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New Intellectual Saints: The Reinvention of the Ancient Greek Philosophers as Aphoristic Writers and Itinerant Beggars in Seventeenth-Century Painting: Brill’s Studies on Art, Art History, and Intellectual History, cartea 88

Autor Karl A. E. Enenkel
en Limba Engleză Hardback – 23 sep 2026
This book explores the reinvention of the Greek philosophers by seventeenth-century painters who transformed them into saintly icons of the intellectual life. Fundamental is the novel conception of these philosophers as itinerant beggars and dedicated writers of aphorisms. Drawing heavily on Diogenes Laertius, Erasmus and other author-collectors of apothegms, the painters create living and above all speaking images of the philosophers which were meant to trigger reflection on the core issues of human existence. Above all, these painted philosophers are shown to be men of paper, who used it to read, write, and think, and who engaged bodily and spiritually with the paper codex.
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Specificații

ISBN-13: 9789004751774
ISBN-10: 9004751777
Dimensiuni: 155 x 235 mm
Greutate: 1.05 kg
Editura: Brill
Colecția Brill
Seria Brill’s Studies on Art, Art History, and Intellectual History


Notă biografică

Karl Enenkel is Emeritus Professor of Medieval and Neo-Latin Literature at the University of Münster. He has published seven monographs and some one hundred and fifty articles and edited some forty-five collective volumes. Recently, he published a critical commented edition of Erasmus' Apophthegmata, books V–VIII, in three volumes, which has appearedin the ASD series published by Brill.

Cuprins

Contents
Acknowledgements
List of Figures

1 Introduction: the Reinvention of the Ancient Greek Philosophers as Aphoristic Writers and Itinerant beggars in 17th-Century Painting

2 The True and Only Possession of the Philosopher: the Paper Turn of the Apophthegms “Omnia mea mecum porto”, “Quaero hominem”, and “Stand Out of My Light”
2.1 The Paper Turn of “Omnia mea mecum porto”
2.2 The Philosophers’ Paper World and Its Enemies: Women
2.3 “Tempus tantum nostrum est”: Protrepticus to Philosophy
2.4 Diogenes of Sinope: the Paper Turn of the Brusque Action Apophthegms “Hominem quaero” and “Stand Out of My Light”

3 The Itinerant Philosophers as Collectors of Knowledge: Democritus, Pythagoras, Heraclitus, Diogenes, and Euclides of Megara
3.1 Sheets of Paper from All Over the World: Democritus of Abdera
3.2 Annotations from the Underworld: Pythagoras
3.3 ‘Omnia mutantur’ and ‘Bis in eundem fluvium non potes intrare’: Heraclitus
3.4 The Desperate Search for the Man Who Speaks the Truth: Diogenes
3.5 Travesty for the Sake of Philosophy: Euclides of Megara

4 Penitence and Meditatio mortis: the Greek Philosophers as Icons for Self-Reflection and Spiritual Self-Reformation
4.1 A New Hero of Christian Penitence: Heraclitus
4.2 Looking into the Mirror: Self-Cognition (γνῶθι σεαυτόν) and the Acknowledgement of Ignorance (Socrates)
4.3 ‘Recognise Thy Inanity and Sinfulness’: Democritus
4.4 The Philosophical Exercise of taciturnitas: Pythagoras and Democritus
4.5 Diogenes as an Icon for Self-Investigation, Self-Recognition, and Confession
4.6 Taking on the Colour of the Dead or Vera Philosophia est meditatio mortis: Socrates
4.7 Training the Imagination: Zoology, Animal Anatomy, Archaeology, Hieroglyphica and Other New Dimensions of meditatio mortis in Salvator Rosa’s Democritus Icons and Their Aftermath

5 Epilogue: Haptic and Emphatic Aspects in the Philosophers’ Treatment of Paper
Bibliography
Index Nominum