Obrist, H: Ways of Curating
en Limba Engleză Paperback – 25 mar 2015
Moving from meetings with artists to the creation of the first public museums in the 18th century, recounting the practice of inspirational figures such as Diaghilev, skipping between exhibitions, continents and centuries, Ways of Curating argues that curation is far from a static practice. Driven by curiosity, at its best it allows us to create the future.
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Specificații
ISBN-13: 9780241950968
ISBN-10: 0241950961
Pagini: 192
Dimensiuni: 133 x 181 x 15 mm
Greutate: 0.14 kg
Editura: Penguin Books
Locul publicării:London, United Kingdom
ISBN-10: 0241950961
Pagini: 192
Dimensiuni: 133 x 181 x 15 mm
Greutate: 0.14 kg
Editura: Penguin Books
Locul publicării:London, United Kingdom
Notă biografică
Hans Ulrich Obrist is a curator and writer. Since 2006 he has been co-director of the Serpentine Gallery, London. He is the author of Ways of Curating and, with Ai Weiwei, of Ai Weiwei Speaks.
Recenzii
One of the most colourful figures in the artworld today . . . Hans Ulrich Obrist [is] not so much a curator as a human whirlwind
An engaging and erudite work that argues persuasively for the continued relevance of curating for the arts and wider society. His book is about the curator's role as a maker of exhibitions, a task that involves tracing hidden connections between artworks and forging untrammelled routes across culture in search of new ways of experiencing art; new ways of looking at the world around us. If that sounds like an impossibly romantic definition it's because this is an unapologetically personal account of the profession's development
The sheer energy [Obrist] has brought to working with artists themselves is the abiding impression of Ways of Curating
This is a highly intelligent, thoughtful and thought-provoking book. Obrist emerges as both scholarly and energetically engaged with the proliferation of ideas in modern culture today
An engaging and erudite work that argues persuasively for the continued relevance of curating for the arts and wider society. His book is about the curator's role as a maker of exhibitions, a task that involves tracing hidden connections between artworks and forging untrammelled routes across culture in search of new ways of experiencing art; new ways of looking at the world around us. If that sounds like an impossibly romantic definition it's because this is an unapologetically personal account of the profession's development
The sheer energy [Obrist] has brought to working with artists themselves is the abiding impression of Ways of Curating
This is a highly intelligent, thoughtful and thought-provoking book. Obrist emerges as both scholarly and energetically engaged with the proliferation of ideas in modern culture today