Shakespeare's Theatre: Theatre Production Studies
Autor Peter Thomsonen Limba Engleză Paperback – 23 apr 1992
`...valuable and enjoyable reading for all studying Shakespeare's plays.'
Following in the patternestablished by John Russell Brown for the excellent series (Theatre and Production Studies), he provides first an account of Shakespeare's company, then a study of three individual plays Twelfth Night, Hamlet and Macbeth as performed by the company. Peter Thomson writes in a crisp, sharp, enlivening style.' TLS
'`...the best analysis yet of Elizabethan acting practices, excavated form the texts themselves rather than reconstructed on basis of one monolithic theory, and an essay on Hamlet that is a model of Critical intelligence and theatrical invention.' Yearbook of English Studies
`Synthesizes the important facts and summarizes projects with a vigorous prose style, and expertly applies his experience in both practical drama and academic teaching to his discussion.' Review of English Studies
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Specificații
ISBN-13: 9780415051484
ISBN-10: 0415051487
Pagini: 220
Dimensiuni: 156 x 234 x 17 mm
Greutate: 0.36 kg
Ediția:Revizuită
Editura: Taylor & Francis
Colecția Routledge
Seria Theatre Production Studies
Locul publicării:Oxford, United Kingdom
ISBN-10: 0415051487
Pagini: 220
Dimensiuni: 156 x 234 x 17 mm
Greutate: 0.36 kg
Ediția:Revizuită
Editura: Taylor & Francis
Colecția Routledge
Seria Theatre Production Studies
Locul publicării:Oxford, United Kingdom
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Recenzii
`This is a model introduction to the formation, structure and development of the Lord Chamberlain's Men which is utilized to provide instructive critical readings of Twelfth Night, Macbeth and Hamlet.' - Years Work in English Studies
Reviews of the First Edition
`Valuable and enjoyable reading for all studying Shakespeare's plays.' - Times Higher Education Supplement
`Following in the pattern established by John Russell Brown for the excellent series (Theatre and Production Studies), he provides first an account of Shakespeare's company, then a study of three individual plays Twelfth Night, Hamlet and Macbeth as performed by the company. Peter Thomson writes in a crisp, sharp, enlivening style.' - Times Literary Supplement
`... the best analysis yet of Elizabethan acting practices, excavated from the texts themselves rather than reconstructed on basis of one monolithic theory, and an essay on Hamlet that is a model of critical intelligence and theatrical invention.' - Yearbook of English Studies
`Synthesizes the important facts and summarizes projects with a vigorous prose style, and expertly applies his experience in both practical drama and academic teaching to his discussion.' - Review of English Studies
Reviews of the First Edition
`Valuable and enjoyable reading for all studying Shakespeare's plays.' - Times Higher Education Supplement
`Following in the pattern established by John Russell Brown for the excellent series (Theatre and Production Studies), he provides first an account of Shakespeare's company, then a study of three individual plays Twelfth Night, Hamlet and Macbeth as performed by the company. Peter Thomson writes in a crisp, sharp, enlivening style.' - Times Literary Supplement
`... the best analysis yet of Elizabethan acting practices, excavated from the texts themselves rather than reconstructed on basis of one monolithic theory, and an essay on Hamlet that is a model of critical intelligence and theatrical invention.' - Yearbook of English Studies
`Synthesizes the important facts and summarizes projects with a vigorous prose style, and expertly applies his experience in both practical drama and academic teaching to his discussion.' - Review of English Studies
Cuprins
Part 1 The Company; Chapter 1 The Lord Chamberlain’s Servants; Chapter 2 Balancing the Books; Chapter 3 ::; Chapter 4 The Globe Plays; Part 2 The Plays; Chapter 5 Twelfth Night and Playhouse Practice; Chapter 6 Hamlet and The Actor in Shakespeare’s Theatre; Chapter 7 Macbeth from the Tiring House; Chapter 8 Two Playhouses;
Descriere
Concentrating on performance, Thomson reviews the commercial and artistic priorities of Shakespeare and the brilliant and hardheaded group of actors who formed his company during the heyday of the Globe Playhouse, from 1599 to 1608.