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Film World: The Directors' Interviews: Talking Images

Traducere de Julie Rose Autor Michel Ciment
en Limba Engleză Paperback – mai 2009
Film World brings together key interviews with cinema's leading directors. The directors chosen represent many of the most influential film-makers of the last 50 years. All have been selected because of their cinematic vision, because they have a particular way of seeing the world and of filming it. All have created a body of work which is both hugely popular and critically acclaimed.

This truly global range of directors hails from Australia, Britain, China and Hong Kong, Denmark, Finland, France, Germany, India, Iran, Ireland, Italy, Japan, Korea, North America, Poland, and Russia. Together, these illuminating interviews reveal how these visionary directors create images which speak to audiences the world over.

The interviews are with: Bernardo Bertolucci, John Boorman, Robert Bresson, Jane Campion, John Cassavetes, David Cronenberg, Atom Egoyan, Federico Fellini, Jean-Luc Godard, Peter Greenaway, Werner Herzog, Hou Hsiao-hsien, Wong Kar-wei, Aki Kaurismaki, Abbas Kiarostami, Krzysztof Kieslowski, Takeshi Kitano, Im Kwon-taek, Mike Leigh, Manoel de Oliveira, Satyajit Ray, Martin Scorsese, Andrei Tarkovsky, Lars von Trier, Zhang Yimou
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Specificații

ISBN-13: 9781845204587
ISBN-10: 1845204581
Pagini: 384
Ilustrații: index
Dimensiuni: 172 x 244 x 18 mm
Greutate: 0.73 kg
Editura: Bloomsbury Publishing
Colecția Berg Publishers
Seria Talking Images

Locul publicării:London, United Kingdom

Cuprins

Contents

Introduction
1. Bernardo Bertolucci
2. Robert Bresson
3. John Boorman
4. Jane Campion
5. John Cassavetes
6. David Cronenberg
7. Atom Egoyan
8. Federico Fellini
9. Jean Luc Godard
10. Peter Greenaway
11. Werner Herzog
12. Wong Kar-wei
13. Aki Kaurismaki
14. Krzysztof Kieslowski
15. Abbas Kiorastami
16. Takeshi Kitano
17. Im Kwon-taek
18. Mike Leigh
19. Manoel de Oliveira
20. Satyajit Ray
21. Martin Scorsese
22. Andrei Tarkovski
23. Lars von Trier
24. Zhang Yimou
Notes

Recenzii

For every ambitious academic reformulation of cinema and its history, we need a book like this.