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Ghosts de Henrik Ibsen

Ghosts: Oberon Modern Plays

Autor Henrik Ibsen Traducere de Stephen Unwin
en Limba Engleză Paperback – 19 sep 2013
Oswald returns home from Paris to honour his dead father. As his mother begins to feel the presence of ghosts from the past around her, Oswald discovers that there is more to his mystery illness than he first thought. Only by uncovering the truth can they both be set free...
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Specificații

ISBN-13: 9781783190522
ISBN-10: 1783190523
Pagini: 88
Dimensiuni: 130 x 210 x 8 mm
Greutate: 0.1 kg
Editura: Bloomsbury Publishing
Colecția Oberon Books
Seria Oberon Modern Plays

Locul publicării:London, United Kingdom

Notă biografică

Henrik Johan Ibsen was a Norwegian writer and theatre director who lived from 20 March 1828 to 23 May 1906. He is credited with helping to build modernism in theatre. His best-known works are Rosmersholm, The Master Builder, Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, Hedda Gabler, Ghosts, The Wild Duck, When We Dead Awaken, Emperor and Galilean, and A Doll's House. In Skien, Norway, Henrik Johan Ibsen was born into a wealthy merchant family. His forefathers were mostly wealthy city merchants and shipowners or members of the Upper Telemark "aristocracy of officials." Ibsen quit school when he was fifteen. Henrik Wergeland and Peter Christen Asbjrnsen and Jrgen Moe's Norwegian folktales served as inspiration for him. Under the alias "Brynjolf Bjarme," he published his first play, Catilina (1850), but it was never staged. He would only make a few trips to Norway during the following 27 years, spending most of them in Germany and Italy.After suffering many strokes, Ibsen passed away at his house at Arbins gade 1 in Kristiania (now Oslo) in March 1900. He was laid to rest at Oslo's Vr Frelsers Gravlund, often known as "The Graveyard of Our Savior." Ibsen exclaimed "On the contrary" ("Tvertimod!") as his final words before passing away.

Recenzii

'Ghosts is a forboding litany of sins past which unravel to lay bare a series of creeping consequences that damn everyone involved, unwittingly or not.'
'Ibsen has the extraordinary capacity for building up tension like the force of water gathering behind a fracturing dyke. When the walls finally break, the ensuing flood is irresistible.'
'Ibsen's most notable foray into the nature/nurture debate'
'When Ibsen's 1881 drama was first staged, the play didn't just tread on one taboo, it bravely waded through a messy bog of them.'