Rough Girls: Modern Plays
Autor Tara Lynne O'Neilen Limba Engleză Paperback – 8 sep 2021
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Specificații
ISBN-13: 9781350293717
ISBN-10: 1350293717
Pagini: 120
Dimensiuni: 129 x 198 x 13 mm
Greutate: 0.12 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
ISBN-10: 1350293717
Pagini: 120
Dimensiuni: 129 x 198 x 13 mm
Greutate: 0.12 kg
Editura: Bloomsbury Publishing
Colecția Methuen Drama
Seria Modern Plays
Locul publicării:London, United Kingdom
Caracteristici
The first play by Belfast born actor Tara Lynne O'Neill, known for her work on stage and screen in Derry Girls
Notă biografică
Tara Lynne O'Neil was born and is based in Belfast. Most recently Tara Lynne appeared in the Lyric's production of The Nativity: What the Donkey Saw. Tara was last seen on stage in Shirley Valentine at the Lyric Theatre. She can also now be seen as Ma Mary in the highly successful Derry Girls. Tara Lynne's theatre credits include: The Hypochondriac (Lyric), Somewhere Over the Balcony (Balcony Productions), Educating Rita (Lyric), Liverpool Boat (Queens Festival), A Midsummer Night's Dream (Bruiser Theatre) and Jane Eyre, Of Mice and Men and Sarah in Translations (Lyric). As a writer, Tara Lynne has recently had her play Rough Girls commissioned by the Lyric Theatre, Belfast.
Recenzii
A beautiful piece of theatre that hits the back of the net
O'Neill folds her trilogy of metaphors into a tale that surprises-and shames-with its unearthing of a long-forgotten story of proto-feminists at the end of the First World War staking their claim in an antagonistic male-dominated world. Told with a bold, confident sense of the theatrical, it bodes well for future offerings, not least given a relishable gusto that favourably calls to mind the zesty iconoclasm of Joan Littlewood's Theatre Royal Stratford East ensemble at its best.
There was no heckling here for our Rough Girls, and whilst we had to cheer them on from the sidelines in a socially distanced standing ovation - it is moreover a sign of the times that great theatre is back.
O'Neill's script is eloquent and gorgeously layered. It's the perfect mix of high drama and comedy, and makes seamless references to essential Irish history.
O'Neill folds her trilogy of metaphors into a tale that surprises-and shames-with its unearthing of a long-forgotten story of proto-feminists at the end of the First World War staking their claim in an antagonistic male-dominated world. Told with a bold, confident sense of the theatrical, it bodes well for future offerings, not least given a relishable gusto that favourably calls to mind the zesty iconoclasm of Joan Littlewood's Theatre Royal Stratford East ensemble at its best.
There was no heckling here for our Rough Girls, and whilst we had to cheer them on from the sidelines in a socially distanced standing ovation - it is moreover a sign of the times that great theatre is back.
O'Neill's script is eloquent and gorgeously layered. It's the perfect mix of high drama and comedy, and makes seamless references to essential Irish history.