The Old Neighborhood: Modern Plays
Autor David Mameten Limba Engleză Paperback – 2 iul 1998
When Bobby returns to the old neighborhood, the people and places of his past cast shadows over the present. In a trio of interleaved scenes, The Old Neighborhood provides a rare personal insight into the world of one of America's greatest contemporary dramatists.
| Toate formatele și edițiile | Preț | Express |
|---|---|---|
| Paperback (2) | 65.06 lei 3-5 săpt. | |
| Vintage Publishing – 31 ian 1998 | 65.06 lei 3-5 săpt. | |
| Bloomsbury Publishing – 2 iul 1998 | 80.57 lei 6-8 săpt. |
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Specificații
ISBN-13: 9780413735706
ISBN-10: 0413735702
Pagini: 84
Dimensiuni: 122 x 202 x 8 mm
Greutate: 0.1 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 0413735702
Pagini: 84
Dimensiuni: 122 x 202 x 8 mm
Greutate: 0.1 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Notă biografică
David Mamet was born in Chicago in 1947. He studied at Goddard College in Vermont and at the Neighborhood Playhouse School of Theater in New York. He has taught at Goddard College, the Yale Drama School, and New York University, and lectures at the Atlantic Theater Company, of which he is a founding member. He is the author of the plays The Cryptogram,Oleanna, Speed-the-Plow, Glengarry Glen Ross, American Buffalo, and Sexual Perversity in Chicago. He has also written screenplays for such films as House of Games and the Oscar-nominated The Verdict, His plays have won the Pulitzer Prize and the Obie Award.
Recenzii
“Searing…heart-piercing…haunting and original…[Mamet’s] most emotionally accessible drama to date,”—The New York Times
“Elegant and beautiful…David Mamet’s autobiographical play is full of laughter and lament.”—The New Yorker
“[Mamet’s] most personal, haunted and haunting play.”—Newsday
“Riveting… luminous…beautifully rendered…a significant development in Mamet’s career.”—San Francisco Examiner
“Elegant and beautiful…David Mamet’s autobiographical play is full of laughter and lament.”—The New Yorker
“[Mamet’s] most personal, haunted and haunting play.”—Newsday
“Riveting… luminous…beautifully rendered…a significant development in Mamet’s career.”—San Francisco Examiner