Soundwriting: A Guide to Making Audio Projects
Autor Tanya K. Rodrigue, Kyle D. Stedmanen Limba Engleză Paperback – 9 dec 2022
The many exercises throughout the book and the supportive resources on a companion website will help budding makers strengthen their practical skills and deepen their understanding of what it takes to make compelling audio projects.
Preț: 178.04 lei
Preț vechi: 222.56 lei
-20%
Puncte Express: 267
Preț estimativ în valută:
31.47€ • 37.53$ • 27.30£
31.47€ • 37.53$ • 27.30£
Carte disponibilă
Livrare economică 23 februarie-09 martie
Specificații
ISBN-13: 9781554815111
ISBN-10: 1554815118
Pagini: 256
Ilustrații: 50 B&W Illustrations
Dimensiuni: 152 x 229 x 14 mm
Greutate: 0.44 kg
Editura: BROADVIEW PR
Colecția Broadview Press
Locul publicării:Peterborough, Canada
ISBN-10: 1554815118
Pagini: 256
Ilustrații: 50 B&W Illustrations
Dimensiuni: 152 x 229 x 14 mm
Greutate: 0.44 kg
Editura: BROADVIEW PR
Colecția Broadview Press
Locul publicării:Peterborough, Canada
V-ar putea interesa
-
Adobe Audition CC Classroom in a BookAdobe Creative Team-20%Preț: 346.46 lei433.08 lei -
Preț: 128.39 lei -
Designing SoundAndy Farnell-23%Preț: 484.97 lei626.83 lei -
The SuperCollider Book, second editionDavid Cottle-20%Preț: 683.55 lei854.43 lei -
Brilliant CopywritingRoger HorberryPreț: 73.79 lei -
Voice & Vision: A Creative Approach to Narrative FilmmakingMick Hurbis-Cherrier-8%Preț: 473.24 lei514.39 leiRecomandat -
Olson, H: Music, Physics and EngineeringHarry F. OlsonPreț: 95.07 lei -
Preț: 354.39 lei -
Coding for Dummies, All New EditionPaul McFedries-20%Preț: 131.50 lei164.38 lei -
The Everything Learning Italian Book, 3rd EditionRonald Glenn Wrigley-21%Preț: 73.78 lei92.81 leiRecomandat -
-20%Preț: 75.44 lei93.77 leiRecomandat -
The Everything Learning French Book, 3rd EditionBruce Sallee-20%Preț: 74.30 lei93.10 leiRecomandat -
Everybody Needs an EditorMelissa Harris-22%Preț: 82.03 lei105.11 lei -
Sound AdviceAlan GreenPreț: 77.90 lei -
This Book is Too Quiet!Cristina CubellsPreț: 91.96 lei -
Listen to the Sounds of SpringMarion BilletPreț: 68.72 lei -
Jingle Bells Sound BookSam TaplinPreț: 98.09 lei -
My Busy Music Book!Design EyePreț: 68.85 lei -
Preț: 87.01 lei
Recenzii
Written in an encouraging and accessible way, this unique textbook is about how to compose with sound—how to make powerful podcast episodes, audio essays, personal narratives, and audio documentaries. Using ideas and language from rhetoric and writing studies as well as the authors’ extensive personal experiences with soundwriting, this book teaches new and more experienced soundwriters how to approach the world with a listening ear and body, determine a natural and productive writing process, target the perfect audience, use such rhetorical tools as music and sound effects, and work in an audio editing program.
The many exercises throughout the book and the supportive resources on a companion website will help budding makers strengthen their practical skills and deepen their understanding of what it takes to make compelling audio projects.
