17 zile
  Atheneum Books for Young Readers – 30 Jun 2003 10674 lei  Economic 2-4 săpt. +1121 lei  11-17 zile
  Evertype – 26 Nov 2010 11516 lei  Economic 2-4 săpt. +1416 lei  11-17 zile
  Atheneum Books for Young Readers – 22 Oct 2012 12066 lei  Economic 2-4 săpt. +1233 lei  11-17 zile
  Spotlight (MN) – 31 Dec 2008 12132 lei  Economic 2-4 săpt. +1238 lei  11-17 zile
  Candlewick Press (MA) – 30 Sep 2009 15276 lei  Economic 2-4 săpt. +1494 lei  11-17 zile
  Study Pubs LLC – 28 Feb 2011 17147 lei  Economic 2-4 săpt. +2055 lei  11-17 zile
  Cambridge University Press – 08 May 2013 28281 lei  Economic 34-46 zile +9311 lei  11-17 zile
Pamflet (1) 5390 lei  Economic 2-4 săpt. +792 lei  7-11 zile
  Diesterweg Moritz – 2002 5390 lei  Economic 2-4 săpt. +792 lei  7-11 zile
CD-Audio (7) 5482 lei  Economic 13-24 zile +734 lei  6-10 zile
  Random House – 07 Aug 2006 5482 lei  Economic 13-24 zile +734 lei  6-10 zile
  NAXOS Audiobooks – 30 Aug 1996 5645 lei  Economic 13-24 zile +748 lei  6-10 zile
  BLACKSTONE AUDIO BOOKS – 28 Feb 2005 8178 lei  Economic 2-4 săpt. +917 lei  11-17 zile
  TANTOR MEDIA INC – 30 Jun 2008 8952 lei  Economic 2-4 săpt. +1008 lei  11-17 zile
  NAXOS Audiobooks – 30 Nov 2007 9715 lei  Economic 13-24 zile +1109 lei  6-10 zile
  TANTOR MEDIA INC – 30 Jun 2008 11385 lei  Economic 2-4 săpt. +1179 lei  11-17 zile
  Listening Library – 30 Apr 2007 13909 lei  Economic 2-4 săpt. +1383 lei  11-17 zile

Din seria Collins Classics

Preț: 1728 lei

Puncte Express: 26

Preț estimativ în valută:
353 433$ 312£

Carte disponibilă

Livrare economică 09-21 februarie
Livrare express 26-30 ianuarie pentru 1793 lei

Preluare comenzi: 021 569.72.76

Specificații

ISBN-13: 9780007351015
ISBN-10: 0007351011
Pagini: 320
Dimensiuni: 111 x 27 x 178 mm
Greutate: 0.15 kg
Editura: HarperCollins Publishers
Seria Collins Classics


Textul de pe ultima copertă

The adventure story told in Treasure Island has become a part of popular folklore. John Sutherland discusses the novel’s place in Stevenson’s biography and oeuvre in his learned and lively critical introduction to this new edition. Exploring the novel’s genesis in Stevenson’s “plundering” of other writers, his writer’s block, and the surprisingly disturbing and complex nature of what was meant to be a children’s story, Sutherland argues for the enduring vitality and appeal of Stevenson’s first novel.

Appendices include Stevenson’s writing about the novel, contemporary reviews, and sources on which Stevenson drew (or from which he borrowed) when writing Treasure Island.


