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Orlando: Vintage Classics

Autor Virginia Woolf
en Limba Engleză Paperback – 2 ian 2024 – vârsta de la 14 ani
Virginia Woolf's fantastical novel about an Elizabethan nobleman who lives for three centuries and transitions into a woman, with a new introduction by Carmen Maria Machado.

The long-lived protagonist of Orlando begins as a passionate teenage aristocrat, whose days are spent in rowdy revelry at the colorful Tudor court of Queen Elizabeth and his nights in writing earnest poetry. A favorite of the elderly queen, he falls in love with and is jilted by a wayward Russian princess. Two kings later, now in his thirties, Orlando is sent to serve as ambassador to Constantinople, where he awakens one day to find himself in the body of a woman. The Lady Orlando takes this circumstance in stride. She returns to England, engages in love affairs with both men and women, consorts with the famous poets of each age, finds happiness with a gender-nonconforming husband, and at last achieves publication of her own epic poem in the year 1928. A playful and exuberant romp through history, Orlando is Woolf’s most lighthearted and unusual novel.  VINTAGE CLASSICS.
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Specificații

ISBN-13: 9780593685389
ISBN-10: 0593685385
Pagini: 208
Dimensiuni: 134 x 200 x 18 mm
Greutate: 0.21 kg
Editura: Random House LLC US
Colecția Vintage
Seria Vintage Classics


Descriere

Descriere de la o altă ediție sau format:
'I feel the need of an escapade after these serious poetic experimental books...I want to kick up my heels & be off.'Orlando tells the tale of an extraordinary individual who lives through centuries of English history, first as a man, then as a woman; of his/her encounters with queens, kings, novelists, playwrights, and poets, and of his/her struggle to find fame and immortality not through actions, but through the written word. At its heart are the life and works of Woolf's friend and lover, Vita Sackville-West, and Knole, the historic home of the Sackvilles. But as well as being a love letter to Vita, Orlando mocks the conventions of biography and history, teases the pretensions of contemporary men of letters, and wryly examines sexual double standards. This new edition discusses Woolf's stylistic aims, the biographical parallels, and the work's literary context, and includes the original illustrations. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Notă biografică

Virginia Woolf (1882-1941) was an English novelist. Born in London, she was raised in a family of eight children by Julia Prinsep Jackson, a model and philanthropist, and Leslie Stephen, a writer and critic. Homeschooled alongside her sisters, including famed painter Vanessa Bell, Woolf was introduced to classic literature at an early age. Following the death of her mother in 1895, Woolf suffered her first mental breakdown. Two years later, she enrolled at King¿s College London, where she studied history and classics and encountered leaders of the burgeoning women¿s rights movement. Another mental breakdown accompanied her father¿s death in 1904, after which she moved with her Cambridge-educated brothers to Bloomsbury, a bohemian district on London¿s West End. There, she became a member of the influential Bloomsbury Group, a gathering of leading artists and intellectuals including Lytton Strachey, John Maynard Keynes, Vanessa Bell, E.M. Forster, and Leonard Woolf, whom she would marry in 1912. Together they founded the Hogarth Press, which would publish most of Woolf¿s work. Recognized as a central figure of literary modernism, Woolf was a gifted practitioner of experimental fiction, employing the stream of consciousness technique and mastering the use of free indirect discourse, a form of third person narration which allows the reader to enter the minds of her characters. Woolf, who produced such masterpieces as Mrs. Dalloway (1925), To the Lighthouse (1927), Orlando (1928), and A Room of One¿s Own (1929), continued to suffer from depression throughout her life. Following the German Blitz on her native London, Woolf, a lifelong pacifist, died by suicide in 1941. Her career cut cruelly short, she left a legacy and a body of work unmatched by any English novelist of her day.

Recenzii

"As a work of political satire and feminist fantasy, Orlando laid the groundwork for today’s cultural landscape, in which the boundaries of both gender and literary genre are more porous than ever . . . If published today, Orlando might have been misshelved not as biography but as fantasy or science fiction — genres in which women writers in recent years have increasingly found the space to challenge the straight-white-male strictures of both realist fiction and reality itself. Orlando’s blend of social critique and bold fantasy echoes in the postwar fiction of Ursula Le Guin and Angela Carter, and more recently in the fairy-tale retellings of Helen Oyeyemi and Daniel Mallory Ortberg — as well as in novels like Melissa Broder’s The Pisces." —Vulture, "Orlando is the Virginia Woolf Novel We Need Right Now" —

Cuprins

List of illustrations; General editors' preface; Notes on the edition; Acknowledgements; Chronology of Virginia Woolf's life and work; List of abbreviations; List of archival sources for manuscript, typescript and proof material relating to Orlando; List of editorial symbols; Introduction; Chronology of the composition of Orlando; Sackville biographical table; Sackville family tree; Orlando; Explanatory notes; Textual apparatus; Textual notes; Bibliography.