Beware of Pity: Penguin Modern Classics
Autor Stefan Zweig Traducere de Jonathan Katzen Limba Engleză Paperback – 29 feb 2024
'I can't take any more of your revolting merciful kindness!'
Who would have thought that the great military hero Captain Hofmiller - that living monument to his own courage - would have anything burdening his soul? But when he reveals his story, it is not one of bravery but tragedy: a simple blunder at a dance from which disaster grows, ruining lives with his weak, foolish pity...
Beware of Pity is Stefan Zweig's greatest novel, fiercely capturing human emotions in all their subtleties and extremes - while Hofmiller, his unforgettable, naïve creation, misunderstands everything, resulting in his downfall.
Translated by Jonathan Katz. Previously published as Impatience of the Heart.
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Specificații
ISBN-13: 9780241678763
ISBN-10: 0241678765
Pagini: 379
Dimensiuni: 128 x 195 x 23 mm
Greutate: 0.28 kg
Editura: Penguin Books
Colecția Penguin Classics
Seria Penguin Modern Classics
ISBN-10: 0241678765
Pagini: 379
Dimensiuni: 128 x 195 x 23 mm
Greutate: 0.28 kg
Editura: Penguin Books
Colecția Penguin Classics
Seria Penguin Modern Classics
Notă biografică
Stefan Zweig was born in 1881 in Vienna to a wealthy Austrian-Jewish family. Recognition as a writer came early for Zweig; by the age of forty, he had already won literary fame. In 1934, with Nazism entrenched, Zweig left Austria for England, and became a British citizen in 1940. In 1941 he and his second wife went to Brazil, where they committed suicide. Zweig's best-known works of fiction are Beware of Pity (1939) and Chess (1942), but his most outstanding accomplishments were his many biographies, which were based on psychological interpretation.
Recenzii
"Beware of Pity, his first venture in longer fiction, is original and powerful work...Zweig has chronicled a hopeless and tragic relationship in a manner that so holds the reader as never to dispirit him, telling a story full of psychological pitfalls that only an experienced writer, and an experienced human being could dare to attempt...Zweig remains, after Beware of Pity, what he seemed to be--in his novelettes and biographies--before he wrote it: a brilliant writer." --The New York Times
"Admired by readers as diverse as Freud, Einstein, Toscanini, Thomas Mann and Herman Goering." --The New York Times
"Herr Zweig presents this story with considerable skill, with compelling force...It is a good story." --The New York Times
"What is so impressive about Beware of Pity is Zweig's ability to make us feel the violently shifting emotions of all his characters as if they were our own. Only a writer of great sensitivity could do this. His theme, or moral, which he does not obtrude on us in any clumsy way, is that impulsive pity for others is a dangerous emotion with embroils us in false situations, often with disastrous results." --Sunday Telegraph
"Beware of Pity is an utterly unsparing dissection of the corruptions of false pity...In stripping away the lies with which we disguise our true desires from ourselves, Zweig lays bare the larger lies of the age: it was, in fact, the perfect novel for that 'low, dishonest decade,' as Auden termed it." --The New York Sun
"Admired by readers as diverse as Freud, Einstein, Toscanini, Thomas Mann and Herman Goering." --The New York Times
"Herr Zweig presents this story with considerable skill, with compelling force...It is a good story." --The New York Times
"What is so impressive about Beware of Pity is Zweig's ability to make us feel the violently shifting emotions of all his characters as if they were our own. Only a writer of great sensitivity could do this. His theme, or moral, which he does not obtrude on us in any clumsy way, is that impulsive pity for others is a dangerous emotion with embroils us in false situations, often with disastrous results." --Sunday Telegraph
"Beware of Pity is an utterly unsparing dissection of the corruptions of false pity...In stripping away the lies with which we disguise our true desires from ourselves, Zweig lays bare the larger lies of the age: it was, in fact, the perfect novel for that 'low, dishonest decade,' as Auden termed it." --The New York Sun