Notă biografică

Robert Louis Stevenson, a Scottish essayist, poet, and author of fiction and travel books, was born in 1850 in Edinburgh. As a child, he suffered from tuberculosis and spent much of his time in bed composing stories before he could even read. His father was a prosperous joint-engineer to the Board of Northern Lighthouses. Stevenson studied engineering at Edinburgh University but, due to his ill health, had to abandon his plans to follow in his father's footsteps. He changed to law and passed the Scottish bar in 1875. Stevenson then took some time to travel to warmer countries in an attempt to improve his health. These experiences provided much material for his works.Instead of practicing law, Stevenson devoted himself to writing travel sketches, essays, and short stories for magazines. While on a trip to France, he met Fanny Osbourne, whom he married in California in 1880. They later returned to Scotland but moved often, in search of better climates.Stevenson is especially known for his adventure novels. His first success was the romantic adventure story Treasure Island. His other prominent works include Kidnapped, The Strange Case of Dr. Jekyll and Mr. Hyde, and The Black Arrow. Characteristic of Stevenson's novels is a skillful use of horror and supernatural elements. His stories are often set in colorful locations, where his characters can forget the restrictions of Victorian social manners. Arguing against realism, Stevenson underlined the "nameless longings of the reader," or the desire for experience.In 1885 Stevenson published A Child's Garden of Verses, which was dedicated to his childhood nurse and has since been made into popular songs. His last work, Weir of Hermiston, was left unfinished, but it is considered his masterpiece. From the late 1880s until his death, Stevenson lived with his family in Samoa. He enjoyed a period of comparative good health but died of a brain hemorrhage in 1894. Michael Prichard has played several thousand characters during his career. While he has been seen performing over one hundred of them in theater and film, Michael is primarily heard, having recorded well over five hundred full-length books. During his career as a one-man repertory company, he has recorded many series with running characters-including the complete Travis McGee adventures by John D. MacDonald and the complete Nero Wolfe mysteries by Rex Stout-as well as series by such masters as Mark Twain, John Cheever, and John Updike. His numerous awards and accolades include an Audie Award for Tears in the Darkness by Michael Norman and Elizabeth M. Norman and several AudioFile Earphones Awards, including for At All Costs by Sam Moses and In Nixon's Web by L. Patrick Gray III. Named a Top Ten Golden Voice by SmartMoney magazine, he holds an M.F.A. in theater from the University of Southern California. Michael appears regularly on the professional stage, including as a member of Ray Bradbury's Pandemonium Theatre Company, performing such great roles as Captain Beatty in Fahrenheit 451, which became the second-longest-running production in the Los Angeles area. Bradbury himself dubbed Michael "the finest Beatty in history."

Extras

Chapter I

The Old Sea Dog at the "Admiral Benbow"


Squire Trelawney, Dr. Livesey, and the rest of these gentlemen having asked me to write down the whole particulars about Treasure Island, from the beginning to the end, keeping nothing back but the bearings of the island, and that only because there is still treasure not yet lifted, I take up my pen in the year of grace 17-, and go back to the time when my father kept the "Admiral Benbow" inn, and the brown old seaman, with the sabre cut, first took up his lodging under our roof.

I remember him as if it were yesterday, as he came plodding to the inn door, his sea-chest following behind him in a hand-barrow; a tall, strong, heavy, nut-brown man; his tarry pigtail falling over the shoulders of his soiled blue coat; his hands ragged and scarred, with black, broken nails; and the sabre cut across one cheek, a dirty, livid white. I remember him looking round the cove and whistling to himself as he did so, and then breaking out in that old sea-song that he sang so often afterwards:-

"Fifteen men on the dead man's chest-

Yo-ho-ho, and a bottle of rum!"

in the high, old tottering voice that seemed to have been tuned and broken at the capstan bars. Then he rapped on the door with a bit of stick like a handspike that he carried, and when my father appeared, called roughly for a glass of rum. This, when it was brought to him, he drank slowly, like a connoisseur, lingering on the taste, and still looking about him at the cliffs and up at our signboard.

"This is a handy cove," says he, at length; "and a pleasant sittyated grog-shop. Much company, mate?"

My father told him no, very little company, the more was the pity.

"Well, then," said he, "this is the berth for me. Here you, matey," he cried to the man who trundled the barrow; "bring up alongside and help up my chest. I'll stay here a bit," he continued. "I'm a plain man; rum and bacon and eggs is what I want, and that head up there for to watch ships off. What you mought call me? You mought call me captain. Oh, I see what you're at-there;" and he threw down three or four gold pieces on the threshold. "You can tell me when I've worked through that," says he, looking as fierce as a commander.

