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Paradise Lost

Autor John Milton Editat de William Kerrigan, John Rumrich, Stephen M Fallon
en Limba Engleză Paperback – 9 sep 2008
When John Milton set out to write Paradise Lost, he had every intention of writing a masterpiece of the English language. He felt he was destined for greatness, and his creation does not disappoint. With over 9000 lines of some of the greatest poetry every written, Milton does an incredible job of using classical and biblical allusions within a classical format to create a surprisingly modern and incredibly poignant look at the nature of God and man. Add on to this the fact that he was blind when he composed it, and you cannot call Paradise Lost anything less than a work of genius. "Paradise Lost" is the definitive English epic poem. Much more a dramatic tragedy, Milton's extension of the biblical story of the Fall of both Satan and mankind is timeless. While Milton may have woven the politics of his own time in regards to tyrannical kings and their heroic counterparts into the battle between heaven and hell, it is a situation that lends itself to any century. Many critics have often thought the 'problem' with "Paradise Lost" was the fact that Satan seems like the epic hero - the reader immediately begins identifying himself with Satan and rooting for him in his fight against God, an uneasy feeling to be sure. However, as the course of the poem unfolds, Satan's true tragic nature reveals itself and the reader can marvel in Milton's keen ability to bring to life Heaven, Hell, and Paradise (the Garden of Eden). The epic begins in Hell with the fallen angel now known as Satan rousing his troops into further rebellion against God, but the only action they can take is to pollute his newfound paradise and its brand new inhabitants, Adam and Eve. Satan undertakes the journey to spy out the land and learn how to tempt these two to sin. And while he is successful in his attempt to do so, it is a victory that gains Satan no glory, since he does not understand that he can never truly win against God. Milton set out to answer the question of what (or who) caused Adam and Eve to sin, tracing some of the blame away from Satan and examining the relationship between Adam and Eve in the garden. Milton perhaps raises more questions than he does offer any answers, but that is partly what makes "Paradise Lost" a mirror that still reflects today. Milton includes numerous classical allusions that readers of his day would be familiar with, as well as biblical accounts (including apocryphal works) to flesh out the barebones structure of the biblical account in Genesis. While parts of the poem can be tedious (especially the seemingly somewhat unnecessary books 11 and 12), "Paradise Lost" is a true masterpiece of literature that should be required reading for everyone, regardless of any religious preferences, for at its heart it is an examination of what it means to be.
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Specificații

ISBN-13: 9780375757969
ISBN-10: 0375757961
Pagini: 512
Ilustrații: 9 BLACK-&-WHITE ILLUSTRATIONS
Dimensiuni: 130 x 198 x 30 mm
Greutate: 0.36 kg
Editura: Random House

Notă biografică

John Milton (1608-74) was one of England’s greatest poets and a master of polemical prose. He was a private tutor and served as Secretary for Foreign Tongues under Oliver Cromwell.

William Kerrigan, former president of the Milton Society of America and recipient of its award for lifetime achievement, is professor emeritus at the University of Massachusetts.

John Rumrich is the author of Matter of Glory and Milton Unbound. He is Thaman Professor of English at the University of Texas at Austin.

Stephen M. Fallon, author of Milton’s Peculiar Grace and Milton among the Philosophers, is professor of liberal studies and English at the University of Notre Dame.

Descriere

Descriere de la o altă ediție sau format:
'Of man's first disobedience, and the fruitOf that forbidden tree, whose mortal tasteBrought death into the world...Sing heavenly muse'From almost the moment of its first publication in 1667, Paradise Lost was considered a classic. It is difficult now to appreciate both how audacious an undertaking it represents, and how astonishing its immediate and continued success was. Over the course of twelve books Milton wrote an epic poem that would 'justify the ways of God to men', a mission that required a complex drama whose source is both historical and deeply personal. The struggle for ascendancy between God and Satan is played out across hell, heaven, and earth but the consequences of the Fall are all too humanly tragic - pride, ambition, and aspiration the motivating forces. In this new edition derived from their acclaimed Oxford Authors text, Stephen Orgel and Jonathan Goldberg discuss the complexity of Milton's poem in a new introduction, and on-page notes explain its language and allusions. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Recenzii

"[A]n exemplary job both of presenting the major topics of Paradise Lost and of entering the selva oscura of Milton criticism. . . . Students and scholars alike will appreciate the balanced approach to the complexities, difficulties, and conundrums of Milton's poem and the criticism on it.  Kastan's prose is not just lively but chiseled, and it is destined to affect students."
—Patrick Cheney, Studies in English Literature, 1500-1900

"Kastan is an exemplary editor, attuned to emerging critical currents, yet steeped in the scholarship of an earlier tradition, aware of the text's provenance and reception, alert to its topicality.  His introduction, a model of theoretically informed, politically committed, historically grounded criticism, makes this edition of Paradise Lost all you would expect from one of the most erudite and perceptive figures in the field."
—Willy Maley, Modern Language Review
"This is a superb edition, a model of careful editing and judicious annotation."
—Leslie Brisman, Department of English, Yale University 

"Thank you for sending this impressive edition. . . . Having edited Paradise Lost myself (Norton, 2005), I was curious and keen to see Professor Kastan's. I agree wholeheartedly with the claim (more diplomatically put) that the punctuation of the 17th century editions has no authority and that its proponents are avoiding the problem of syntax. The notes are learned and informative, without excess, and it's good to have the text of Edward Phillips' Life."
—Gordon Teskey, Harvard University 
"This is an excellent edition of the poem. . . . Well edited, accessible, and engaging Introduction. Also nicely produced—a sturdy, attractive book on good paper. I love it!"
—Lisa Schnell, University of Vermont
"This is the best edition of Milton. . . . The introductory material and support apparatus provide the contextual information necessary for my students to not only understand Milton's text, but to appreciate it as well.  I will certainly be using this edition again and again."
—Tim Melnarik, Department of English, California State University, San Bernardino
"Suitable, not overwhelming, notes and apparatus. You may be sure I'll order it in future."
—Dr. Stephen Teichgraeber, Concord Academy

Cuprins

Acknowledgments
Introduction
Note on the Text
Paradise Lost
  • Andrew Marvell, “On Paradise Lost”
  • The Verse
  • Book 1
  • Book 2
  • Book 3
  • Book 4
  • Book 5
  • Book 6
  • Book 7
  • Book 8
  • Book 9
  • Book 10
  • Book 11
  • Book 12
In Context
  • Reproductions of the 1674 Paradise Lost
  • The Cosmography of Paradise Lost
  • Illustrations of Paradise Lost
  • Selections from the Bible
    • Genesis 1–3: The Creation
    • Genesis 18: Angels and God
    • Job 1: Satan
    • John 1.1–14: The Son
    • 1 Timothy 2.8–15: Eve in the New Testament
    • Revelation 12: The War in Heaven
  • from Hesiod, Theogony
  • John Milton’s Early Plans for Paradise Lost
  • from John Milton, Areopagitica (1644)
  • from John Milton, De Doctrina Christiana (c. 1658–74)
    • from The Epistle
    • from Chapter 2, Of God
    • from Chapter 5, Of the Son of God
    • from Chapter 7, Of the Creation
    • from Chapter 30, Of the Holy Scripture
Permissions Acknowledgments