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An Ideal Husband: Mint Editions (Plays)

Autor Oscar Wilde
en Limba Engleză Paperback – feb 2021
Sir Robert Chiltern is a rising political star who's confronted by the unsavory Mrs. Cheveley with news that could destroy his personal and professional life. In An Ideal Husband Sir Robert is forced to face the truth about his deceptive origins. Sir Robert Chiltern and his wife Lady Chiltern are surrounded by wealth and luxury. The former amassed a fortune as a young man, which helped catapult his social status. While attending a high-class event, Sir Robert is corned by Mrs. Cheveley-a former foe of Lady Chiltern. She demands he take part in an unethical business proposal or she'll expose his corrupt past. The ultimatum has unforeseen consequences that effect his marriage and professional relationships. An Ideal Husband delivers a bold commentary on London's elite. Wilde highlights the hypocrisy of pious figures, who are driven by ego and greed. Along with The Importance of Being Earnest, An Ideal Husband is one of his most produced plays. With an eye-catching new cover, and professionally typeset manuscript, this edition of An Ideal Husband is both modern and readable. Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book. With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.
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Specificații

ISBN-13: 9781513271224
ISBN-10: 1513271229
Pagini: 94
Dimensiuni: 127 x 203 x 6 mm
Greutate: 0.11 kg
Editura: Mint Editions
Colecția Mint Editions (Plays)
Seria Mint Editions (Plays)


Descriere

Descriere de la o altă ediție sau format:
One of the nineteenth century's most successful and most frequently revived plays, An Ideal Husband has divided critics more than any other of Wilde's plays. Treating political intrigue, financial fraud, blackmail, scandal and spin, and the role of women in public life, it is a play which engaged with issues of vital importance to its late-Victorian audience, which continue to resonate today.

Sos Eltis, a specialist in Victorian drama and its relation to women's issues, provides a stimulating new perspective on An Ideal Husband, through an introduction that looks at its relation with contemporary social purity campaigns, women's rights, and political scandals. The introduction also gives a substantial performance history, with particular reference to the play's film versions and the influential Peter Hall theatre production.

Notă biografică

IntentionsOscar Wilde Cyril (coming in through the open window from the terrace): My dear Vivian, don't coop yourself up all day in the library. It is a perfectly lovely afternoon. The air is exquisite. There is a mist upon the woods, like the purple bloom upon a plum. Let us go and lie on the grass and smoke cigarettes and enjoy Nature. Vivian: Enjoy Nature! I am glad to say that I have entirely lost that faculty. People tell us that Art makes us love Nature more than we loved her before that it reveals her secrets to us and that after a careful study of Corot and Constable we see things in her that had escaped our observation. My own experience is that the more we study Art, the less we care for Nature. What Art really reveals to us is Nature's lack of design, her curious crudities, her extraordinary monotony, her absolutely unfinished condition. Nature has good intentions, of course, but, as Aristotle once said, she cannot carry them out. When I look at a landscape I cannot help seeing all its defects. It is fortunate for us, however, that Nature is so imperfect, as otherwise we should have no art at all. Art is our spirited protest, our gallant attempt to teach Nature her proper place. As for the infinite variety of Nature, that is a pure myth. It is not to be found in Nature herself. It resides in the imagination, or fancy, or cultivated blindness of the man who looks at her. Cyril: Well, you need not look at the landscape. You can lie on the grass and smoke and talk. Vivian: But Nature is so uncomfortable. Grass is hard and lumpy and damp, and full of dreadful black insects. Why, even Morris's poorest workman could make you a more comfortable seat than the whole of Nature can. Nature pales before the furniture of 'the street which from Oxford has borrowed its name,' as the poet you love so much once vilely phrased it. I don't complain. If Nature had been comfortable, mankind would never have invented architecture, and I prefer houses to the open air. In a house we all feel of the proper proportions. Everything is subordinated to us, fashioned for our use and our pleasure. Egotism itself, which is so necessary to a proper sense of human dignity, is entirely the result of indoor life. Out of doors one becomes abstract and impersonal. One's individuality absolutely leaves one. And then Nature is so indifferent, so unappreciative.