Nightmare Abbey
Autor Thomas Love Peacocken Limba Engleză Paperback – 27 mar 2024
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Specificații
ISBN-13: 9780393002836
ISBN-10: 0393002837
Pagini: 100
Dimensiuni: 127 x 203 x 25 mm
Greutate: 0.12 kg
Editura: W. W. Norton & Company
ISBN-10: 0393002837
Pagini: 100
Dimensiuni: 127 x 203 x 25 mm
Greutate: 0.12 kg
Editura: W. W. Norton & Company
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Textul de pe ultima copertă
This 1818 novel is set in a former abbey whose owner, Christopher Glowry, is host to visitors who enjoy his hospitality and engage in endless debate. Among these guests are figures recognizable to Peacock’s contemporaries, including characters based on Lord Byron and Samuel Taylor Coleridge. Mr. Glowry’s son Scythrop (also modeled on a famous Romantic, Peacock’s friend Percy Bysshe Shelley) locks himself up in a tower where he reads German tragedies and transcendental philosophy and develops a “passion for reforming the world.” Disappointed in love, a sorrowful Scythrop decides the only thing to do is to commit suicide, but circumstances persuade him to instead follow his father in a love of misanthropy and Madeira. In addition to satire and comic romance, Nightmare Abbey presents a biting critique of the texts we view as central to British romanticism.
This Broadview edition includes a critical introduction and a range of illuminating contemporary documents on the novel’s reception and its German and British literary contexts. A selection of Peacock’s critical and autobiographical writings is also included.
Descriere
Descriere de la o altă ediție sau format:
Mr. Glowry was a very consolate widower with one small child. That child, a son, was named Scythrop after a maternal ancestor who had hanged himself one rainy day in a fit of tedium. The coroner's jury eulogized him and Mr. Glowry held his memory in high honor, and made a punchbowl of his skull.
Mr. Glowry was a very consolate widower with one small child. That child, a son, was named Scythrop after a maternal ancestor who had hanged himself one rainy day in a fit of tedium. The coroner's jury eulogized him and Mr. Glowry held his memory in high honor, and made a punchbowl of his skull.
Notă biografică
Thomas Love Peacock (1785-1866) was a poet and author. He was a prolific writer, mainly of satirical works, and many critics believe that he and Percy Bysshe Shelley influenced one another's works, since they were close friends. Peacock's father died in reduced circumstances, so the young Thomas was largely self-educated, and spent much time in the Reading Room at the British Library studying the best classical texts he could find. Whilst much of his poetry and essays were very well-thought of, Peacock is best known today for his novels Nightmare Abbey and Melincourt.
Cuprins
General editor's preface; Chronology; Introduction; Nightmare Abbey; Appendix A. Peacock's Preface of 1837; Appendix B. An Essay on Fashionable Literature (1818); Appendix C. The Four Ages of Poetry (1820); Note on the text; List of emendations and variants; Ambiguous line-end hyphenations; Explanatory notes; Bibliography.
Recenzii
'The idiosyncratic joy of Thomas Love Peacock's works is highlighted within wonderfully readable scholarly introductions from Nicholas A. Joukovsky who edits Nightmare Abbey, and Freya Johnston and Matthew Bevis in their edition of Crotchet Castle. … the first thoroughly edited and annotated imprints of Peacock since the Halliford Edition of the Works, edited between 1924 and 1934 …' John Gardner, Notes and Queries
'Readers are provided with all the information they need to understand and evaluate both the texts and the purposes underlying them … the editors have interpreted their brief generously. They have done an excellent job in identifying many 'out-of-the-way sources and analogues', as well as in positioning the texts accurately at a particular nineteenth-century cultural moment … this is likely to become the edition of choice for scholars and enthusiasts of Peacock's novels, and for economists, historians, philosophers and other students of the changing currents of nineteenth-century intellectual culture. The volumes are beautifully produced.' Pamela Clemit, Times Literary Supplement
'… the first two volumes of the Cambridge Edition should become the new standard for editors of the Romantic novel. They not only perform the scholarly work of informing the reader of dates, circumstances, and variants, but they do what the best textual editing can: hugely enrich the experience of reading Nightmare Abbey and Crotchet Castle, and consequently enhance our sense of Peacock's vigour, complexity, and wit.' William Bowers, Keats-Shelley Journal
'… [a] meticulous edition …' Thomas Keymer, London Review of Books
'Nightmare Abbey excels in tracking the composition through Spring 1818 … A variety of sources, including anecdotal evidence, are similarly used to recreate the immediate critical response … offering valuable commentary on prototypes of the novel's satiric figures, generic and personal … In a final section on 'Afterlife', the editor convincingly attributes a shift in fortunes in the popularity of this title to the growth of English literature as an academic subject … a remarkable achievement in elucidating Peacock's 'fine wit' for present and future readers.' Peter Garside, Peacock edition
'Readers are provided with all the information they need to understand and evaluate both the texts and the purposes underlying them … the editors have interpreted their brief generously. They have done an excellent job in identifying many 'out-of-the-way sources and analogues', as well as in positioning the texts accurately at a particular nineteenth-century cultural moment … this is likely to become the edition of choice for scholars and enthusiasts of Peacock's novels, and for economists, historians, philosophers and other students of the changing currents of nineteenth-century intellectual culture. The volumes are beautifully produced.' Pamela Clemit, Times Literary Supplement
'… the first two volumes of the Cambridge Edition should become the new standard for editors of the Romantic novel. They not only perform the scholarly work of informing the reader of dates, circumstances, and variants, but they do what the best textual editing can: hugely enrich the experience of reading Nightmare Abbey and Crotchet Castle, and consequently enhance our sense of Peacock's vigour, complexity, and wit.' William Bowers, Keats-Shelley Journal
'… [a] meticulous edition …' Thomas Keymer, London Review of Books
'Nightmare Abbey excels in tracking the composition through Spring 1818 … A variety of sources, including anecdotal evidence, are similarly used to recreate the immediate critical response … offering valuable commentary on prototypes of the novel's satiric figures, generic and personal … In a final section on 'Afterlife', the editor convincingly attributes a shift in fortunes in the popularity of this title to the growth of English literature as an academic subject … a remarkable achievement in elucidating Peacock's 'fine wit' for present and future readers.' Peter Garside, Peacock edition