“This is the book we’ve been waiting for: the perfect guide for students and teachers on how to bridge sound studies with sound design and composition. Soundwriting anchors the craft of working with sound in the exciting worlds of audio, sound research, and pragmatic first-person reflections. As a textbook, it provides every essential tool and insight for new audio-composers; as an introduction to sound studies and composition, it draws us into the fascinating and absorbing terrains of musicology, rhetoric, affect studies, and beyond. The book is accessible, theoretically sophisticated, and inspiring.” — Ada Jaarsma, Mount Royal University
“As the authors suggest, and as this compelling text aptly demonstrates, this is, indeed, ‘an exciting moment for sound.’ Soundwriting is a timely, smartly conceived, well-designed, innovative, and highly accessible text that provides readers (and listeners) with a rhetorically informed, hands-on approach to composing with sound. In addition to offering users instruction, tips, and activities geared toward the successful realization of sound-based texts, Tanya Rodrigue and Kyle Stedman generously share details of their own soundwriting experiences in a series of reflective, process-based Interludes, further underscoring the complexity, richness, diversity, and potential of writing with sound.” — Jody Shipka, University of Maryland
“This is the textbook I wish I had had when I first taught soundwriting and sonic rhetoric. In an increasingly multimediated era, students need to analyze and intervene in their sonic environments, and Soundwriting provides them with tools and approaches for such interventions. A wonderful mixture of theoretical approaches and very practical advice—students and teachers looking for sophisticated approaches to composing with sound in a variety of genres and approaches should turn to (and tune in to!) this book.” — Michael J. Faris, Texas Tech University
“Soundwriting crackles and buzzes with exciting ideas and sonic possibilities. Whether you’re a seasoned soundwriter or a total beginner, a student or a teacher, this highly engaging book offers an impressive range of accessible strategies, models, and hands-on activities for every stage of the production process. Rodrigue and Stedman have written an essential guide for anyone interested in the art of sonic composing.” — Steph Ceraso, University of Virginia
“… Soundwriting: A Guide to Making Audio Projects is more than just a beginner’s handbook to sound design—it’s a thoughtful, original, and personal appreciation of what the field can achieve at its best.” — Cam Miller Rain Taxi REview of Books
The many exercises throughout the book and the supportive resources on a companion website will help budding makers strengthen their practical skills and deepen their understanding of what it takes to make compelling audio projects.
“This is the book we’ve been waiting for: the perfect guide for students and teachers on how to bridge sound studies with sound design and composition. Soundwriting anchors the craft of working with sound in the exciting worlds of audio, sound research, and pragmatic first-person reflections. As a textbook, it provides every essential tool and insight for new audio-composers; as an introduction to sound studies and composition, it draws us into the fascinating and absorbing terrains of musicology, rhetoric, affect studies, and beyond. The book is accessible, theoretically sophisticated, and inspiring.” — Ada Jaarsma, Mount Royal University
“As the authors suggest, and as this compelling text aptly demonstrates, this is, indeed, ‘an exciting moment for sound.’ Soundwriting is a timely, smartly conceived, well-designed, innovative, and highly accessible text that provides readers (and listeners) with a rhetorically informed, hands-on approach to composing with sound. In addition to offering users instruction, tips, and activities geared toward the successful realization of sound-based texts, Tanya Rodrigue and Kyle Stedman generously share details of their own soundwriting experiences in a series of reflective, process-based Interludes, further underscoring the complexity, richness, diversity, and potential of writing with sound.” — Jody Shipka, University of Maryland
“This is the textbook I wish I had had when I first taught soundwriting and sonic rhetoric. In an increasingly multimediated era, students need to analyze and intervene in their sonic environments, and Soundwriting provides them with tools and approaches for such interventions. A wonderful mixture of theoretical approaches and very practical advice—students and teachers looking for sophisticated approaches to composing with sound in a variety of genres and approaches should turn to (and tune in to!) this book.” — Michael J. Faris, Texas Tech University
“Soundwriting crackles and buzzes with exciting ideas and sonic possibilities. Whether you’re a seasoned soundwriter or a total beginner, a student or a teacher, this highly engaging book offers an impressive range of accessible strategies, models, and hands-on activities for every stage of the production process. Rodrigue and Stedman have written an essential guide for anyone interested in the art of sonic composing.” — Steph Ceraso, University of Virginia
“… Soundwriting: A Guide to Making Audio Projects is more than just a beginner’s handbook to sound design—it’s a thoughtful, original, and personal appreciation of what the field can achieve at its best.” — Cam Miller Rain Taxi REview of Books
Cuprins
Acknowledgments
Preface
Chapter 1: Sound, Soundwriting, and Rhetoric
Photo Credits
Index
Preface
Chapter 1: Sound, Soundwriting, and Rhetoric
- Interlude A: Remixing a Written Memoir into Soundwriting: How Kyle Composed “Pincushion”
- Interlude B: Using Rhetorical and Genre Analysis to Make Soundwriting: How Tanya Composed “Peaceful Warriors”
- Interlude C: Podcasting with a Partner: How Kyle Composed “Grumble, Grumble”
- Interlude D: Working within the Limitations of a Structured Writing Process: How Tanya Composed “Play it Loud”
Photo Credits
Index