Love's Labour's Lost
Autor William Shakespeareen Limba Engleză Paperback
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Specificații
ISBN-13: 9781495353604
ISBN-10: 1495353605
Pagini: 86
Dimensiuni: 152 x 229 x 5 mm
Greutate: 0.14 kg
Editura: CREATESPACE
ISBN-10: 1495353605
Pagini: 86
Dimensiuni: 152 x 229 x 5 mm
Greutate: 0.14 kg
Editura: CREATESPACE
Descriere
Descriere de la o altă ediție sau format:
Love's Labour's Lost, now recognized as one of the most delightful and stageworthy of Shakespeare's comedies, came into its own both on the stage and in critical esteem only during the 1930s and 1940s, after three hundred years of neglect by the theatre and undervaluation and misuse by critics. The Introduction to this new edition pays particular attention to this process of rehabilitation. The text, based on the quarto of 1598 and taking full account of the extensive scholarly study that text has received over recent years, rests on the hypothesis that the quarto goes back, probably by way of `lost' quarto, to an authorial manuscript representing the play in a state prior to `fair copy'. If this is so, the quarto takes on a special significance because through it we can watch Shakespeare in the act of composition, improvising, changing his mind, and revising as his play develops under his hand. The editor offers a number of new readings of difficult and disputed passages, together with some suggestions about the way in which the play's notorious `tangles' may have come about. A detailed commentary offers full and helpful guidance to the play's scintillating language. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Love's Labour's Lost, now recognized as one of the most delightful and stageworthy of Shakespeare's comedies, came into its own both on the stage and in critical esteem only during the 1930s and 1940s, after three hundred years of neglect by the theatre and undervaluation and misuse by critics. The Introduction to this new edition pays particular attention to this process of rehabilitation. The text, based on the quarto of 1598 and taking full account of the extensive scholarly study that text has received over recent years, rests on the hypothesis that the quarto goes back, probably by way of `lost' quarto, to an authorial manuscript representing the play in a state prior to `fair copy'. If this is so, the quarto takes on a special significance because through it we can watch Shakespeare in the act of composition, improvising, changing his mind, and revising as his play develops under his hand. The editor offers a number of new readings of difficult and disputed passages, together with some suggestions about the way in which the play's notorious `tangles' may have come about. A detailed commentary offers full and helpful guidance to the play's scintillating language. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Notă biografică
JONATHAN BATE is Professor of Shakespeare and Renaissance Literature, University of Warwick, UK, and the editor of The RSC Shakespeare: The Complete Works. He has held visiting posts at Harvard, Yale and UCLA and is a Fellow of the Royal Society of Literature, a Fellow of the British Academy, an Honorary Fellow of St Catherine's College, Cambridge, and a Governor and Board member of the Royal Shakespeare Company. A prominent critic, award-winning biographer and broadcaster, he is the author of several books on Shakespeare, including The Genius of Shakespeare (Picador), which was praised by Sir Peter Hall, founder of the RSC, as "the best modern book on Shakespeare." In June 2006 he was awarded a CBE by HM The Queen 'for services to Higher Education'.
ERIC RASMUSSEN is Professor of English at the University of Nevada, USA, and the Textual Editor of The RSC Shakespeare: The Complete Works. He is co-editor of the Norton Anthology of English Renaissance Drama and has edited volumes in both the Arden Shakespeare and Oxford World's Classics series. He is the General Textual Editor of the Internet Shakespeare Editions project - one of the most visited Shakespeare websites in the world. For over nine years he has written the annual review of editions and textual studies for the Shakespeare Survey.
ERIC RASMUSSEN is Professor of English at the University of Nevada, USA, and the Textual Editor of The RSC Shakespeare: The Complete Works. He is co-editor of the Norton Anthology of English Renaissance Drama and has edited volumes in both the Arden Shakespeare and Oxford World's Classics series. He is the General Textual Editor of the Internet Shakespeare Editions project - one of the most visited Shakespeare websites in the world. For over nine years he has written the annual review of editions and textual studies for the Shakespeare Survey.
Cuprins
Introduction to the Play
Introduction to the Text
Key Facts
Love's Labour's Lost
Textual Notes
Scene-by-scene Analysis
Love's Labour's Lost in Performance: The RSC and Beyond
Four Centuries of Love's Labour's: An Overview
At the Royal Shakespeare Company
The Director's Cut: Interviews with Terry Hands and Liz Shipman
Approaching Love's Labour's: Reflections by Gregory Doran
Shakespeare's Career in the Theatre
Shakespeare's Works: A Chronology
Further Reading and Viewing
Acknowledgements and Picture Credits
Introduction to the Text
Key Facts
Love's Labour's Lost
Textual Notes
Scene-by-scene Analysis
Love's Labour's Lost in Performance: The RSC and Beyond
Four Centuries of Love's Labour's: An Overview
At the Royal Shakespeare Company
The Director's Cut: Interviews with Terry Hands and Liz Shipman
Approaching Love's Labour's: Reflections by Gregory Doran
Shakespeare's Career in the Theatre
Shakespeare's Works: A Chronology
Further Reading and Viewing
Acknowledgements and Picture Credits
Recenzii
`Hibbard lucidly expounds the intricately patterned structure of his play ... and he dispatches the largely distracting question of its 'topicality' with heartening promptness.'English Studies, Volume 72, Number 6, December 1991
`This Oxford text of Love's Labour's Lost is lucidly informative, scrupulous but concise,. and in general a model of restrained and level-headed editing.'Cedric Watts, University of Sussex, Review of English Studies, Vol. 43, 8/92
'Stanley Wells' OUP Complete Works of Shakespeare is now eight years old and has spawned a new Oxford Shakespeare which appears now in splendidly affordable volumes in that nonpareil of libraries of good reading The World's Classics.'The Oxford Times
`This Oxford text of Love's Labour's Lost is lucidly informative, scrupulous but concise,. and in general a model of restrained and level-headed editing.'Cedric Watts, University of Sussex, Review of English Studies, Vol. 43, 8/92
'Stanley Wells' OUP Complete Works of Shakespeare is now eight years old and has spawned a new Oxford Shakespeare which appears now in splendidly affordable volumes in that nonpareil of libraries of good reading The World's Classics.'The Oxford Times
Caracteristici
This is the first edition of Love's Labours Lost to be developed by and for the RSC, the world's leading Shakespeare theatre company and it includes unique material to help the reader understand and enjoy Shakespeare on the stage as well as on the page
Illustrated with photographs of classic and unusual performances
Outstanding on-page notes which explain words and phrases unfamiliar to a modern audience, including the slang, political references and bawdy humour often ignored or censored in competing editions
Includes scene-by-scene summary, offering an easily understandable way into the play
Completely new introduction by Jonathan Bate, exploring the text and critical debates around it
Summary of the play's performance history at the RSC and elsewhere
Interviews with important Shakespearean directors Terry Hands, Liz Shipman and Greg Doran, discussing key productions at the RSC
Illustrated with photographs of classic and unusual performances
Outstanding on-page notes which explain words and phrases unfamiliar to a modern audience, including the slang, political references and bawdy humour often ignored or censored in competing editions
Includes scene-by-scene summary, offering an easily understandable way into the play
Completely new introduction by Jonathan Bate, exploring the text and critical debates around it
Summary of the play's performance history at the RSC and elsewhere
Interviews with important Shakespearean directors Terry Hands, Liz Shipman and Greg Doran, discussing key productions at the RSC