Ethnodrama: An Anthology of Reality Theatre: Crossroads in Qualitative Inquiry
Editat de Johnny Saldaña Contribuţii de José Casas, Jennifer Chapman, Laura Eason, Elissa Foster, Macklin Finley, Susan Finley, Michael Keck, Matthew J. Meyer, Jim Mienczakowski, Steve Morgan, Monica Prendergast, Michael Rohd, Anne Swedberg, Heather Sykes, Charles Vanoveren Limba Engleză Paperback – 28 ian 2005
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| Bloomsbury Publishing – 28 ian 2005 | 263.88 lei 43-57 zile | |
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Specificații
ISBN-13: 9780759108134
ISBN-10: 0759108137
Pagini: 256
Dimensiuni: 154 x 232 x 13 mm
Greutate: 0.35 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția AltaMira Press
Seria Crossroads in Qualitative Inquiry
Locul publicării:New York, United States
ISBN-10: 0759108137
Pagini: 256
Dimensiuni: 154 x 232 x 13 mm
Greutate: 0.35 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția AltaMira Press
Seria Crossroads in Qualitative Inquiry
Locul publicării:New York, United States
Cuprins
Part 1 Acknowledgments
Part 2 Series Editors' Introduction
Part 3 Prologue: the theatre
Part 4 An Introduction to Ethnodrama
Part 5 Part One-Ethnodramatic Monologue
Chapter 6 Scenes from Voices in the Rain
Chapter 7 Scenes from 14
Chapter 8 Chalkboard Concerto: Growing Up as a Teacher in the Chicago Public Schools
Part 9 Part Two-Ethnodramatic Dialogue with Monologue
Chapter 10 Storm Tracking: Scenes of Marital Disintegration
Chapter 11 The Practice
Chapter 12 Wearing the Secret Out
Part 13 Part Three-Ethnodramatic Extensions
Chapter 14 Baddies, Grubs and the Nitty-Gritty
Chapter 15 Street Rat
Chapter 16 Hidden
Part 17 Appendix: Dramatic Models for Ethnodrama
Part 18 About the Contributors
Part 2 Series Editors' Introduction
Part 3 Prologue: the theatre
Part 4 An Introduction to Ethnodrama
Part 5 Part One-Ethnodramatic Monologue
Chapter 6 Scenes from Voices in the Rain
Chapter 7 Scenes from 14
Chapter 8 Chalkboard Concerto: Growing Up as a Teacher in the Chicago Public Schools
Part 9 Part Two-Ethnodramatic Dialogue with Monologue
Chapter 10 Storm Tracking: Scenes of Marital Disintegration
Chapter 11 The Practice
Chapter 12 Wearing the Secret Out
Part 13 Part Three-Ethnodramatic Extensions
Chapter 14 Baddies, Grubs and the Nitty-Gritty
Chapter 15 Street Rat
Chapter 16 Hidden
Part 17 Appendix: Dramatic Models for Ethnodrama
Part 18 About the Contributors
Recenzii
What a splendid opportunity Professor Saldaña gives us here to help qualitative researchers learn more about the genre of research known as ethnodrama. Following his excellent overview, he provides examples of three types of reality theatre-monologue, dialogue, and ethnodramatic 'extension'-including the full text from seven of these productions. Bravo for this much needed resource.
This is a glorious book that breaks new ground in research methodology and data representation. Effectively advancing a form of performative arts-based research, its anthology of plays illustrates a blurring of the fields of theatre and ethnography. Through powerful examples, it teaches both qualitative researchers and producers of theatre important lessons about how to entertain audiences while also informing them about important social issues.
Overall, the ethnodramas take us on a roller-coaster ride of themes, issues and emotions that leave a lasting impression. . . Saldaña's outstanding collection will generate valuable conversation in teaching, research and theatre contexts regarding both ists contents and methods. . . the book will provide a valuable resource for my graduate arts-based research classes, and food for thought in my own quest for 'finding the proper balance between research as art and art as research'. . . . Rich with examples of high quality performative arts-based research, the book is a stimulating read-instructive and entertaining, as good theatre should be.
...[This] book is an important addition to the broad field of performance that extends into other disciplines and embraces more than aesthetic goals. Ethnodrama advocates for drama as a form of qualitative research that brings more voices to the public and as an occasion for valuable dialogue between actors and audiences.
This book is long overdue. Those of us committed to the performance paradigm have not had, in a single source, a collection of ethnodramas that could be used for teaching and instruction. Saldaña's anthology gives us this book. . . .[His] magnificent introduction locates this field in its proper literatures, gives the reader a vocabulary of terms (plot, story line, dramatic structure, character, scenography) and a typology of forms. . . .Johnny Saldaña and his collaborators are to be thanked for giving us the platform from which this new form of critical qualitative inquiry can be launched.
This is a glorious book that breaks new ground in research methodology and data representation. Effectively advancing a form of performative arts-based research, its anthology of plays illustrates a blurring of the fields of theatre and ethnography. Through powerful examples, it teaches both qualitative researchers and producers of theatre important lessons about how to entertain audiences while also informing them about important social issues.
Overall, the ethnodramas take us on a roller-coaster ride of themes, issues and emotions that leave a lasting impression. . . Saldaña's outstanding collection will generate valuable conversation in teaching, research and theatre contexts regarding both ists contents and methods. . . the book will provide a valuable resource for my graduate arts-based research classes, and food for thought in my own quest for 'finding the proper balance between research as art and art as research'. . . . Rich with examples of high quality performative arts-based research, the book is a stimulating read-instructive and entertaining, as good theatre should be.
...[This] book is an important addition to the broad field of performance that extends into other disciplines and embraces more than aesthetic goals. Ethnodrama advocates for drama as a form of qualitative research that brings more voices to the public and as an occasion for valuable dialogue between actors and audiences.
This book is long overdue. Those of us committed to the performance paradigm have not had, in a single source, a collection of ethnodramas that could be used for teaching and instruction. Saldaña's anthology gives us this book. . . .[His] magnificent introduction locates this field in its proper literatures, gives the reader a vocabulary of terms (plot, story line, dramatic structure, character, scenography) and a typology of forms. . . .Johnny Saldaña and his collaborators are to be thanked for giving us the platform from which this new form of critical qualitative inquiry can be launched.