Ghosts
Autor Henrik Ibsenen Limba Engleză Hardback – 6 iun 2019
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Specificații
ISBN-13: 9781644391938
ISBN-10: 1644391937
Pagini: 108
Dimensiuni: 157 x 235 x 11 mm
Greutate: 0.33 kg
Editura: Indoeuropeanpublishing.com
ISBN-10: 1644391937
Pagini: 108
Dimensiuni: 157 x 235 x 11 mm
Greutate: 0.33 kg
Editura: Indoeuropeanpublishing.com
Notă biografică
Henrik Ibsen (20 March 1828 - 23 May 1906) was a Norwegian playwright and theatre director. As one of the founders of modernism in theatre, Ibsen is often referred to as "the father of realism" and one of the most influential playwrights of his time. He is the most frequently performed dramatist in the world after Shakespeare, and was nominated for the Nobel Prize in Literature in 1902, 1903, and 1904. Ibsen spent several years employed at Det norske Theater, where he was involved in the production of more than 145 plays as a writer, director, and producer. During this period, he published five new, though largely unremarkable, plays. In 1858, Ibsen became the creative director of the Christiania Theatre. He married Suzannah Thoresen later that year, but the couple lived in poor financial circumstances and Ibsen became very disenchanted with life. Ibsen left Christiania and went to Sorrento in Italy in self-imposed exile. He didn't return to his native land for the next 27 years, and when he returned, it was as a noted, but controversial, playwright.
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Ghosts is Ibsen's formidably realistic play about the effects of previous generations on the young, a stinging satire on contemporary Norwegian society and morality, and a haunting tragedy that, more than a century since it premiered, still retains its power to shock.
In Ibsen's study of the lingering poison in a marriage based on a lie, Osvald Alving returns from Paris to his mother's home, carrying with him a dreadful secret. His mother's delight at having him home soon turns to horror and grief. The corruption that she had hoped to spare him from when sending him away from the influence of his depraved father has in fact infected his whole body in the form of syphillis. In Mrs Alving and her son's distrust of conventional religion and mores and Oswald's anguish with life, Ibsen created a thoroughly modern and provocative work that created widespread outrage and shock when first produced in 1881.
'Meyer's translations of Ibsen are a major fact in one's general sense of post-war drama. Their vital pace, their unforced insistence on the poetic centre of Ibsen's genius, have beaten academic versions from the field' George Steiner, The New Statesman
Ghosts is Ibsen's formidably realistic play about the effects of previous generations on the young, a stinging satire on contemporary Norwegian society and morality, and a haunting tragedy that, more than a century since it premiered, still retains its power to shock.
In Ibsen's study of the lingering poison in a marriage based on a lie, Osvald Alving returns from Paris to his mother's home, carrying with him a dreadful secret. His mother's delight at having him home soon turns to horror and grief. The corruption that she had hoped to spare him from when sending him away from the influence of his depraved father has in fact infected his whole body in the form of syphillis. In Mrs Alving and her son's distrust of conventional religion and mores and Oswald's anguish with life, Ibsen created a thoroughly modern and provocative work that created widespread outrage and shock when first produced in 1881.
'Meyer's translations of Ibsen are a major fact in one's general sense of post-war drama. Their vital pace, their unforced insistence on the poetic centre of Ibsen's genius, have beaten academic versions from the field' George Steiner, The New Statesman
Recenzii
'Ghosts is a forboding litany of sins past which unravel to lay bare a series of creeping consequences that damn everyone involved, unwittingly or not.'
'Ibsen has the extraordinary capacity for building up tension like the force of water gathering behind a fracturing dyke. When the walls finally break, the ensuing flood is irresistible.'
'Ibsen's most notable foray into the nature/nurture debate'
'When Ibsen's 1881 drama was first staged, the play didn't just tread on one taboo, it bravely waded through a messy bog of them.'
'Ibsen has the extraordinary capacity for building up tension like the force of water gathering behind a fracturing dyke. When the walls finally break, the ensuing flood is irresistible.'
'Ibsen's most notable foray into the nature/nurture debate'
'When Ibsen's 1881 drama was first staged, the play didn't just tread on one taboo, it bravely waded through a messy bog of them.'