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Three Sisters de Anton Chekhov

Three Sisters: French's Acting Editions

Autor Anton Chekhov Adaptat de Christopher Hampton
en Limba Engleză Paperback
The Prozorov sisters, Olga, Masha and Irina, dream of freedom, sex, romance and Moscow. Two figures appear in their lives. Vershinin, the new battery commander, has hopes of a better future for mankind. Natasha, a local woman, has hopes of a better future for herself. Each will transform the Prozorov family... A complex lattice of stories works itself out, bringing reward to some, despair to others.
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Paperback (14) 3088 lei  3-5 săpt. +503 lei  7-13 zile
  Theatre Communications Group – 11 noi 2020 7398 lei  3-5 săpt. +503 lei  7-13 zile
  Hackett Publishing Company,Inc – 15 mar 2014 7544 lei  3-5 săpt.
  Bloomsbury Publishing – 8 apr 2021 8081 lei  3-5 săpt. +2608 lei  7-13 zile
  Bloomsbury Publishing – 30 apr 2026 8813 lei  Precomandă
  Mint Editions – dec 2020 3088 lei  3-5 săpt.
  Bloomsbury Publishing – 22 mai 2018 6698 lei  6-8 săpt.
  Bloomsbury Publishing – 6 mar 2003 7052 lei  6-8 săpt. +4350 lei  7-13 zile
  Bloomsbury Publishing – 7 feb 2025 7400 lei  3-5 săpt. +3196 lei  7-13 zile
  Bloomsbury Publishing – 4 apr 2014 7497 lei  6-8 săpt.
  Bloomsbury Publishing – 23 feb 2006 8009 lei  6-8 săpt.
  FABER & FABER – 20 oct 2016 8311 lei  6-8 săpt.
  Theatre Communications Group – 24 ian 2017 10100 lei  3-5 săpt.
  Samuel French Ltd – 10296 lei  6-8 săpt.
  Samuel French Ltd – 2 mar 2018 10382 lei  6-8 săpt.
Hardback (1) 22987 lei  3-5 săpt.
  Hackett Publishing Company,Inc – 15 mar 2014 22987 lei  3-5 săpt.

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Specificații

ISBN-13: 9780573019982
ISBN-10: 0573019983
Pagini: 76
Dimensiuni: 140 x 216 x 4 mm
Greutate: 0.1 kg
Ediția:Revised
Editura: Samuel French Ltd
Seria French's Acting Editions

Notă biografică

Descriere

Descriere de la o altă ediție sau format:
You'd be hard put to find a better script to work with than this translation by Michael Frayn . . . It sticks rigorously to the inner thrust of the play while giving it a fresh, crisp clarity that makes it not just accessible but compelling to watch. The underlying tragedy . . . is intact. It is made more moving, not less, by the way Frayn's ineffably light touch has caught too the comedy of Andrey and his three sisters.' GUARDIAN

'Frayn puts well the central statement of this most moving of dramas: it is about the irony of the hopes by which people live and the way their destiny mocks them. Chekhov shows how life is both nourished and poisoned by the act of hope itself' DAILY TELEGRAPH

Following their father's death, life for sisters Olga, Masha and Irina in a Russian provincial garrison town has become unbearably dull. They feel they have become culturally, romantically and intellectually starved. To these sisters, Moscow, where they once lived and in spite of its sad memories, has become a symbol of unfulfilled hope, promises and opportunity, and one which contrasts with the tedium of their own lives and circumstances. The sisters' main hope of moving to Moscow depends on their brother, Andrey, with his ambitions to work in academia in Moscow.

Set over three and a half years at the turn of the twentieth century, and premiered at the Moscow Art Theatre in 1901, Chekhov's play has become among the most iconic in modern theatre.

This translation is by Michael Frayn, one of today's most eminent British playwrights and translators of Russian drama.

Commentary and notes by Nick Worrall.

Cuprins

Introduction
Timeline
Inua Ellams
Social and Political Context
The Berlin Conference (1884-1885)
Indirect Rule/Administration
The Formation of Nigeria
The Nigeria Civil War/Biafra War
Ethnicity
Anton Chekhov
Adaptations
Post-colonialism/post-colonial theatre/neo-colonialism
Commentary
Structure/Time
Fate and Duty
Tradition vs Modernity
Symbolism
Main Characters
Critical Reception
Glossary
Selected texts on the Biafran War
Texts Cited
Three Sisters: After Chekhov
Notes

Recenzii

A punky, funny, furious takedown of the cult of the classic... the piece never denies that Chekhov still speaks to us, it also questions its existence... loud, rude, provocative and, yes, messy - that's all part of its glorious defiance. Don't go expecting the pretty, predictable or polite. But do go. ????
A gloriously playful evening, stuffed with musical richness. If you know the original you will note how the company both honour its structure and smash it... it understands that each generation must take what they need from a play and that it must speak not to the past but to the millions of Olgas, Irinas and Mashas of today. Otherwise, why bother? ????
Less a take on the play than a music and movement-fuelled examination of why plays like this continue to be staged... some of the basic features of Chekhov's play remain, but RashDash push at its edges and mess with its mechanics... RashDash incisively skewers the privileged ennui of Chekhov's characters and the limited horizons the playwright imagined for his female protagonists. If the classics aren't for everyone, RashDash ask, then what are they for? ????
'Funny, furious - loud, rude, provocative and messy.'