John Ruskin de J.L. Bradley

John Ruskin: The Critical Heritage

J.L. Bradley

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels.
The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation.
Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.
The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes.

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	Preț	Express
Paperback (1)	467^.20 lei 6-8 săpt.
Taylor & Francis – 28 aug 2013	467^.20 lei 6-8 săpt.
Hardback (1)	1988^.76 lei 6-8 săpt.
Taylor & Francis – 9 noi 1995	1988^.76 lei 6-8 săpt.

Preț

Express

Paperback (1)

467^.20 lei 6-8 săpt.

Taylor & Francis – 28 aug 2013

467^.20 lei 6-8 săpt.

Hardback (1)

1988^.76 lei 6-8 săpt.

Taylor & Francis – 9 noi 1995

1988^.76 lei 6-8 săpt.

Cuprins

Introduction; Chapter 1 ‘Modern Painters I’; Chapter 1-1 The Reverend John Eagles, from an Unsigned Review, ‘Blackwood’s Magazine’; Chapter 1-2 George Darley, Two Unsigned Reviews, ‘Athenaeum’; Chapter 1-3 Walt Whitman, Unsigned Review, ‘Brooklyn Eagle’; Chapter 2 ‘Modern Painters II’; Chapter 2-1 From an Unsigned Review, ‘Foreign Quarterly Review’; Chapter 3 ‘Modern Painters I, II’; Chapter 3-1 Dr John Brown, from an Unsigned Review, ‘North British Review’; Chapter 4 ‘The Seven Lamps of Architecture’; Chapter 4-1 Unsigned Review, ‘Examiner’; Chapter 4-2 Samuel Ferguson, from an Unsigned Review, ‘Dublin University Magazine’; Chapter 4-3 J.M. Capes, Unsigned Review, ‘Rambler’; Chapter 5 ‘Pre-Raphaelitism’; Chapter 5-1 Unsigned Review, ‘Art-Journal’; Chapter 6 ‘The Stones of Venice I’; Chapter 6-1 From an unsigned Review, ‘Fraser’s Magazine’; Chapter 7 ‘The Stones of Venice II, III’; Chapter 7-1 Three unsigned Reviews, ‘The Times’; Chapter 8 ‘Modern Painters III’; Chapter 8-1 From an unsigned Review, ‘The Economist’; Chapter 8-2 George Eliot, from an Unsigned Review, ‘Westminster Review’; Chapter 9 ‘Modern Painters I-III’; Chapter 9-1 Elizabeth Rigby, from an Unsigned Review, ‘Quarterly Review’; Chapter 10 ‘Modern Painters IV’; Chapter 10-1 William Michael Rossetti, Unsigned Review, ‘Spectator’; Chapter 10-2 From an Unsigned Review, ‘Eclectic Review’; Chapter 11 ‘The Political Economy of Art’; Chapter 11-1 Unsigned Editorial, ‘Manchester Examiner and Times’; Chapter 11-2 William Moy Thomas, Unsigned Review, ‘Athenaeum’; Chapter 12 Ruskin in the 1850s; Chapter 12-1 From an Unsigned Article Entitled John Ruskin, ‘Eclectic Magazine’ (New York); Chapter 12-2 From an Unsigned Article, ‘Fraser’s Magazine’; Chapter 12-3 Henry Fothergill Chorley, from an Unsigned Review, ‘Edinburgh Review’; Chapter 12-4 Edward Bruce Hamley, an Unsigned Satirical Article, Mr. Dusky’s Opinions on Art, ‘Blackwood’S Magazine’; Chapter 13 ‘Modern Painters V’; Chapter 13-1 Unsigned Review, ‘Illustr