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Bright Star de John Keats

Bright Star

Autor John Keats Editat de Miriam Chalk
en Limba Engleză Paperback – 2 ian 2012

Considerăm ediția de față a volumului Bright Star drept un instrument fundamental pentru studenții și cercetătorii literaturii britanice, fiind calibrată special pentru a răspunde cerințelor academice de analiză a mișcării Romantice. Remarcăm efortul editorial de a reuni nu doar piesele de rezistență, precum „Ode to a Nightingale” sau „Ode on a Grecian Urn”, ci și fragmente din epopeile Endymion și Hyperion, oferind o imagine de ansamblu asupra evoluției tehnice a lui John Keats. Această ediție revizuită și extinsă din British Poets Series se distinge prin aparatul critic semnat de Miriam Chalk și prin includerea unor ilustrații care ancorează vizual imaginarul senzorial keatsian.

Observăm că Bright Star acoperă aceeași arie tematică precum volumul Poems of 1820, însă aduce o abordare mult mai cuprinzătoare. În timp ce Poems of 1820 se concentrează pe apogeul carierei sale, selecția curentă oferă o perspectivă interdisciplinară, integrând bibliografia și notele necesare pentru a înțelege contextul șamanic și mitologic al autorului. Față de Selected Poems din Macmillan Collector's Library, care mizează pe formatul de buzunar și estetică, ediția de la Vintage Publishing este un suport de studiu robust.

În contextul operei sale, această antologie servește drept o sinteză superioară față de Lamia, Isabella, The Eve of St Agnes and Other Poems, deoarece nu se limitează la volumele publicate în timpul vieții, ci urmărește firul roșu al „magiei naturale” pe care critici precum Matthew Arnold o comparau cu geniul lui Shakespeare. Este o resursă care facilitează înțelegerea modului în care John Keats a transformat suferința personală în estetică universală.

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Specificații

ISBN-13: 9781861713353
ISBN-10: 1861713355
Pagini: 128
Dimensiuni: 156 x 234 x 8 mm
Greutate: 0.21 kg
Ediția:3
Editura: Crescent Moon Publishing

De ce să citești această carte

Recomandăm această ediție oricărui cititor care dorește să aprofundeze canonul poetic englez. Dincolo de frumusețea versurilor, volumul oferă rigoarea necesară pentru pregătirea examenelor de literatură universală, datorită notelor explicative și bibliografiei incluse. Câștigați acces la o selecție actualizată ce îmbină analiza textului cu ilustrații de epocă, facilitând o înțelegere profundă a curentului Romantic prin ochii celui mai senzorial reprezentant al său.

Despre autor

John Keats (1795-1821), figură centrală a Romantismului englez, a avut o carieră fulminantă de doar câțiva ani. Orfan de la paisprezece ani și inițial ucenic chirurg, a abandonat medicina pentru a se dedica poeziei. Deși primele sale lucrări au fost primite cu asprime de critici, Keats și-a păstrat convingerea că va ocupa un loc de cinste printre poeții englezi. Opera sa este marcată de o senzorialitate debordantă și de explorarea temelor mortalității și frumuseții, teme accentuate de tragica sa moarte din cauza tuberculozei la vârsta de 26 de ani, în Roma.

Descriere scurtă

JOHN KEATS: BRIGHT STAR: SELECTED POEMSEdited with an introduction by Miriam Chalk
This book gathers the most potent passages from the poetry of John Keats (1795-1821) together, including the famous 'Odes', the sonnets, the luxuriously sensuous 'Eve of St Agnes', the mysterious and atmospheric 'La Belle Dame Sans Merci', and extracts from 'Lamia', 'Endymion' and 'Hyperion'.
This edition has been updated with new poems and a revised text
John Keats is one of the few British poets who is truly ecstatic and wild. Keats is known for his ornate language, memorable phrases ('made sweet moan' in 'La Belle Dame Sans Merci'), Romantic indulgences, and a tendency to gush and exaggerate. Keats is one of a few poets who write in English in a shamanic manner.
John Keats reaches the pinnacle of British poetry, as W. Jackson Bate, typical among critics, says: 'the language of his greatest poetry has always held an attraction; for there we reach, if only for a brief while, a high plateau where in mastery of phrase he has few equals in English poetry, and only one obvious superior.'
Like Arthur Rimbaud, and like the poet he is most compared with, Percy Bysshe Shelley, John Keats burnt fiercely and died young. He is a poet as martyr and hero, a Vincent van Gogh of poesie. He is famous for his sensual odes - 'Ode to a Grecian Urn', 'Ode to Melancholy', 'To Autumn', 'Ode to Psyche' and 'Ode to a Nightingale' - the poems 'Lamia', 'Endymion' and 'Hyperion', the luxuriant 'The Eve of St Agnes', a group of sonnets, and the strange, haunting fairy tale poem 'La Belle Dame Sans Merci'.
John Keats is a typical Romantic poet: he used pagan imagery; he employs much ancient Greek mythology; he  is a shamanic poet, who writes in feverish bouts; he is a 'poet's poet'; he wrote searing short poems, and attempted long, epic sequences; he revered the right authors (John Milton, William Shakespeare, the ancient Greeks); he died young; and he travelled to Italy, the key destination for the authentic Grand Tour experience.
 British Poets Series. Illustrated. Bibliography and notes. ISBN 9781861713353. 128 pages.
www.crmoon.com

