Beyond Good and Evil de Friedrich Wilhelm Nietzsche

Beyond Good and Evil

Friedrich Wilhelm Nietzsche

Zimmern, Helen

Of the four "late-period" writings of Nietzsche, Beyond Good and Evil most closely resembles the aphoristic style of his middle period. In it he exposes the deficiencies of those usually called "philosophers" and identifies the qualities of the "new philosophers": imagination, self-assertion, danger, originality, and the "creation of values." He then contests some of the key presuppositions of the old philosophic tradition like "self-consciousness," "knowledge," "truth," and "free will," explaining them as inventions of the moral consciousness. In their place, he offers the "will to power" as an explanation of all behavior; this ties into his "perspective of life," which he regards as "beyond good and evil," denying a universal morality for all human beings. Religion and the master and slave moralities feature prominently as Nietzsche re-evaluates deeply held humanistic beliefs, portraying even domination, appropriation and injury to the weak as not universally objectionable.

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Friedrich Nietzsche, (born October 15, 1844, Röcken, Saxony, Prussia [Germany]-died August 25, 1900, Weimar, Thuringian States), German classical scholar, philosopher, and critic of culture, who became one of the most influential of all modern thinkers. His attempts to unmask the motives that underlie traditional Western religion, morality, and philosophy deeply affected generations of theologians, philosophers, psychologists, poets, novelists, and playwrights. He thought through the consequences of the triumph of the Enlightenment's secularism, expressed in his observation that "God is dead," in a way that determined the agenda for many of Europe's most-celebrated intellectuals after his death. Although he was an ardent foe of nationalism, anti-Semitism, and power politics, his name was later invoked by fascists to advance the very things he loathed.