Who's Afraid of Virginia Woolf? (Reclam Universal-Bibliothek, nr. 9073)

Editat de Ferdinand Schunck De (autor)
Notă GoodReads:
en Limba Engleză Paperback – 2000
Descriere de la o altă ediție sau format:
“Twelve times a week,” answered Uta Hagen, when asked how often she’d like to play Martha in Who’s Afraid of Virginia Woolf? Like her, audiences and critics alike could not get enough of Edward Albee’s masterful play. A dark comedy, it portrays husband and wife George and Martha in a searing night of dangerous fun and games. By the evening’s end, a stunning, almost unbearable revelation provides a climax that has shocked audiences for years. With the play’s razor-sharp dialogue and the stripping away of social pretense, Newsweek rightly foresaw Who’s Afraid of Virginia Woolf? as “a brilliantly original work of art—an excoriating theatrical experience, surging with shocks of recognition and dramatic fire [that] will be igniting Broadway for some time to come.” 
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ISBN-13: 9783150090732
ISBN-10: 3150090733
Pagini: 207
Dimensiuni: 95 x 147 x 15 mm
Greutate: 0.12 kg
Editura: Reclam Philipp Jun.
Seriile Reclam Universal-Bibliothek , Fremdsprachentexte

Notă biografică

Edward Albee is one of a handful of our country's most important living playwrights. He has won numerous awards, including three Pulitzer Prizes (A Delicate Balance, Seascape, and Three Tall Women) and three Tony Awards (Who's Afraid of Virginia Woolf?, A Delicate Balance, and The Goat, or Who is Sylvia?). In 1996 he received a Kennedy Center Lifetime Achievement Award and was presented with the National Medal of Arts by President Clinton.At the Kennedy Center Honors Ceremony, Albee was praised for his impact on American drama: "Albee's plays, with their intensity, their grappling with modern themes, and their experiments in form, startled critics and audiences alike while changing the landscape of American drama."


“Albee can…be placed high among the important dramatists of the contemporary world theatre.”—New York Post

“An irreplaceable experience…a crucial event in the birth of contemporary American theater!”—The Village Voice