Recenzii

"Littered with sensuous descriptions of nature's beauty, Keats's odes also pose profound philosophical questions" Sunday Telegraph "Sublime" Sunday Times "In what we call natural magic, he ranks with Shakespeare...no-one else in English poetry has...his perception of loveliness" Matthew Arnold "One of the half-dozen greatest English writers" Edmund Wilson "His letters are certainly the most notable and most important ever written by any English poet" T.S. Eliot

Notă biografică

John Keats was born in October 1795, son of the manager of a livery stable in Moorfields. His father died in 1804 and his mother, of tuberculosis, in 1810. By then he had received a good education at John Clarke’s Enfield private school. In 1811 he was apprenticed to a surgeon, completing his professional training at Guy’s Hospital in 1816. His decision to commit himself to poetry rather than a medical career was a courageous one, based more on a challenge to himself than any actual achievement. His genius was recognized and encouraged by early Mends like Charles Cowden Clarke and J. H. Reynolds, and in October 1816 he met Leigh Hunt, whose Examiner had already published Keats’s first poem. Only seven months later Poems (1817) appeared. Despite the high hopes of the Hunt circle, it was a failure. By the time Endymion was published in 1818 Keats’s name had been identified with Hunt’s ‘Cockney School’, and the Tory Blackwood’s Magazine delivered a violent attack on Keats as a lower-class vulgarian, with no right to aspire to ‘poetry’.
But for Keats fame lay not in contemporary literary politics but with posterity. Spenser, Shakespeare, Milton, and Wordsworth were his inspiration and challenge. The extraordinary speed with which Keats matured is evident from his letters. In 1818 he had worked on the powerful epic fragment Hyperion, and in 1819 he wrote ‘The Eve of St Agnes’, ‘La Belle Dame sans Merci’, the major odes, Lamia, and the deeply exploratory Fall of Hyperion. Keats was already unwell when preparing the 1820 volume for the press; by the time it appeared in July he was desperately ill. He died in Rome in 1821. Keats’s final volume did receive some contemporary critical recognition, but it was not until the latter part of the nineteenth century that his place in English Romanticism began to be recognized, and not until this century that it became fully recognized.

Extras

Bright star, would I were steadfast as thou art--
Not in lone splendour hung aloft the night
And watching, with eternal lids apart,
Like nature's patient, sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth's human shores,
Or gazing on the new soft-fallen mask
Of snow upon the mountains and the moors--
No--yet still stedfast, still unchangeable,
Pillow'd upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever--or else swoon to death.


La Belle Dame Sans Merci
Ah, what can ail thee, wretched wight,
 Alone and palely loitering;
The sedge is wither'd from the lake,
 And no birds sing.
Ah, what can ail thee, wretched wight,
 So haggard and so woe-begone?
The squirrel's granary is full,
 And the harvest's done.
I see a lily on thy brow,
 With anguish moist and fever dew;
And on thy cheek a fading rose
 Fast withereth too.
I met a lady in the meads
 Full beautiful, a faery's child;
Her hair was long, her foot was light,
 And her eyes were wild.
I set her on my pacing steed,
 And nothing else saw all day long;
For sideways would she lean, and sing
 A faery's song.
I made a garland for her head,
 And bracelets too, and fragrant zone;
She look'd at me as she did love,
 And made sweet moan.
She found me roots of relish sweet,
 And honey wild, and manna dew;
And sure in language strange she said,
 I love thee true.
She took me to her elfin grot,
 And there she gaz'd and sighed deep,
And there I shut her wild sad eyes--
 So kiss'd to sleep.
And there we slumber'd on the moss,
 And there I dream'd, ah woe betide,
The latest dream I ever dream'd
 On the cold hill side.
I saw pale kings, and princes too,
 Pale warriors, death-pale were they all;
Who cry'd--"La belle Dame sans merci
 Hath thee in thrall!"
I saw their starv'd lips in the gloam
 With horrid warning gaped wide,
And I awoke, and found me here
 On the cold hill side.
And this is why I sojourn here
 Alone and palely loitering,
Though the sedge is wither'd from the lake,
 And no birds sing.