Showdown at High Noon: Witch-Hunts, Critics, and the End of the Western: The Scarecrow Filmmakers Series
Autor Jeremy Bymanen Limba Engleză Paperback – 14 iun 2004
Showdown at High Noon is the study of a film caught between popular admiration and critical disdain. In order to understand how and why High Noon has elicited such disparate reactions, author Jeremy Byman explores all of its elements, from its origins in the mind of blacklisted screenwriter Carl Foreman to its long-lasting impact on culture, American and otherwise. High Noon not only affected the westerns that followed it, but also changed filmmaking in fundamental ways. By analyzing its political, cultural, and thematic implications, Byman reveals how this one film has had such a profound and enduring influence, a long lasting impact that cannot be so easily dismissed.
Includes 8 pages of photos.
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Specificații
ISBN-13: 9780810849983
ISBN-10: 0810849984
Pagini: 344
Dimensiuni: 171 x 214 x 21 mm
Greutate: 0.47 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Scarecrow Press
Seria The Scarecrow Filmmakers Series
Locul publicării:New York, United States
ISBN-10: 0810849984
Pagini: 344
Dimensiuni: 171 x 214 x 21 mm
Greutate: 0.47 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Scarecrow Press
Seria The Scarecrow Filmmakers Series
Locul publicării:New York, United States
Cuprins
Part 1 Preface
Part 2 Acknowledgments
Part 3 Part I: The World of High Noon
Chapter 4 1. Showdown
Chapter 5 2. High Noon Enters Popular Legend
Chapter 6 3. Independent Production and the Rise of Stanley Kramer
Chapter 7 4. The Red Scare and the Blacklist
Part 8 Part II: Communism and Conformity
Chapter 9 5. Writing High Noon, Facing the Blacklist
Chapter 10 6. The Failed Community
Part 11 Part III: Westerns and Anti-Westerns
Chapter 12 7. Formula and Subversion
Chapter 13 8. High Noon and the End of the Western
Part 14 Part IV: Auteurs, Critics, and Collaborative Filmmaking
Chapter 15 9. Auteurs and Westerns
Chapter 16 10. The Making of High Noon
Part 17 Part V: The Film As Film
Chapter 18 11. A Citizen Named Kane
Chapter 19 12. Noir at High Noon
Part 20 Bibliography
Part 21 Index
Part 22 About the Author
Part 2 Acknowledgments
Part 3 Part I: The World of High Noon
Chapter 4 1. Showdown
Chapter 5 2. High Noon Enters Popular Legend
Chapter 6 3. Independent Production and the Rise of Stanley Kramer
Chapter 7 4. The Red Scare and the Blacklist
Part 8 Part II: Communism and Conformity
Chapter 9 5. Writing High Noon, Facing the Blacklist
Chapter 10 6. The Failed Community
Part 11 Part III: Westerns and Anti-Westerns
Chapter 12 7. Formula and Subversion
Chapter 13 8. High Noon and the End of the Western
Part 14 Part IV: Auteurs, Critics, and Collaborative Filmmaking
Chapter 15 9. Auteurs and Westerns
Chapter 16 10. The Making of High Noon
Part 17 Part V: The Film As Film
Chapter 18 11. A Citizen Named Kane
Chapter 19 12. Noir at High Noon
Part 20 Bibliography
Part 21 Index
Part 22 About the Author
Recenzii
Argues that High Noon was seminal in anticipating the "new," darker Western, and that the film's realist aesthetic was particularly undervalued by auteur critics...fundamentally evaluative...
Upon its release, the film High Noon was hailed as a masterpiece. Some film historians and theorists have since reviled it as pretentious social realism inspired by its screenwriter's victimization by the House Un-American Activities Committee. This study explores how and why the film has elicited such disparate reactions, looking at its political, cultural, and thematic implications. B&w film stills are included....
Upon its release, the film High Noon was hailed as a masterpiece. Some film historians and theorists have since reviled it as pretentious social realism inspired by its screenwriter's victimization by the House Un-American Activities Committee. This study explores how and why the film has elicited such disparate reactions, looking at its political, cultural, and thematic implications. B&w film stills are included....