Controversial Monuments: Personifying the Continents between the 18th and 21st Centuries: Brill’s Studies on Art, Art History, and Intellectual History, cartea 84
Louise Arizzoli, Maryanne Cline Horowitz, Marion Rombergen Limba Engleză Hardback – 10 iun 2026
Contributors are: Louise Arizzoli, Renée Ater, Maryanne Cline Horowitz, Elisa Antonietta Daniele, Catherine Dossin, Charles Forsdick, Daniel Fulco, Maria P. Gindhart, Paul Kaplan, Hoyon Mephokee, Anne Pingeot, Marion Romberg, Wolfgang Schmale, and Chet Van Duzer.
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Specificații
ISBN-13: 9789004191037
ISBN-10: 9004191038
Pagini: 510
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Brill’s Studies on Art, Art History, and Intellectual History
ISBN-10: 9004191038
Pagini: 510
Dimensiuni: 155 x 235 mm
Greutate: 0 kg
Editura: Brill
Colecția Brill
Seria Brill’s Studies on Art, Art History, and Intellectual History
Notă biografică
Louise Arizzoli is the Agnes Mongan Curator of the Fototeca and Art Collection at I Tatti, the Harvard University Center for Italian Renaissance Studies. Previously, she served as an Associate Professor of Art History at the University of Mississippi, USA. Her past roles also include Curator of Western Art before 1800 at the Eskenazi Museum of Art at Indiana University Bloomington, as well as Exhibition Coordinator and Archivist for the Archivio della Scuola Romana in Rome.
Marion Romberg is a historian of early modern Europe, specializing in cultural history, visual culture, and the Habsburg Monarchy. She holds a Ph.D. from the University of Vienna and is currently a research associate at the University of Bonn and editor of the Rheinische Vierteljahrsblätter. Romberg has contributed to several research projects, including "Empress and Empire: Ceremonial, Media, and Rule 1550 to 1740," "Continent Allegories in the Baroque Age," and "The Diaries and Tagzettel of Cardinal Ernst Adalbert von Harrach (1598–1667)."
Maryanne Cline Horowitz is an American historian of the Renaissance and of History of ideas. She is Professor Emerita of History at Occidental College, Associate of the UCLA CMRS Center for Early Global Studies, and an Affiliate of the USC-Huntington Early Modern Studies Institute.
Marion Romberg is a historian of early modern Europe, specializing in cultural history, visual culture, and the Habsburg Monarchy. She holds a Ph.D. from the University of Vienna and is currently a research associate at the University of Bonn and editor of the Rheinische Vierteljahrsblätter. Romberg has contributed to several research projects, including "Empress and Empire: Ceremonial, Media, and Rule 1550 to 1740," "Continent Allegories in the Baroque Age," and "The Diaries and Tagzettel of Cardinal Ernst Adalbert von Harrach (1598–1667)."
Marion Romberg is a historian of early modern Europe, specializing in cultural history, visual culture, and the Habsburg Monarchy. She holds a Ph.D. from the University of Vienna and is currently a research associate at the University of Bonn and editor of the Rheinische Vierteljahrsblätter. Romberg has contributed to several research projects, including "Empress and Empire: Ceremonial, Media, and Rule 1550 to 1740," "Continent Allegories in the Baroque Age," and "The Diaries and Tagzettel of Cardinal Ernst Adalbert von Harrach (1598–1667)."
Maryanne Cline Horowitz is an American historian of the Renaissance and of History of ideas. She is Professor Emerita of History at Occidental College, Associate of the UCLA CMRS Center for Early Global Studies, and an Affiliate of the USC-Huntington Early Modern Studies Institute.
Marion Romberg is a historian of early modern Europe, specializing in cultural history, visual culture, and the Habsburg Monarchy. She holds a Ph.D. from the University of Vienna and is currently a research associate at the University of Bonn and editor of the Rheinische Vierteljahrsblätter. Romberg has contributed to several research projects, including "Empress and Empire: Ceremonial, Media, and Rule 1550 to 1740," "Continent Allegories in the Baroque Age," and "The Diaries and Tagzettel of Cardinal Ernst Adalbert von Harrach (1598–1667)."
