Spaces Mapped and Monstrous – Digital 3D Cinema and Visual Culture: Film and Culture Series
Autor Nick Jonesen Limba Engleză Paperback – 4 mai 2020
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| Paperback (1) | 266.63 lei 6-8 săpt. | |
| Columbia University Press – 4 mai 2020 | 266.63 lei 6-8 săpt. | |
| Hardback (1) | 744.74 lei 6-8 săpt. | |
| Columbia University Press – 2 apr 2020 | 744.74 lei 6-8 săpt. |
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Specificații
ISBN-13: 9780231194235
ISBN-10: 0231194234
Pagini: 336
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.45 kg
Editura: Columbia University Press
Seria Film and Culture Series
ISBN-10: 0231194234
Pagini: 336
Dimensiuni: 156 x 234 x 18 mm
Greutate: 0.45 kg
Editura: Columbia University Press
Seria Film and Culture Series
Cuprins
List of Illustrations
Acknowledgments
Introduction
Part I: Contexts
1. History: The Long View of 3D Film and Theory
2. Visualization: From Perspective to Digital 3D
Part II: Mapped Spaces
3. Simulation: Dematerializing and Enframing
4. Immersion: Entering the Screen
5. Surveillance: Converting Image to Space, World to Data
Part III: Monstrous Spaces
6. Defamiliarization: Rethinking the Screen Plane
7. Distortion: Unfamiliar and Unconventional Space
8. Intimacy: The Boundedness of Stereoscopic Media
Conclusion: Seeing in 3D
Notes
Bibliography
Index
Acknowledgments
Introduction
Part I: Contexts
1. History: The Long View of 3D Film and Theory
2. Visualization: From Perspective to Digital 3D
Part II: Mapped Spaces
3. Simulation: Dematerializing and Enframing
4. Immersion: Entering the Screen
5. Surveillance: Converting Image to Space, World to Data
Part III: Monstrous Spaces
6. Defamiliarization: Rethinking the Screen Plane
7. Distortion: Unfamiliar and Unconventional Space
8. Intimacy: The Boundedness of Stereoscopic Media
Conclusion: Seeing in 3D
Notes
Bibliography
Index
Descriere
Descriere de la o altă ediție sau format:
Spaces Mapped and Monstrous explores the paradoxical nature of 3D cinema and its place in today’s visual landscape. Considering 3D’s distinctive visual qualities and its connections to wider digital culture, Nick Jones situates the production and exhibition of 3D cinema within a web of aesthetic, technological, and historical contexts.
Spaces Mapped and Monstrous explores the paradoxical nature of 3D cinema and its place in today’s visual landscape. Considering 3D’s distinctive visual qualities and its connections to wider digital culture, Nick Jones situates the production and exhibition of 3D cinema within a web of aesthetic, technological, and historical contexts.