The Beggar's Opera
Autor John Gay Editat de Edgar V. Robertsen Limba Engleză Paperback – apr 1969
The Beggar's Opera introduced to theater the ballad-opera and an immortal cast of characters. The Peachums, employers of a company of pickpockets, shoplifters, and thieves, raised their daughter Polly for finer things, but she has done a dreadful deed. She has married for love. Her husband is Macheath, so exquisite a robber he might have been a lawyer or lord, and so devoted to matrimony that he has two or three wives already.
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Specificații
ISBN-13: 9780803253612
ISBN-10: 0803253613
Pagini: 238
Dimensiuni: 140 x 203 x 15 mm
Greutate: 0.3 kg
Editura: Nebraska Paperback
Colecția University of Nebraska Press
Locul publicării:United States
ISBN-10: 0803253613
Pagini: 238
Dimensiuni: 140 x 203 x 15 mm
Greutate: 0.3 kg
Editura: Nebraska Paperback
Colecția University of Nebraska Press
Locul publicării:United States
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Notă biografică
Born in 1685, John Gay's first major success was THE SHEPHERD'S WEEK. It was followed by a number of other works, the most enduring of which is THE BEGGAR'S OPERA. Gay died in 1732, and is remembered as a popular and genial man whose self-penned epitaph reads 'Life is a jest, and all things show it, I thought it once, and now I know it'.
Descriere
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Mr. and Mrs. Peachum are horrified when they learn of their daughter Polly's secret marriage to the rebellious and notorious highwayman, Macheath. However, their fear is soon mitigated when they decide to kill him for his money. When Macheath is in the tavern, surrounded by women of 'ill repute', he discovers that he has been rumbled: two of these women are in cahoots with the Peachums and plan to kill him.
He finds himself in Newgate and, worse than that, in the company of the jailer's daughter, Lucy, to whom he is also betrothed. Although Macheath is captured and destined to be hanged, Gay's action-packed and entertaining play subverts audience expectations by letting Macheath off the hook and not punishing its villains.
John Gay's satirical opera, written in 1728, was revolutionary because it took poverty and corruption as its subject, and paupers and villains as its characters. The lyrics were set to famous songs of the day making it hugely popular with audiences and a radical departure from traditional opera.
The introduction puts the play in its historical and theatrical contexts and details its stage history in modern times too. David Lindley is an expert on theatrical music and the new dramatic form of ballad opera this play created. The music for the songs is included in the text, making this an edition to be used for performance as well as for study.
Mr. and Mrs. Peachum are horrified when they learn of their daughter Polly's secret marriage to the rebellious and notorious highwayman, Macheath. However, their fear is soon mitigated when they decide to kill him for his money. When Macheath is in the tavern, surrounded by women of 'ill repute', he discovers that he has been rumbled: two of these women are in cahoots with the Peachums and plan to kill him.
He finds himself in Newgate and, worse than that, in the company of the jailer's daughter, Lucy, to whom he is also betrothed. Although Macheath is captured and destined to be hanged, Gay's action-packed and entertaining play subverts audience expectations by letting Macheath off the hook and not punishing its villains.
John Gay's satirical opera, written in 1728, was revolutionary because it took poverty and corruption as its subject, and paupers and villains as its characters. The lyrics were set to famous songs of the day making it hugely popular with audiences and a radical departure from traditional opera.
The introduction puts the play in its historical and theatrical contexts and details its stage history in modern times too. David Lindley is an expert on theatrical music and the new dramatic form of ballad opera this play created. The music for the songs is included in the text, making this an edition to be used for performance as well as for study.