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Germinal de Emile Zola

Germinal: Rougon-Macquart Cycle, cartea 13

Autor Emile Zola Frederick Davidson
en Limba Engleză CD-Audio – 31 mai 2013
With flawless construction and impeccable detail, Germinal chronicles the conflicts, lusts, and deprivation of life in the coal fields of nineteenth-century France. A father and three of seven children work brutal hours, facing such hazards as landslides, fire, and poisoned air, to scrape together enough money for food. When their lodger, Etienne, shares ideas of a workers' revolt, the family gradually embraces his plans. Soon the settlement is aflame with resolve to strike for better wages and working conditions. Savage and horrifying events ensue as miners clash with management and with each other. Where people once merely struggled for food they are now dying of starvation. The hungry wage war against the sated, against the resignation of their peers, and ultimately against hunger itself. Published in 1885, Germinal helped establish Emile Zola as the leading figure in the French school of naturalistic fiction. This masterpiece has been called one of the ten best novels in the French language.
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Specificații

ISBN-13: 9781470888060
ISBN-10: 1470888068
Greutate: 0.45 kg
Editura: BLACKSTONE AUDIO BOOKS
Seria Rougon-Macquart Cycle

Descriere

Descriere de la o altă ediție sau format:
Coal mines have become rare, but the miners of Germinal are immortal. This new edition of the novel, with a translation by Raymond MacKenzie, is an exquisite tribute to their work, their misery and their eventual revolt. In his introduction, David Baguley--one of the most respected authorities on the work of Zola--brilliantly illuminates the genetic, historical and aesthetic aspects of the novel. His lucid, sensitive and critical gaze highlights the real secrets of the work: its underlying anthropological and social investigation, the dark power of the tragic imagination and the brightness of symbolic and mythic intuitions. --Henri Mitterand, Professor Emeritus, Columbia University

Recenzii

Raymond MacKenzie's elegant new translation of Emile Zola’s Germinal captures the diction of the novel's colorful characters and the restrained voice of a naturalist narrator. David Baguley’s introduction analyzes Zola’s personal background, his literary and scientific influences, and the historical circumstances of French workers in the 1860s as well as a spectrum of political acts and deeds in the 1880s when the novel was written. These features plus Zola’s notes on the town of Anzin that he studied prior to writing the novel, make this the edition of choice for course adoptions in history and literature. --Stephen Kern, Humanities Distinguished Professor, Department of History, Ohio State University

Notă biografică

Émile Zola (1840-1902) was a French novelist, journalist, critic, and one of the central figures of literary naturalism. Best known for the twenty-volume Rougon-Macquart cycle, Zola brought an ambitious social, political, and scientific seriousness to the nineteenth-century novel, examining how heredity, environment, class, labour, money, sexuality, and institutions shape human life. His fiction often focused on the forces that polite society preferred not to see: poverty, exploitation, alcoholism, prostitution, industrial danger, political corruption, and the pressure of economic power on ordinary families.Born in Paris and raised partly in Aix-en-Provence, Zola became one of the most influential and controversial writers of modern France. Novels such as Thérèse Raquin, L'Assommoir, Nana, Germinal, La Bête humaine, and La Débâcle helped define naturalist fiction through their detailed social observation, unsentimental realism, and willingness to confront the physical and moral conditions of modern life. Germinal, his great novel of coal miners and class struggle, is among his most enduring works and remains a cornerstone of French literature, labour fiction, and the European realist tradition. Zola was also a major public intellectual, famously intervening in the Dreyfus Affair with "J'Accuse...!", an act that confirmed his place not only in literary history but in the history of political conscience.