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Body and Soul: The Cinematic Vision of Robert Aldrich: The Scarecrow Filmmakers Series

Autor Tony J. Williams
en Limba Engleză Paperback – 11 aug 2004
Body and Soul explores the work of Robert Aldrich, a producer and director responsible for several notable films, including The Flight of the Phoenix, The Dirty Dozen, Too Late the Hero, The Longest Yard and Whatever Happened to Baby Jane? Author Tony Williams examines the relationship of Aldrich's films to the Cultural Front movement of the 1930s as well as to the blacklist of the 1950s. He also delineates Aldrich's attempts to follow the progressive ideals of such mentors as Jean Renoir, Lewis Milestone, and Charlie Chaplin.

From the noir classic Kiss Me Deadly to the controversial thriller Twilight's Last Gleaming, Body and Soul focuses on the dilemmas-both personal and political-that affect individuals in all of Aldrich's films.
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Specificații

ISBN-13: 9780810849938
ISBN-10: 0810849933
Pagini: 392
Dimensiuni: 178 x 214 x 29 mm
Greutate: 0.51 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Scarecrow Press
Seria The Scarecrow Filmmakers Series

Locul publicării:New York, United States

Cuprins

Chapter 1 Acknowledgments
Chapter 2 Introduction
Chapter 3 Chapter One: Odets and Aldrich
Chapter 4 Chapter Two: Enterprise and After
Chapter 5 Chapter Three: Television Work
Chapter 6 Chapter Four: Apocalyptic Noir
Chapter 7 Chapter Five: The Western Odyssey
Chapter 8 Chapter Six: Melodrama, Authoritarianism, and Hysteria
Chapter 9 Chapter Seven: The Private War of Robert Aldrich
Chapter 10 Chapter Eight: The Game of Self-Respect
Chapter 11 Chapter Nine: Twilight's Last Gleaming
Chapter 12 Chapter Ten: Conclusion
Chapter 13 Appendix: The Last Days of Sodom and Gomorrah
Chapter 14 Filmography
Chapter 15 Bibliography
Chapter 16 Index
Chapter 17 About the Author

Recenzii

Recommended. All collections; all levels.
In this critical study of the director and producer of such films as The Dirty Dozen, Kiss Me Deadly, and Whatever Happened to Baby Jane?, Williams...places Aldrich in his cultural and social context. Williams explores Aldrich's relationship to the cultural front of the 1930s, the blacklist of the 1950s and to his mentors and contemporaries. In addition to his study of Aldrich's personal and political dilemmas, Williams provides careful and insightful readings of his films.
...an admirable and rigorous addition to film studies in general and to an understanding of the films of Aldrich in particular. In the space of 350 densely argued and superbly documented pages the author makes out a persuasive case for seeing the director as an auteur...