And, indeed, bad as his clothes were, and coarsely as he spoke, he had none of the appearance of a man who sailed before the mast; but seemed like a mate or skipper, accustomed to be obeyed or to strike. The man who came with the barrow told us the mail had set him down the morning before at the "Royal George;" that he had inquired what inns there were along the coast, and hearing ours well spoken of, I suppose, and described as lonely, had chosen it from the others for his place of residence. And that was all we could learn of our guest.

He was a very silent man by custom. All day he hung round the cove, or upon the cliffs, with a brass telescope; all evening he sat in a corner of the parlour next the fire, and drank rum and water very strong. Mostly he would not speak when spoken to; only look up sudden and fierce, and blow through his nose like a fog-horn; and we and the people who came about our house soon learned to let him be. Every day, when he came back from his stroll, he would ask if any seafaring men had gone by along the road? At first we thought it was the want of company of his own kind that made him ask this question; but at last we began to see he was desirous to avoid them. When a seaman put up at the "Admiral Benbow" (as now and then some did, making by the coast road for Bristol), he would look in at him through the curtained door before he entered the parlour; and he was always sure to be as silent as a mouse when any such was present. For me, at least, there was no secret about the matter; for I was, in a way, a sharer in his alarms. He had taken me aside one day, and promised me a silver fourpenny on the first of every month if I would only keep my "weather-eye open for a seafaring man with one leg," and let him know the moment he appeared. Often enough, when the first of the month came round, and I applied to him for my wage, he would only blow through his nose at me, and stare me down; but before the week was out he was sure to think better of it, bring me my fourpenny piece, and repeat his orders to look out for "the seafaring man with one leg."

How that personage haunted my dreams, I need scarcely tell you. On stormy nights, when the wind shook the four corners of the house, and the surf roared along the cove and up the cliffs, I would see him in a thousand forms, and with a thousand diabolical expressions. Now the leg would be cut off at the knee, now at the hip; now he was a monstrous kind of a creature who had never had but the one leg, and that in the middle of his body. To see him leap and run and pursue me over hedge and ditch was the worst of nightmares. And altogether I paid pretty dear for my monthly fourpenny piece, in the shape of these abominable fancies.

But though I was so terrified by the idea of the seafaring man with one leg, I was far less afraid of the captain himself than anybody else who knew him. There were nights when he took a deal more rum and water than his head would carry; and then he would sometimes sit and sing his wicked, old, wild sea-songs, minding nobody; but sometimes he would call for glasses round, and force all the trembling company to listen to his stories or bear a chorus to his singing. Often I have heard the house shaking with "Yo-ho-ho, and a bottle of rum;" all the neighbours joining in for dear life, with the fear of death upon them, and each singing louder than the other, to avoid remark. For in these fits he was the most over-riding companion ever known; he would slap his hand on the table for silence all round; he would fly up in a passion of anger at a question, or sometimes because none was put, and so he judged the company was not following his story. Nor would he allow any one to leave the inn till he had drunk himself sleepy and reeled off to bed.

His stories were what frightened people worst of all. Dreadful stories they were; about hanging, and walking the plank, and storms at sea, and the Dry Tortugas, and wild deeds and places on the Spanish Main. By his own account he must have lived his life among some of the wickedest men that God ever allowed upon the sea; and the language in which he told these stories shocked our plain country people almost as much as the crimes that he described. My father was always saying the inn would be ruined, for people would soon cease coming there to be tyrannised over and put down, and sent shivering to their beds; but I really believe his presence did us good. People were frightened at the time, but on looking back they rather liked it; it was a fine excitement in a quiet country life; and there was even a party of the younger men who pretended to admire him, calling him a "true sea-dog," and a "real old salt," and such like names, and saying there was the sort of man that made England terrible at sea.

