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Pan de Knut Hamsun

Pan

Autor Knut Hamsun
en Limba Engleză Paperback – 30 iun 2026
First published in 1894, Knut Hamsun's Pan is former lieutenant Thomas Glahn's retrospective narrative of his life and adventures in the Norwegian woods. A man of fascinating complexity, Glahn is in some respects a modern successor to a long line of "superfluous" men in western literature, an heir to Goethe's Werther and the protagonists of Turgenev and Dostoyevsky.But this portrait of a man rejecting the claims of bourgeois society for a Rousseauian embrace of Nature and Eros, explores the veiled mysteries of the unconscious by means of thoroughly modern techniques. Pan's quasi-musical modulations of pace and rhythm, its haunting use of leitmotifs which contract and distend time, its startling versions of myth and legend, and its ecstatic evocations of nature in its various phases and moods, all attest to the novel's Modernist innovations.
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Specificații

ISBN-13: 9789375364023
ISBN-10: 937536402X
Pagini: 128
Dimensiuni: 152 x 229 x 8 mm
Greutate: 0.18 kg
Editura: ALPHA EDITION

Descriere

Descriere de la o altă ediție sau format:
'When the snow water had broken crevices open in the mountain a shot or even just a sharp cry was enough to tear loose a huge slab and send it toppling.' Lieutenant Thomas Glahn spends a summer in northern Norway, where the midnight sun triggers a short but intense release of energies. Living out of a rudimentary hut on the edge of the forest, he pursues a solitary existence, hunting, fishing, and engaging intermittently with the inhabitants of the nearby coastal village. Among these is Edvarda, daughter of the wealthy local trader Herr Mack. Their mutual attraction rapidly develops into an erotic fascination shot through with suspicions and jealousies; a series of fraught encounters culminates in violent actions with unforeseen consequences. First published in 1894, Pan was an immediate success and remains a classic of Norwegian literature. It embodies many of the distinctive features of Hamsun's early works, in particular a rejection of psychological stereotypes and a style infused by what Hamsun called a 'poetry of the nerves'. Terence Cave's new translation restores the power and virtuosity of Hamsun's original and includes an illuminating introduction and explanatory notes. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Recenzii

Given the rarity of non-British/American novels in the main canon, it is a good idea for this work to be assigned in a world literature class. And a copy of it should also be available in all types of libraries to make it accessible to the different types of readers and scholars who might be interested in accessing it.

Notă biografică

Tore Rem is Professor of British literature in the Department of Literature, Area Studies and European Languages, University of Oslo. His books include Dickens, Melodrama and the Parodic Imagination (2002), Henry Gibson/Henrik Ibsen (2006), and a two-volume biography of the Norwegian playwright and public intellectual Jens Bjørneboe. He is the author of many articles on Ibsen's English-language reception, and is engaged in the research project 'The Scandinavian Moment in World Literature.' He is currently Visiting Fellow at St. Catherine's College, University of Oxford.Terence Cave is Emeritus Professor of French Literature, University of Oxford, and Emeritus Research Fellow, St John's College. He is the author of The Cornucopian Text: Problems of Writing in the French Renaissance (1979), Recognitions: A Study in Poetics (1988), Mignon's Afterlives: Crossing Cultures from Goethe to the Twenty-First Century (2011), and many other studies in French and comparative literature. He is currently director of the project 'Literature as an Object of Knowledge', based at the St John's College Research Centre.