Subaltern China: Rural Migrants, Media, and Cultural Practices: Asia/Pacific/Perspectives
Autor Wanning Sunen Limba Engleză Hardback – 11 sep 2014
Sun focuses especially on the role of media and culture in negotiating the unequal relationships that exist between various social groups. She shows that in the face of the harsh reality of injustice and discrimination, China's rural migrants engage in media and cultural practices that are at once both mundane and profound-invariably imbued with hope and dignity, and motivated by the dream of a better life. Exploring the cultural politics of inequality in post-Mao China, this engaging and compelling book will be essential reading for all concerned with the increasing centrality of media and the cultural politics of representation in our highly digitalized and mediated world.
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Specificații
ISBN-13: 9781442236776
ISBN-10: 1442236779
Pagini: 301
Ilustrații: 10 b/w photos; 9 tables;
Dimensiuni: 160 x 232 x 28 mm
Greutate: 0.57 kg
Editura: Bloomsbury Publishing
Colecția Rowman & Littlefield Publishers
Seria Asia/Pacific/Perspectives
Locul publicării:New York, United States
ISBN-10: 1442236779
Pagini: 301
Ilustrații: 10 b/w photos; 9 tables;
Dimensiuni: 160 x 232 x 28 mm
Greutate: 0.57 kg
Editura: Bloomsbury Publishing
Colecția Rowman & Littlefield Publishers
Seria Asia/Pacific/Perspectives
Locul publicării:New York, United States
Cuprins
Part I: Context, Method, and Framework
Chapter 1: Configuring the Nongmingong
Chapter 2: The Chinese Subaltern
Part II: Hegemonic Mediations
Chapter 3: News Values, Stability Maintenance, and the Politics of Voice
Chapter 4: Urban Cinema and the Limits of Harmony Production
Part III: Subaltern Politics
Chapter 5: Documentary Videos, Cultural Activism, and Alternative History
Chapter 6: Digital-Political Literacy and Photography as Self-Ethnography
Part IV: Cultural Brokering
Chapter 7: Worker-Poets, Political Intervention, and Cultural Brokering
Chapter 8: Dagong Literature and a New Sexual-Moral Economy
Conclusion
Chapter 1: Configuring the Nongmingong
Chapter 2: The Chinese Subaltern
Part II: Hegemonic Mediations
Chapter 3: News Values, Stability Maintenance, and the Politics of Voice
Chapter 4: Urban Cinema and the Limits of Harmony Production
Part III: Subaltern Politics
Chapter 5: Documentary Videos, Cultural Activism, and Alternative History
Chapter 6: Digital-Political Literacy and Photography as Self-Ethnography
Part IV: Cultural Brokering
Chapter 7: Worker-Poets, Political Intervention, and Cultural Brokering
Chapter 8: Dagong Literature and a New Sexual-Moral Economy
Conclusion
Recenzii
Wanning Sun's Subaltern China succeeds in making an original intervention in an already crowded field. The value of this study lies in its emphasis on cultural productions not only about but by rural migrant workers. . . .Sun offers a nuanced and sophisticated analysis of these cultural expressions of workers' voices. . . .I could not put this book down once I began to read it. Sun offers us a close-up view of workers' hopes and desires, pains and disappointments, and understandings of their exploited situations, putting these in the context of neoliberal economic growth. I look forward to teaching this book in my classes.
This is a conceptually sophisticated and ethnographically rich analysis of the cultural politics of China's rural migrant workers.
This is a highly original and extremely timely work of first-class scholarship. By focusing on migrant workers and foregrounding the media and cultural politics of inequality in contemporary China, Wanning Sun has offered a compelling and much-needed corrective to dominant narratives about 'China's rise.'
Infusing a rich media study with an engaged ethnography, Wanning Sun innovatively unravels the contested and nuanced relationship between the state and the subalterns of migrant workers, who appropriate and resist hegemonic media forms, and at the same time invent new genres and forms to reconstruct and reposition themselves. An intriguing read, this book is a major contribution to the cultural politics of social inequality and class in contemporary China.
Wanning Sun's original, probing, and poignant exposure of the voice of China's rural migrants in their role as subaltern artist captures a heretofore unknown dimension of the underbelly hidden beneath China's storied economic success. This heady, jarring, and powerfully written and argued treatise on the cultural politics of this underclass sparkles with insights, empathy, and nuance, as it traces both the possibilities for and the depoliticization of this egregious emblem of the country's searing inequality.
Only recently have we started to get a sense of the hidden fault lines of social struggle in contemporary China and how media practices are implicated. Wanning Sun's remarkable new book is a crucial landmark in this expanding literature. Passionate and engaged, drawing on rich fieldwork from a variety of sites, Sun gives us a vivid sense of how more than 260 million migrant workers use and appropriate mainstream and personal media in their search for some form of political voice. Essential reading.
This is a conceptually sophisticated and ethnographically rich analysis of the cultural politics of China's rural migrant workers.
This is a highly original and extremely timely work of first-class scholarship. By focusing on migrant workers and foregrounding the media and cultural politics of inequality in contemporary China, Wanning Sun has offered a compelling and much-needed corrective to dominant narratives about 'China's rise.'
Infusing a rich media study with an engaged ethnography, Wanning Sun innovatively unravels the contested and nuanced relationship between the state and the subalterns of migrant workers, who appropriate and resist hegemonic media forms, and at the same time invent new genres and forms to reconstruct and reposition themselves. An intriguing read, this book is a major contribution to the cultural politics of social inequality and class in contemporary China.
Wanning Sun's original, probing, and poignant exposure of the voice of China's rural migrants in their role as subaltern artist captures a heretofore unknown dimension of the underbelly hidden beneath China's storied economic success. This heady, jarring, and powerfully written and argued treatise on the cultural politics of this underclass sparkles with insights, empathy, and nuance, as it traces both the possibilities for and the depoliticization of this egregious emblem of the country's searing inequality.
Only recently have we started to get a sense of the hidden fault lines of social struggle in contemporary China and how media practices are implicated. Wanning Sun's remarkable new book is a crucial landmark in this expanding literature. Passionate and engaged, drawing on rich fieldwork from a variety of sites, Sun gives us a vivid sense of how more than 260 million migrant workers use and appropriate mainstream and personal media in their search for some form of political voice. Essential reading.