Iranian Cinema Uncensored: Contemporary Film-makers since the Islamic Revolution
Autor Shiva Rahbaran Traducere de Maryam Mohajeren Limba Engleză Hardback – 17 dec 2015
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Specificații
ISBN-13: 9781784534172
ISBN-10: 178453417X
Pagini: 288
Dimensiuni: 156 x 234 x 25 mm
Greutate: 0.61 kg
Editura: Bloomsbury Publishing
Colecția I.B.Tauris
Locul publicării:London, United Kingdom
ISBN-10: 178453417X
Pagini: 288
Dimensiuni: 156 x 234 x 25 mm
Greutate: 0.61 kg
Editura: Bloomsbury Publishing
Colecția I.B.Tauris
Locul publicării:London, United Kingdom
Notă biografică
Shiva Rahbaran holds a DPhil in English Literature from the University of Oxford. She has published several books on the relationship between art and freedom including The Paradox of Freedom and Iranian Writers Uncensored: Democracy, Freedom, and the Word in Contemporary Iran. She was born in Tehran and now lives in London.
Cuprins
Introduction: New Iranian Cinema in its Cultural, Historical and Political Context1. Mohammad Beheshti: The Role of Post-Revolutionary Institutions in the Development of Iranian Cinema2. Bahram Beyzaie: The Myth of Revolutionary Cinema 3. Abbas Kiarostami: Where is the Revolution? 4. Dariush Mehrjui: Islamic Ideology and Post-revolutionary Intellectual Films5. Bahman Farmanara: Exporting New Iranian Cinema 6. Rakhshan Bani-Etemad: Cinema as a Mirror of the Urban Image7. Majid Majidi: The Revolution and the Cleansing of Film Farsi 8. Jafar Panahi: Cinema and Resistance 9. Tahmineh Milani: New Iranian Cinema and the Education of the Masses10. Ebrahim Hatamikia: Cinema, War and Peace 11. Mohsen Makhmalbaf: An Interview That Never Was Notes Index
Descriere
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The New Iranian Cinema is considered by many to be the most fascinating cultural phenomenon produced within the Islamic Republic of Iran. Containing twelve first-hand interviews with the most renowned film-makers living and working in contemporary Iran, this book provides insights into film-making within a society often at odds with its rulers. Reflecting upon the 1979 revolution and its influence on their work, as well as the effect of their films on Iranian audiences, film-makers such as Abbas Kiarostami and Jafar Panahi highlight the key issues surrounding the reception of Iranian cinema in the West and also its role in the development of Iran's global image. Through these conversations Shiva Rahbaran reveals that the seeds of the New Iranian Cinema were sown long before the revolution, and that Iranian film-makers gave rise to a cinema which became a global phenomenon despite censorship, sanctions and political isolation.
The New Iranian Cinema is considered by many to be the most fascinating cultural phenomenon produced within the Islamic Republic of Iran. Containing twelve first-hand interviews with the most renowned film-makers living and working in contemporary Iran, this book provides insights into film-making within a society often at odds with its rulers. Reflecting upon the 1979 revolution and its influence on their work, as well as the effect of their films on Iranian audiences, film-makers such as Abbas Kiarostami and Jafar Panahi highlight the key issues surrounding the reception of Iranian cinema in the West and also its role in the development of Iran's global image. Through these conversations Shiva Rahbaran reveals that the seeds of the New Iranian Cinema were sown long before the revolution, and that Iranian film-makers gave rise to a cinema which became a global phenomenon despite censorship, sanctions and political isolation.