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Death in Venice de Thomas Mann

Death in Venice

Autor Thomas Mann Editat de Clayton Koelb
en Limba Engleză Paperback – 17 iun 1994
Clayton Koelb's masterful translation improves upon its predecessors in two ways: it renders Mann into American (not British) English, and it remains true to Mann's original text without sacrificing fluency. For American readers, this is the translation of choice. "Backgrounds and Contexts" includes Mann's working notes, which allow students to observe the author's creative process. The notes are available here for the first time in English. Illuminating selections from Mann's essays and letters are also reprinted, as are period maps of Munich, Venice, and the Lido. "Criticism" includes six essays by Andre von Gronicka, Manfred Dierks, T. J. Reed, Dorrit Cohn, David Luke, and Robert Tobin sure to stimulate classroom discussion. A Chronology and Selected Bibliography are also included."
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Specificații

ISBN-13: 9780393960136
ISBN-10: 0393960137
Pagini: 256
Dimensiuni: 131 x 212 x 14 mm
Greutate: 0.25 kg
Ediția:Critică
Editura: W. W. Norton & Company

Notă biografică

Thomas Mann, a member of a Hanseatic family with deep roots in Lübeck, was arguably Germany's most famous twentieth-century writer. In 1929, he was awarded the Nobel Prize in Literature.

Descriere

Descriere de la o altă ediție sau format:
Mann's bestselling work of fiction now appears in a trade paperback format with a striking new jacket. Sales of the classic have totaled over 800,000 copies and average 42,000 copies a year.

Textul de pe ultima copertă

The world-famous masterpiece by Nobel laureate Thomas Mann -- here in a new translation by Michael Henry Heim
Published on the eve of World War I, a decade after Buddenbrooks had established Thomas Mann as a literary celebrity, Death in Venice tells the story of Gustav von Aschenbach, a successful but aging writer who follows his wanderlust to Venice in search of spiritual fulfillment that instead leads to his erotic doom.
In the decaying city, besieged by an unnamed epidemic, he becomes obsessed with an exquisite Polish boy, Tadzio. "It is a story of the voluptuousness of doom," Mann wrote. "But the problem I had especially in mind was that of the artist's dignity."