With or Without a Song: A Memoir: The Scarecrow Filmmakers Series
Autor Edward Eliscu Editat de David Eliscuen Limba Engleză Hardback – 3 iul 2001
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Specificații
ISBN-13: 9780810840126
ISBN-10: 081084012X
Pagini: 312
Dimensiuni: 142 x 220 x 26 mm
Greutate: 0.47 kg
Ediția:0304
Editura: Bloomsbury Publishing
Colecția Scarecrow Press
Seria The Scarecrow Filmmakers Series
Locul publicării:New York, United States
ISBN-10: 081084012X
Pagini: 312
Dimensiuni: 142 x 220 x 26 mm
Greutate: 0.47 kg
Ediția:0304
Editura: Bloomsbury Publishing
Colecția Scarecrow Press
Seria The Scarecrow Filmmakers Series
Locul publicării:New York, United States
Recenzii
[A] useful addition to the always excellent and informative Scarecrow Filmmakers series, which has done much to preserve the memories of the veterans of the cinematic community.
A lyricist ("More Than You Know," "Flying Down to Rio"), playwright, screenwriter, performer, director, critic, and political activist, Eliscu looks back on the century his life nearly spanned. "My jumbled career is replete with contrary motives, unpredictable enthusiasms, and impractical commitments to both popular entertainment and unpopular causes," he notes in an introduction. "Such a split identity invites public clarification," which he provides with brio. Edited by Eliscu's son David; Eliscu died in 1998. Includes a handful of family photos.
This book will be especially appreciated by students of the history of American entertainment and popular culture, particularly those interested in the American theatre, film and song writing industry. It will also be of interest to those studying the phenomenon of the American blacklist and the socially concerned artist's response to his political, economic and social environment.
A lyricist ("More Than You Know," "Flying Down to Rio"), playwright, screenwriter, performer, director, critic, and political activist, Eliscu looks back on the century his life nearly spanned. "My jumbled career is replete with contrary motives, unpredictable enthusiasms, and impractical commitments to both popular entertainment and unpopular causes," he notes in an introduction. "Such a split identity invites public clarification," which he provides with brio. Edited by Eliscu's son David; Eliscu died in 1998. Includes a handful of family photos.
This book will be especially appreciated by students of the history of American entertainment and popular culture, particularly those interested in the American theatre, film and song writing industry. It will also be of interest to those studying the phenomenon of the American blacklist and the socially concerned artist's response to his political, economic and social environment.