Cuprins
Contents
List of Illustrations
Notes on Contributors
Introduction: Continents and the Visual Language of Empire: Fantasy, Stereotype, and Controversy
Louise Arizzoli
Part 1 The Continents as Markers of Global Church and Empire
1 Jesuit Pulpits in the Lowlands: Preaching across the Globe of Continents
Maryanne Cline Horowitz
2 Africa and Sheaves of Grain: Giambattista Tiepolo’s Allegories of the Continent
Elisa Antonietta Daniele
3 Envisioning the World in the Royal Palace of Madrid: Giovanni Battista Tiepolo’s Glory and Power of the Spanish Monarchy under Charles III
Daniel Fulco
Part 2 An Era of Dramatic Change: Personifications of the Continents in the Age of Revolutions
4 An Era of Dramatic Change: Personifications of the Continents in the Eighteenth and Nineteenth Centuries
Chet Van Duzer
5 L’Amérique Libérée and Other French Allegories of the United States
Catherine Dossin
Part 3 Imperialism, Sculpted Continents and Nineteenth Century World Fairs
6 “Exotic but Controversial” Flair along the Viennese Ringstrasse: the Sculptures of the Four Continents at the Naturhistorisches Museum
Marion Romberg
7 Scientism and Second-Empire Sculpture: Personifying and Contending with Blackness in Jean-Baptiste Carpeaux’s Fontaine des Quatre-Parties-du-MondeHoyon Mephokee
8 The Six Continents at the 1878 Exposition Universelle: “a History of Taste”
Anne Pingeot
9 Mapping Monumental Sculptured Continents in the Public Space: a Visual Archive
Louise Arizzoli
Part 4 Continents and Race at the 1931 International Colonial Exhibition in Paris
10 La France des Cinq Parties du Monde: Representing Continents and Racial Types at the 1931 Exposition Coloniale Internationale in Paris
Maria P. Gindhart
11 Between Permanency and Ephemerality: the Sculptural and Other Afterlives of the 1931 Exposition Coloniale Internationale
Charles Forsdick
Part 5 Continent Personification in Twentieth Century United States: Race, Racism and Controversy
12 Race, Representation, and Empire: the Four Continents for the U.S. Custom House in New York City
Renée Ater
13 From Subject People to Subjugated Continents: Africa and America in Presidential Imagery from Washington to Theodore Roosevelt
Paul H.D. Kaplan
Part 6 Conclusion: Contemporary Artists Revisit the Personifications of Continents
14 Kent Monkman’s Four Continents (2012–2016)—a 21st-Century Answer to Giambattista Tiepolo’s Four Continents (1752/53) (with an Excursus on Maître Leherb (1981–1992)
Wolfgang Schmale
Index
List of Illustrations
Notes on Contributors
Introduction: Continents and the Visual Language of Empire: Fantasy, Stereotype, and Controversy
Louise Arizzoli
Part 1 The Continents as Markers of Global Church and Empire
1 Jesuit Pulpits in the Lowlands: Preaching across the Globe of Continents
Maryanne Cline Horowitz
2 Africa and Sheaves of Grain: Giambattista Tiepolo’s Allegories of the Continent
Elisa Antonietta Daniele
3 Envisioning the World in the Royal Palace of Madrid: Giovanni Battista Tiepolo’s Glory and Power of the Spanish Monarchy under Charles III
Daniel Fulco
Part 2 An Era of Dramatic Change: Personifications of the Continents in the Age of Revolutions
4 An Era of Dramatic Change: Personifications of the Continents in the Eighteenth and Nineteenth Centuries
Chet Van Duzer
5 L’Amérique Libérée and Other French Allegories of the United States
Catherine Dossin
Part 3 Imperialism, Sculpted Continents and Nineteenth Century World Fairs
6 “Exotic but Controversial” Flair along the Viennese Ringstrasse: the Sculptures of the Four Continents at the Naturhistorisches Museum
Marion Romberg
7 Scientism and Second-Empire Sculpture: Personifying and Contending with Blackness in Jean-Baptiste Carpeaux’s Fontaine des Quatre-Parties-du-MondeHoyon Mephokee
8 The Six Continents at the 1878 Exposition Universelle: “a History of Taste”
Anne Pingeot
9 Mapping Monumental Sculptured Continents in the Public Space: a Visual Archive
Louise Arizzoli
Part 4 Continents and Race at the 1931 International Colonial Exhibition in Paris
10 La France des Cinq Parties du Monde: Representing Continents and Racial Types at the 1931 Exposition Coloniale Internationale in Paris
Maria P. Gindhart
11 Between Permanency and Ephemerality: the Sculptural and Other Afterlives of the 1931 Exposition Coloniale Internationale
Charles Forsdick
Part 5 Continent Personification in Twentieth Century United States: Race, Racism and Controversy
12 Race, Representation, and Empire: the Four Continents for the U.S. Custom House in New York City
Renée Ater
13 From Subject People to Subjugated Continents: Africa and America in Presidential Imagery from Washington to Theodore Roosevelt
Paul H.D. Kaplan
Part 6 Conclusion: Contemporary Artists Revisit the Personifications of Continents
14 Kent Monkman’s Four Continents (2012–2016)—a 21st-Century Answer to Giambattista Tiepolo’s Four Continents (1752/53) (with an Excursus on Maître Leherb (1981–1992)
Wolfgang Schmale
Index