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The Beetle de Richard Marsh

The Beetle

Autor Richard Marsh
en Limba Engleză Hardback – 14 dec 2019
Classic horror in the form of a supernatural thriller: London is haunted by mysterious cases of death, stalkings and burglary. A prominent member of parliament seems to be the focus of the incidents. Behind the events is a hostile and powerful entity called "the Arab," which takes the shape of a man or a sexually seductive woman depending on circumstances and intentions. It is a thing born of neither God nor human, but connected with the Egyptian cult of Isis.
The Englishman Richard Marsh (pseudonym for Richard Bernard Heldmann, 1857-1915) was a major best-selling author during the late Victorian era, though now largely forgotten except among scholars and connoisseurs of horror fiction. Especially The Beetle (1897) was reprinted numerous times and translated into languages all over the world, with a popularity that lasted decades into the 20th century, adapted to the screen in a British movie 1919 and several times for the stage, most notably in a big production for Strand Theatre 1928. Today the novel has been reinstated by scholars as a great Victorian classic, similar in themes and mood to Bram Stoker's Dracula which was published the same year, a prime example of fin de si cle literature.
Richard Marsh was specialized in horror, suspense and the supernatural, with strong elements of crime and detective fiction; he also wrote clear-cut detective stories, for example with the character Judith Lee, an early female detective. One of his recurring characters is the Hon. Augustus Champnell, an aristocratic detective with an interest in the occult, who is also the main protagonist in this novel.
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Specificații

ISBN-13: 9789187611223
ISBN-10: 9187611228
Pagini: 216
Dimensiuni: 157 x 235 x 17 mm
Greutate: 0.46 kg
Ediția:2. Auflage
Editura: Timaios Press

Notă biografică

Richard Marsh, a pseudonym used by English author Richard Bernard Heldmann, was born on October 12, 1857, and died on August 9, 1915. Author of numerous best-selling books during the late 19th and early 20th centuries, Marsh is most known today for his supernatural thriller The Beetle, which came out the same year as Bram Stoker's Dracula (1897) and was initially sold six times more than the latter book. The Beetle was published until 1960. In addition to writing many short tales, Marsh authored about 80 volumes of fiction in the horror, crime, romance, and humor genres. Starting with The Beetle in 2004, many of these have been reissued in the last few years. Robert Aickman was a well-known author of short "strange stories" and the grandson of Marsh. On October 12, 1857, Richard Bernard Heldmann was born in North London, the son of lace manufacturer Emma Marsh (1830-1911) and trader Joseph Heldmann (1827-96). In 1880, Heldmann started releasing fiction in the style of adventure and boys' school tales for magazine publications. The most significant of these was Union Jack, a prestigious weekly journal for boys published in association with writers W.H.G. Kingston (1814-80) and G. A. Henty (1832-1902).

Recenzii

The Beetle (1897) tells the story of a fantastical creature, “born of neither god nor man,” with supernatural and hypnotic powers, who stalks British politician Paul Lessingham through fin de siècle London in search of vengeance for the defilement of a sacred tomb in Egypt. In imitation of various popular fiction genres of the late nineteenth century, Marsh unfolds a tale of terror, late imperial fears, and the “return of the repressed,” through which the crisis of late imperial Englishness is revealed.
This Broadview edition includes a critical introduction and a rich selection of historical documents that situate the novel within the contexts of fin de siècle London, England’s interest and involvement in Egypt, the emergence of the New Woman, and contemporary theories of mesmerism and animal magnetism.

“The Beetle has it all: it’s at once a ripping gothic yarn, a fin de siècle melodrama, and a document of the fears and obsessions of late imperial culture. Julian Wolfreys’ introduction is excellent, bringing lots of fascinating material to bear on the novel and doing so clearly and persuasively. He makes you want to read it.” — Jonathan Dollimore, author of Sexual Dissidence and Death, Desire and Loss in Western Culture
“The Beetle is a great read. As Julian Wolfreys’ admirably learned, perceptive, and comprehensive introduction, appendices, and notes show, it is also a wonderful assemblage of many motifs from popular culture at the fin de siècle. I enthusiastically recommend this book.” — J. Hillis Miller, University of California, Irvine
“For far too long we have had to do without an edition of one of the key best-selling novels of the fin de siècle, Richard Marsh’s The Beetle. Broadview has once again come to the rescue with a new edition of this lurid classic that at one time outsold Dracula. Featuring useful appendices and with an extensive introduction by Julian Wolfreys, this edition will be coveted by everyone interested in late Victorian fiction.” — Nicholas Daly, Trinity College, Dublin

Descriere

Descriere de la o altă ediție sau format:
The Beetle (1897) tells the story of a fantastical creature, “born of neither god nor man,” with supernatural and hypnotic powers, who stalks British politician Paul Lessingham through fin de siècle London in search of vengeance for the defilement of a sacred tomb in Egypt. In imitation of various popular fiction genres of the late nineteenth century, Marsh unfolds a tale of terror, late imperial fears, and the “return of the repressed,” through which the crisis of late imperial Englishness is revealed.
This Broadview edition includes a critical introduction and a rich selection of historical documents that situate the novel within the contexts of fin de siècle London, England’s interest and involvement in Egypt, the emergence of the New Woman, and contemporary theories of mesmerism and animal magnetism.

Cuprins

Acknowledgements
Introduction
Richard Marsh: A Brief Chronology
A Note on the Text
The Beetle
Appendix A: London in the fin de siècle
  1. From Walter Besant, All Sorts and Conditions of Men (1882)
  2. From Robert Louis Stevenson, The Strange Case of Dr. Jekyll and Mr. Hyde (1886)
  3. From Henry James, “London” (1888)
  4. From Arthur Conan Doyle, The Sign of Four (1890)
  5. From Oscar Wilde, The Picture of Dorian Gray (1891)
  6. From Arthur Machen, The Three Impostors (1895)
  7. From Arthur Morrison, A Child of the Jago (1896)
Appendix B: The New Woman
  1. From Ouida, “The New Woman,” North American Review (May 1894)
  2. From Sarah Grand, “The New Aspect of the Woman Question,” North American Review (March 1894)
  3. From Nat Arling, “What is the Rôle of the ‘New Woman?’,” Westminster Review (November 1898)
  4. From Kathleen Caffe, “A Reply from Daughters,” The Nineteenth Century (March 1894)
Appendix C: English Interest and Involvement in Egypt
  1. From Georgia Louise Leonard, “The Occult Sciences in the Temples of Ancient Egypt,” The Open Court (1887)
  2. From J.Norman Lockyer, “The Astronomy and Mythology of the Ancient Egyptians,” The Nineteenth Century (July 1892)
  3. From “Egypt,” London Quarterly Review (April 1884)
  4. From “Our Position in Egypt,” The Speaker (19 October 1891)
Appendix D: Mesmerism and Animal Magnetism
  1. From Joseph W. Haddock, Somnolism & Psycheism; or, the Science of the Soul and the Phenomena of Nervation, as Revealed by Vital Magnetism or Mesmerism, Considered Physiologically and Philosophically, with Notes of Mesmeric and Psychical Experience (1851)
  2. From James Esdaile, Natural and Mesmeric Clairvoyance, with the Practical Application of Mesmerism in Surgery and Medicine (1852)
  3. From “Magic and Mesmerism,” Tait’s Edinburgh Magazine, 50 (1843)
  4. From Romulus Katscher, “Mesmerism, Spiritualism and Hypnotism,” The Literary Digest (21 February 1891)
Works Cited and Recommended Reading