The Comedy of Errors: The New Oxford Shakespeare: Oxford World's Classics
Autor William Shakespeare Introducere de IAN BURROWS Editat de Sarah Neville Emma Smithen Limba Engleză Paperback – 13 feb 2025
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Specificații
ISBN-13: 9780192869036
ISBN-10: 0192869035
Pagini: 144
Dimensiuni: 130 x 197 x 10 mm
Greutate: 0.11 kg
Editura: OUP OXFORD
Colecția OUP Oxford
Seria Oxford World's Classics
Locul publicării:Oxford, United Kingdom
ISBN-10: 0192869035
Pagini: 144
Dimensiuni: 130 x 197 x 10 mm
Greutate: 0.11 kg
Editura: OUP OXFORD
Colecția OUP Oxford
Seria Oxford World's Classics
Locul publicării:Oxford, United Kingdom
Notă biografică
Ian Burrows is a Fellow of Clare College, teaching and researching drama (and early modern drama in particular). He is especially interested in the exploration and exploitation of physicality in theatrical spaces, which he considers in his book Shakespeare for Snowflakes: On Slapstick and Sympathy, and which he continues to consider in the forthcoming Punctuation and Personality in Early Modern Printed Plays: Printing Hiccups. He is the co-convenor of the 'Beyond the Trigger' research programme, which uses techniques of embodied rehearsal and performance to reflect on the teaching of traumatic and traumatising literary material.Sarah Neville is an Associate Professor of English at the Ohio State University with a courtesy appointment in Theatre, Film, and Media Arts. She specializes in early modern English literature, bibliography, theories of textuality, and performance, chiefly examining the ways that authority is negotiated in print, digital, and live media. She is an assistant editor of The New Oxford Shakespeare (2016-17), for which she edited five plays in both old and modern-spelling editions, as well as an associate coordinating editor of the Digital Renaissance Editions.
Cuprins
List of Illustrations
General editors' preface
Preface
Introduction
Laughter, Empathy and Memorability
Error and Identity
The Cultural World
Poetic Geography, Travel, Dark Ephesus
Genre
Style: Verse and Prose
Sources and Influences
Staging
Early Performances
Afterlife: Image, Stage and Screen
Editorial Procedures
The Comedy of Errors
Longer Notes
Notes on Verse and Prose
Appendix A: Casting and Doubling
Appendix B: Date of Composition
Appendix C: The Text
Abbreviations and References
General editors' preface
Preface
Introduction
Laughter, Empathy and Memorability
Error and Identity
The Cultural World
Poetic Geography, Travel, Dark Ephesus
Genre
Style: Verse and Prose
Sources and Influences
Staging
Early Performances
Afterlife: Image, Stage and Screen
Editorial Procedures
The Comedy of Errors
Longer Notes
Notes on Verse and Prose
Appendix A: Casting and Doubling
Appendix B: Date of Composition
Appendix C: The Text
Abbreviations and References
Recenzii
The detailed scholarship of Cartwright's thematic introduction suits the Bard's most adaptable play, and unearths the textual gems for any critical reader, enthusiastic performer, or budding newcomer.
Cartwright's Introduction and notes make readers appreciate the richness, complexity and depth of a comedy that has often been brushed off as a mechanical "imitation" of Plautus's farcical Menaechmi.
An unapologetic and refreshingly enthusiastic celebration of a play whose disparagement in the eighteenth and nineteenth centuries has had a lingering effect despite the more recent revival of its fortunes. While Cartwright gestures towards the play's triumphant theatrical resurgence, he is most interested in its linguistic and structural complexities, unpacked in a rich introduction.
Cartwright's Introduction and notes make readers appreciate the richness, complexity and depth of a comedy that has often been brushed off as a mechanical "imitation" of Plautus's farcical Menaechmi.
An unapologetic and refreshingly enthusiastic celebration of a play whose disparagement in the eighteenth and nineteenth centuries has had a lingering effect despite the more recent revival of its fortunes. While Cartwright gestures towards the play's triumphant theatrical resurgence, he is most interested in its linguistic and structural complexities, unpacked in a rich introduction.
Textul de pe ultima copertă
The general editors of the new series of forty-two volumes -- renowned Shakespeareans Stephen Orgel of Stanford University and A. R. Braunmuller of UCLA -- have assembled a team of six eminent scholars who have, along with the general editors themselves, prepared new introductions and notes to all of Shakespeare's plays and poems. Redesigned in an easy-to-read format that preserves the favorite features of the original -- and including an essay on the theatrical world of Shakespeare, an introduction to the individual play, and a note on the text used -- the new Pelican Shakespeare will be an excellent resource for students, teachers, and theater professionals well into the twenty-first century.