Boring Formless Nonsense: Experimental Music and the Aesthetics of Failure
Autor Eldritch Priesten Limba Engleză Hardback – 14 mar 2013
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Specificații
ISBN-13: 9781441124753
ISBN-10: 1441124756
Pagini: 336
Ilustrații: 20
Dimensiuni: 138 x 216 x 28 mm
Greutate: 0.55 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
ISBN-10: 1441124756
Pagini: 336
Ilustrații: 20
Dimensiuni: 138 x 216 x 28 mm
Greutate: 0.55 kg
Ediția:New.
Editura: Bloomsbury Publishing
Colecția Bloomsbury Academic
Locul publicării:New York, United States
Cuprins
Introduction One: BoringIntroductionA boring historyCage, Fluxus and Extendedness in the 1960s and 70sThe Aesthetics of Boredom and the Art of WaitingThe Premises/Promises of Aesthetic BoredomA Less Promising BoredomUglier Feelings of the StuplimePost...Death...Afterthought... Two: Formless Pretext(Informe)How to read this chapterStoryBecoming FormlessMusic NoiseRecording Distraction---MultitaskingCapture and EscapeLull ))) ))) )))Listening to SoS#16's Lull )))))(((((Listening Away)))))Muzak's Way of Dreaming Ubiquitously ))))---Notes on Muzak---Quantum ModulationWe don't (((listen))) anymoreThe (((Sound))) of HabitsSound-Effects))))) Charm and DissatisfactionLast)))))Another Again Three: Nonsense (Voodoo(Metareferentiality, Metamusic and Hypermusic(Grúpat and Pseudonymity(Symptoms, Syndromes and Hyperfiction(In a Sedimental Mood(Hyperstition, Magick and Nonsense(Becoming Karen et al, a Real-Time Hyperstition as of March 30, 2007 ByKaren Eliotiv(Of Lies(What does music feel like? (or, 'on the refrain of pain and imagining'):Discursive Remainders from glossolalia (stress positions) by EngramKnots(glossolalia (stress positions)(Occult dualism(Illustrative Interlude: Practicing(The sleep side of music and dream-work)))))))))))))Inconclusion/This chapter is false("Disclaimer") Four: Confabulation BibliographyIndex
Recenzii
Priest is at his best in [the] musicological sections, lucidly explaining the processes and structures of complex works . . . His judgments lack the obtuseness that dogs writing on lowercase music and his prose style ... has a flair and rhythm that compels attention