Rough Girls: Modern Plays
Autor Tara Lynne O'Neilen Limba Engleză Paperback – 9 sep 2021
The making of Belfast's first all-female football team.
This is the untold story of the Belfast women who stepped onto a pitch in society-shocking shorts and footie boots, a ball at their feet and a point to prove. They were the suffragettes of soccer. Rebels with a ball, who kept kicking their way through the outraged defence of a male-dominated game to raise thousands for those returning from war. Set in Belfast 1917 - 1921 in a city divided by war but still united by sport, the play chronicles the courage and determination of those girls.
This original Belfast story based on true events will resonate with the history of the city and chime with the recent equality movements across the sports industry and the cultural sector. This ambitious, large-scale play features an impressive eleven strong female ensemble with live music creating the heartbeat of the city at the time.
This edition was published to coincide with the world premiere at Belfast's Lyric Theatre in September 2021.
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Specificații
ISBN-13: 9781350293717
ISBN-10: 1350293717
Pagini: 120
Dimensiuni: 128 x 196 x 12 mm
Greutate: 0.12 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1350293717
Pagini: 120
Dimensiuni: 128 x 196 x 12 mm
Greutate: 0.12 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Recenzii
A beautiful piece of theatre that hits the back of the net
O'Neill folds her trilogy of metaphors into a tale that surprises-and shames-with its unearthing of a long-forgotten story of proto-feminists at the end of the First World War staking their claim in an antagonistic male-dominated world. Told with a bold, confident sense of the theatrical, it bodes well for future offerings, not least given a relishable gusto that favourably calls to mind the zesty iconoclasm of Joan Littlewood's Theatre Royal Stratford East ensemble at its best.
There was no heckling here for our Rough Girls, and whilst we had to cheer them on from the sidelines in a socially distanced standing ovation - it is moreover a sign of the times that great theatre is back.
O'Neill's script is eloquent and gorgeously layered. It's the perfect mix of high drama and comedy, and makes seamless references to essential Irish history.
O'Neill folds her trilogy of metaphors into a tale that surprises-and shames-with its unearthing of a long-forgotten story of proto-feminists at the end of the First World War staking their claim in an antagonistic male-dominated world. Told with a bold, confident sense of the theatrical, it bodes well for future offerings, not least given a relishable gusto that favourably calls to mind the zesty iconoclasm of Joan Littlewood's Theatre Royal Stratford East ensemble at its best.
There was no heckling here for our Rough Girls, and whilst we had to cheer them on from the sidelines in a socially distanced standing ovation - it is moreover a sign of the times that great theatre is back.
O'Neill's script is eloquent and gorgeously layered. It's the perfect mix of high drama and comedy, and makes seamless references to essential Irish history.