Silent Eloquence: The Rhetorical Pictures of Biblical History by Hendrick Goltzius and Pieter Lastman: Brill’s Studies on Art, Art History, and Intellectual History, cartea 92
Autor Graham R. Leaen Limba Engleză Hardback – 12 aug 2026
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Specificații
ISBN-13: 9789004527966
ISBN-10: 9004527966
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Ediția:Pp, 104 Full-Color Illustrations edition
Editura: Brill
Colecția Brill
Seria Brill’s Studies on Art, Art History, and Intellectual History
ISBN-10: 9004527966
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Ediția:Pp, 104 Full-Color Illustrations edition
Editura: Brill
Colecția Brill
Seria Brill’s Studies on Art, Art History, and Intellectual History
Notă biografică
Graham R. Lea, J.D., Ph.D., is an historian of the early modern art and art theory of the Low Countries, working at the intersection of visual art, theatre, humanism, rhetoric, and theology. He is a Fellow and Assistant to the Executive Director at the Institute for Advanced Studies in Culture at the University of Virginia.
Cuprins
List of Figures
Acknowledgements
1 A Distinctive Kind of History Painting
1.1 Introduction
1.2 Dialogue, Disputation, and Prosopopoeia
1.3 The Rhetoricization of Culture and the Development of Rhetorical Habitus
1.4 Humanism, Virtue Ethics, and the Power of Rhetoric
1.5 The Convivium Tradition
1.6 Classical Rhetoric in a Contemporary and Vernacular Guise
1.7 The Continuity between Zinnespelen and Biblical-Historical Plays
1.8 A Contribution to the Literature
1.9 Goltzius, Lastman, and the Rhetoricians
1.10 Conclusion
2 The Story of Susanna and the Elders
2.1 Introduction
2.2 The Narrative
2.3 The Pictorial Tradition
2.4 The Rhetoricians’ Play Tspeel van Susanna
2.5 Goltzius’s Painting of 1607
2.6 Goltzius’s Painting of 1615
2.7 Lastman’s Painting of 1614
2.8 Conclusion
3 The Story of Lot and his Daughters
3.1 Introduction
3.2 The Narrative
3.3 The Pictorial Tradition
3.4 The Rhetoricians’ Play Abraham en Loth
3.5 Goltzius’s Painting of 1616
3.6 Conclusion
4 The Story of Tobit and Tobias
4.1 Introduction
4.2 Elocutio
4.3 The Narrative
4.4 The Pictorial Tradition
4.5 The Rhetoricians’ Play De Oude Tobijas
4.6 Pieter Lastman’s Paintings of the Book of Tobit
4.7 Conclusion
5 The Story of Paul and Barnabas’s Ministry in Lystra
5.1 Introduction
5.2 Peripeteia
5.3 The Narrative
5.4 The Pictorial Tradition
5.5 The Rhetoricians’ Play Paulus ende Barnabas
5.6 Pieter Lastman’s Paintings of 1614 and 1617
5.7 Conclusion
6 Conclusion
Bibliography
Index
Acknowledgements
1 A Distinctive Kind of History Painting
1.1 Introduction
1.2 Dialogue, Disputation, and Prosopopoeia
1.3 The Rhetoricization of Culture and the Development of Rhetorical Habitus
1.4 Humanism, Virtue Ethics, and the Power of Rhetoric
1.5 The Convivium Tradition
1.6 Classical Rhetoric in a Contemporary and Vernacular Guise
1.7 The Continuity between Zinnespelen and Biblical-Historical Plays
1.8 A Contribution to the Literature
1.9 Goltzius, Lastman, and the Rhetoricians
1.10 Conclusion
2 The Story of Susanna and the Elders
2.1 Introduction
2.2 The Narrative
2.3 The Pictorial Tradition
2.4 The Rhetoricians’ Play Tspeel van Susanna
2.5 Goltzius’s Painting of 1607
2.6 Goltzius’s Painting of 1615
2.7 Lastman’s Painting of 1614
2.8 Conclusion
3 The Story of Lot and his Daughters
3.1 Introduction
3.2 The Narrative
3.3 The Pictorial Tradition
3.4 The Rhetoricians’ Play Abraham en Loth
3.5 Goltzius’s Painting of 1616
3.6 Conclusion
4 The Story of Tobit and Tobias
4.1 Introduction
4.2 Elocutio
4.3 The Narrative
4.4 The Pictorial Tradition
4.5 The Rhetoricians’ Play De Oude Tobijas
4.6 Pieter Lastman’s Paintings of the Book of Tobit
4.7 Conclusion
5 The Story of Paul and Barnabas’s Ministry in Lystra
5.1 Introduction
5.2 Peripeteia
5.3 The Narrative
5.4 The Pictorial Tradition
5.5 The Rhetoricians’ Play Paulus ende Barnabas
5.6 Pieter Lastman’s Paintings of 1614 and 1617
5.7 Conclusion
6 Conclusion
Bibliography
Index