In one way, indeed, he bade fair to ruin us; for he kept on staying week after week, and at last month after month, so that all the money had been long exhausted, and still my father never plucked up the heart to insist on having more. If ever he mentioned it, the captain blew through his nose so loudly, that you might say he roared, and stared my poor father out of the room. I have seen him wringing his hands after such a rebuff, and I am sure the annoyance and the terror he lived in must have greatly hastened his early and unhappy death.

All the time he lived with us the captain made no change whatever in his dress but to buy some stockings from a hawker. One of the cocks of his hat having fallen down, he let it hang from that day forth, though it was a great annoyance when it blew. I remember the appearance of his coat, which he patched himself up-stairs in his room, and which, before the end, was nothing but patches. He never wrote or received a letter, and he never spoke with any but the neighbours, and with these, for the most part, only when drunk on rum. The great sea-chest none of us had ever seen open.

He was only once crossed, and that was towards the end, when my poor father was far gone in a decline that took him off. Dr. Livesey came late one afternoon to see the patient, took a bit of dinner from my mother, and went into the parlour to smoke a pipe until his horse should come down from the hamlet, for we had no stabling at the old "Benbow." I followed him in, and I remember observing the contrast the neat, bright doctor, with his powder as white as snow, and his bright, black eyes and pleasant manners, made with the coltish country folk, and above all, with that filthy, heavy, bleared scarecrow of a pirate of ours, sitting far gone in rum, with his arms on the table. Suddenly he-the captain, that is-began to pipe up his eternal song:-

"Fifteen men on the dead man's chest-

Yo-ho-ho, and a bottle of rum!

Drink and the devil had done for the rest-

Yo-ho-ho, and a bottle of rum!"

At first I had supposed "the dead man's chest" to be that identical big box of his up-stairs in the front room, and the thought had been mingled in my nightmares with that of the one-legged seafaring man. But by this time we had all long ceased to pay any particular notice to the song; it was new, that night, to nobody but Dr. Livesey, and on him I observed it did not produce an agreeable effect, for he looked up for a moment quite angrily before he went on with his talk to old Taylor, the gardener, on a new cure for the rheumatics. In the meantime, the captain gradually brightened up at his own music, and at last flapped his hand upon the table before him in a way we all knew to mean-silence. The voices stopped at once, all but Dr. Livesey's; he went on as before, speaking clear and kind, and drawing briskly at his pipe between every word or two. The captain glared at him for a while, flapped his hand again, glared still harder, and at last broke out with a villainous, low oath: "Silence, there, between decks!"

"Were you addressing me, sir?" says the doctor; and when the ruffian had told him, with another oath, that this was so, "I have only one thing to say to you, sir," replies the doctor, "that if you keep on drinking rum, the world will soon be quit of a very dirty scoundrel!"

The old fellow's fury was awful. He sprang to his feet, drew and opened a sailor's clasp-knife, and, balancing it open on the palm of his hand, threatened to pin the doctor to the wall.

The doctor never so much as moved. He spoke to him, as before, over his shoulder, and in the same tone of voice; rather high, so that all the room might hear, but perfectly calm and steady:-

"If you do not put that knife this instant in your pocket, I promise, upon my honour, you shall hang at the next assizes."

Then followed a battle of looks between them; but the captain soon knuckled under, put up his weapon, and resumed his seat, grumbling like a beaten dog.

"And now, sir," continued the doctor, "since I now know there's such a fellow in my district, you may count I'll have an eye upon you day and night. I'm not a doctor only; I'm a magistrate; and if I catch a breath of complaint against you, if it's only for a piece of incivility like to-night's, I'll take effectual means to have you hunted down and routed out of this. Let that suffice."

Soon after Dr. Livesey's horse came to the door, and he rode away; but the captain held his peace that evening, and for many evenings to come.

chapter II

Black Dog Appears

and Disappears

It was not very long after this that there occurred the first of the mysterious events that rid us at last of the captain, though not, as you will see, of his affairs. It was a bitter cold winter, with long, hard frosts and heavy gales; and it was plain from the first that my poor father was little likely to see the spring. He sank daily, and my mother and I had all the inn upon our hands; and were kept busy enough, without paying much regard to our unpleasant guest.

