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In a Lonely Place: Penguin Crime

Autor Dorothy B. Hughes
en Limba Engleză Paperback – 13 iul 2023
'The new crime and espionage series from Penguin Classics makes for a mouth-watering prospect' Daily Telegraph

Los Angeles, the late 1940's. A serial killer stalks the foggy streets at night ...
Dix Steele, a former fighter pilot, moved to L.A. after the war, looking for a new life. But the city is gripped by fear of a murderer in its midst. Dix, however, is not scared. And when he bumps into his old friend Brub, now a detective on the trail of the culprit, he is excited to follow the police's progress. A dark and terrible truth is revealed, in a noir novel like no other.
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Specificații

ISBN-13: 9780241639184
ISBN-10: 0241639182
Pagini: 221
Dimensiuni: 126 x 194 x 16 mm
Greutate: 0.18 kg
Editura: Penguin Books
Colecția Penguin Classics
Seriile Penguin Crime, Penguin Modern Classics - Crime & Espionage


Notă biografică

Dorothy B. Hughes (1904-93) was born in Kansas City, Missouri, and lived most of her life in New Mexico. A journalist and a poet, she began publishing hard-boiled crime novels in 1940, three of which were made into successful films:The Fallen Sparrow(1943),Ride the Pink Horse(1947) andIn a Lonely Place(1950). In her later years, Hughes reviewed crime novels for theLA Times, theNew York Herald Tribuneand other papers. She was named a Grand Master by the Mystery Writers of America.

Recenzii

My favourite crime writer. Full stop
Dorothy B. Hughes is the unsung godmother of every feisty female investigator who has hit the streets in the last twenty-five years
If you wake up in the night screaming with terror, don't say we didn't warn you.
Dorothy B. Hughes was in a class of her own. To be a female author of hard-boiled fiction back in the 1940s was unusual enough, but to write a first-person narrative from the viewpoint of a male serial killer was breaking new ground by anybody's standards. She marked out this territory years before most other writers even knew it existed.
An excellent novel
A tour de force . . . The structure is flawless, and the scenes of postwar L.A. have an immediacy that puts Chandler to shame. No wonder Hughes is the master we keep turning to.