It was one January morning, very early-a pinching, frosty morning-the cove all grey with hoar-frost, the ripple lapping softly on the stones, the sun still low and only touching the hilltops and shining far to seaward. The captain had risen earlier than usual, and set out down the beach, his cutlass swinging under the broad skirts of the old blue coat, his brass telescope under his arm, his hat tilted back upon his head. I remember his breath hanging like smoke in his wake as he strode off, and the last sound I heard of him, as he turned the big rock, was a loud snort of indignation, as though his mind was still running upon Dr. Livesey.

Well, mother was up-stairs with father; and I was laying the breakfast-table against the captain's return, when the parlour door opened, and a man stepped in on whom I had never set my eyes before. He was a pale, tallowy creature, wanting two fingers of the left hand; and, though he wore a cutlass, he did not look much like a fighter. I had always my eye open for seafaring men, with one leg or two, and I remember this one puzzled me. He was not sailorly, and yet he had a smack of the sea about him too.


From the Trade Paperback edition.

Recenzii

 • "It is a breathless journey and the closest thing to a real pirate adventure without an eye patch and a time machine... It is a unique work of genius." --Eoin Colfer, author of Artemis Fowl

 • "Who can think of a pirate without conjuring up the image of Long John Silver?" --Daily Mail
"An undisputed masterpiece" Daily Telegraph "A poet, a rebel, a philosopher, a genius far ahead of his time, [Stevenson] has given us some of the most powerful characters of English literature" Daily Mail "What I didn't anticipate was the power of Stevenson's prose. His ability to bring everything vividly to life is still astonishing. It was probably the first time for me that reading became as exciting as messing about. The pirate has a dangerous glamour to him, a degenerate dandyism, something, once I was in my teens, that I would admire in people like David Bowie and Sid Vicious'" -- Jake Arnott Daily Telegraph "Reading Treasure Island at the age of seven or eight was my real awakening as a reader... it is all as frightening and exciting when read for the umpteenth time in middle age as when first discovered in childhood" -- A.N.Wilson, Daily Telegraph "I believe Treasure Island to be Robert Louis Stevenson's masterpiece. The very opening - the murder-bent Blind Pew, tapping his way towards the isolated inn - is designed to make our flesh creep. Long John Silver is a great literary creation. Re-reading the book, it gripped me as firmly now as it did under the torch-lit blankets 60 years ago" -- George Melly Sunday Telegraph

Caracteristici

A new addition to our series of beautifully produced and designed maritime classics, a collection that readers will treasure

Cuprins

To the hesitating purchaser; Part I. The Old Buccaneer: 1. The old sea-dog at the 'Admiral Benbow'; 2. Black Dog appears and disappears; 3. The black spot; 4. The sea chest; 5. The last of the blind man; 6. The captain's papers; Part II. The Sea Cook: 7. I go to Bristol; 8. At the sign of the 'Spy-Glass'; 9. Powder and arms; 10. The voyage; 11. What I heard in the apple barrel; 12. Council of war; Part III. My Shore Adventure: 13. How my shore adventure began; 14. The first blow; 15. The man of the island; Part IV. The Stockade: 16. Narrative continued by the doctor: how the ship was abandoned; 17. Narrative continued by the doctor: the jolly boat's last trip; 18. Narrative continued by the doctor: end of the first day's fighting; 19. Narrative resumed by Jim Hawkins: the garrison in the stockade; 20. Silver's embassy; 21. The attack; Part V. My Sea Adventure: 22. How my sea adventure began; 23. The ebb-tide runs; 24. The cruise of the coracle; 25. I strike the Jolly Roger; 26. Israel Hands; 27. 'Pieces of eight'; Part VI. Captain Silver: 28. In the enemy's camp; 29. The black spot again; 30. On parole; 31. The treasure hunt: Flint's pointer; 32. The treasure hunt: the voice among the trees; 33. The fall of a chieftain; 34. And last.

Premii